Upcoming – David Lamelas: A Life of Their Own
September 17 – December 10, 2017
The University Art Museum (UAM) will organize the first monographic exhibition in the U.S. on the Argentine-born artist David Lamelas as part of the Getty Pacific Standard Time Initiative LA/LA. Best known as a pioneer of conceptual art, Lamelas gained international acclaim for his work in the 1968 Venice Biennale, Office of Information about the Vietnam War at Three Levels. After moving to Los Angeles in 1976, Lamelas participated in the Long Beach Museum's influential video arts program, and his ongoing conceptual practice influenced an emerging circle of L.A. artists. Since 1988, Lamelas has divided his time among various cities, including Los Angeles, New York, Brussels, Berlin, and Paris, and the nomadic nature of his practice has been an important influence on his creative production. The UAM exhibition will showcase the extraordinary breadth of his practice—encompassing post-minimalist sculpture, photography, and video installations and films—presenting many of his key works in the U.S. for the first time.
Co-curated by Kristina Newhouse and Maria Jose Herrera
Read more information about David Lamelas: A Life of Their Own [PDF].
About the Pacific Standard Time: LA/LA initiative
Pacific Standard Time: LA/LA is a far-reaching and ambitious exploration of Latin American and Latino art in dialogue with Los Angeles, taking place from September 2017 through January 2018 at more than 60 cultural institutions from Santa Barbara to San Diego, and from Los Angeles to Palm Springs. Pacific Standard Time is an initiative of the Getty. The presenting sponsor is Bank of America.
For more information about the Pacific Standard Time: LA/LA initiative.
Upcoming – Robert Irwin: Site Determined
January 28 – April 15, 2018
Robert Irwin: Site Determined is the first exhibition to explore four decades of the artist’s outdoor environmental projects through his drawings and architectural models. Starting with Irwin’s 1975 drawing for Window Wall, his first outdoor sculpture, the exhibition traces the gradually widening scope of Irwin’s art through such ambitious projects as his Arts Enrichment Master Plan for the Miami International Airport and his Central Garden at the J. Paul Getty Center. The exhibition culminates with twenty drawings and an architectural model for one of Irwin’s most important site determined works to date in Marfa, Texas. From one drawing to the next, and from one project to the next, the exhibition visitor will discover an expansion of aesthetic range as well as a gradually increasing chromatic freedom.
Curated by Dr. Matthew Simms