INSIGHTS 2019: Annual School of Art Student Exhibition
May 9 – 24, 2019
Juried by Cal State Long Beach School of Art Alumni
The University Art Museum and the School of Art present the annual student exhibition, Insights 2019, featuring work from both graduate and undergraduate students in the School of Art. Juried by School of Art Faculty during this year of accreditation, the exhibition highlights work by students in Art Education, Ceramics, Drawing and Painting, Fiber, Graphic Design, Illustration/Animation, Metals/Jewelry, Photography, Printmaking, Sculpture, 4/D, and Wood.
Thursday, May 9, 5:00 pm to 6:00 pm
UAM North Lawn
Student award winners are announced and School of Art students are honored by Faculty.
Thursday, May 9, 6:00 pm to 8:00 pm
University Art Museum
Join us for a celebration of students and their artwork.
B.A.T. State III: Women Artists in Conversation with El Nopal Press
September 9 - November 15, 2019
Guest curated by Anita Bunn and Francesco X. Siqueiros
Opening Reception - Sunday, September 8, 2019
Artists: Lisa Adams, Judy Baca, Judie Bamber, Marietta Bernstorff, Susan Bolles, Mariana Botey, Anita Bunn, Carolyn Castaño, Yreina Cervántez, Emily Cheng, Chelsea Dean, Sandra De La Loza, Pia Elizondo, Yanieb Fabre, Tatyana Fazlalizadeh, Elsa Flores, Diane Gamboa, Silvia Gruner, Sherin Guirguis, Shirley Jaffe, Annie Lapin, Laurie Lipton, Dominique Liquois, Mara Lonner, Rocio Maldonado, Rebecca Morales, Ruby Osorio, Renee Petropoulos, Daniela Rossell, Analia Saban, Susan Silton, Linda Stark, Marika Swan, Laureana Toledo, Alison Walker, Marion Wesson, and Liat Yossifor
B.A.T. State III is a group exhibition co-curated by Anita Bunn and Francesco X. Siqueiros. In printmaking, the French phrase Bon à Tirer (good to go) refers to the final trial proof that an artist approves before the master printer begins production. The artist gives this approval by initialing the proof with “B.A.T.” and signing it. In B.A.T. State III, prints by 37 women artists are featured, produced over a span of 30 years at Siqueiros’s El Nopal Press in downtown Los Angeles.
Drawn to El Nopal Press by Siqueiros’s technical expertise and collaborative spirit, artists are encouraged to experiment. The results can be seen the vibrant mix of lithographs, relief prints, and monoprints on view at the UAM.
This presentation is a third, expanded iteration of B.A.T. Bunn, who had collaborated with Siqueiros to produce an edition of lithographs for a 2011 exhibition, was intrigued by the number of women artists with whom he had worked. In 2013, she proposed the first B.A.T., which she curated at Offramp Gallery in 2013. This show received much acclaim and was heralded as a “feminist tour de force” by Artillery magazine.
About the curators:
Francesco X. Siqueiros has been an artist active in the Los Angeles art scene since the mid-1980s, establishing himself as a master printer at Cirrus Editions. During a trip to visit colleagues in Mexico City, he was struck by the level of artistic collaboration and genuine communication between artists. It prompted him to propose an artistic exchange between artists in Los Angeles and Mexico, that resulted directly in the 1990 exhibition, Aquí y Allá (Here and Over There) at Los Angeles Municipal Art Gallery, which he co-curated with Gabriela Cortines. Siqueiros received a grant from the Rockefeller Foundation in 1993, which allowed him to dedicate more time to El Nopal Press to facilitate conversation between the two nations. Since that time, the conceptual focus of El Nopal has remained to underline the heterogeneity of cultural production and question the hegemony the current dominant cultural perspectives. Siqueiros’s own work as a painter and printmaker has been exhibited in galleries and museums in the United States, Mexico, and Paris, among other locations.
Anita Bunn has made Los Angeles her home for more than 30 years. She received her BFA from Art Center College of Design in 1990 and her MFA from Claremont Graduate University in 2007. Bunn is an artist and adjunct instructor of photography at several colleges and universities. She has exhibited in solo shows and group exhibitions both nationally and internationally, and has developed several local curatorial projects. Her artwork is in many public and private collections, including the Wallace Annenberg Department of Photography at the Los Angeles County Museum of Art and the Capital Group, Los Angeles.