Editorial
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William H. Rosar. Bernard Herrmann: The Beethoven of Film Music?
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Herrmann Studies
James Wierzbicki, Editor
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Thomas DeMary. The Mystery of
Herrmann’s Music for Selznick’s
Portrait of Jennie
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Ronald Burbella. A Note on Commercial
Recordings of Herrmann’s “Jennie’s Song” from
Portrait of Jennie
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E. Todd Fiegel. Bernard Herrmann
as Musical Colorist: A Musicodramatic Analysis of His Score for The
Day the Earth Stood Still
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James Wierzbicki. Grand Illusion:
The “Storm Cloud” Music in Hitchcock’s The Man
Who Knew Too Much
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David Cooper. Film Form and Musical
Form in Bernard Herrmann’s Score to Vertigo
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- William Wrobel. Self Borrowing in the Music of Bernard
Herrmann
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Reviews
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Richard Littlefield. A Heart
at Fire’s Center: The Life and Music of Bernard Herrmann
by Steven C. Smith
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Melissa Ursula Dawn Goldsmith.
Meaning in Film: Relevant Structures in Soundtrack and Narrative
by Dominique Nasta
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Rika Asai. Sound and Vision:
60 Years of Motion Picture Soundtracks by Jon Burlingame
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Eric Hung. The Cartoon Music
Book, edited by Daniel Goldmark and Yuval Taylor
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K. J. Donnelly. Soundtrack Available:
Essays on Film and Popular Music, edited by Pamela Robertson
Wojcik and Arthur Knight
