Subject: Mike Kelley includes his own unidealized, high school picture among the images of the pathetic dolls that make up Ahh. . .Youth. The late 20th C. artist recast not as the hero or the celebrity, but as pathetic, less than ideal and sacred; the pathetic as the anti-sublime and the flip side of Jeff Koons's glossy surface. Grunge. See also the other image of this work and its extended description.
Style: Kelley does not make the dolls himself; he buys them in thrift stores and re-contextualizes them by putting them into his art. Uses these pathetic objects conceptually, thus, to make us critically question romantic notions that mystify or mask dysfunctional realities and to re-consider how complexly embroiled human interpersonal relations are.
Context: late capitalistic, consumer-oriented society in which object-lust masks or cloaks an underlying state of human degradation; lifts up the slick, shiny surface of the hyperreal to see what might be lurking underneath--the pathetic and the abject (those aspects of the body or the real that we prefer to repress); the end of utopia; grunge.
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