| Artist: | Pollock, Jackson |
|
|---|---|---|
| Title: | Mural | |
| Date: | 1943 | |
| Nationality: | American | |
| Context: | Post WWII, New York School | |
| Movement: | Abstract Expressionism | |
| Materials: | oil paint on canvas | |
| Subject: the creative process, the spirit of myth, the existential expression of inner being. Style: one of the first all-over field paintings by Pollock; moving towards the wholistic, decentered web; structured chaos; action painting; muralsize. Radical break from easel painting. The gesture: mark making becomes independent of description and representation; no longer painting from the wrist (the embodied gesture). Context: existentialism ("existence precedes essence"); alone in the void (alienation); the Cold War: post-Hiroshima; the Soviet Union gets the bomb in 1949; the 50's beat generation (pushing to the edge of one's consciousness.) Jungian analysis (the collective unconscious;the archetype; mythic structures embedded in everyone's unconscious). | ||
