Subject: pathetic, second best, orphan dolls, handmade cast-offs, Ferbie wanna-bes; they signify a nostalgia for youth and innocence that needs to be critically re-considered; less than ideal; deconstructs the nostalgic notion of lost innocence by pointing to dysfuntionality and a gift culture where every exchange, no matter how innocent, is made with demands: love me, obey me, do what I want . . .
Style: Kelley does not make the dolls himself; he buys them in thrift stores and re-contextualizes them by putting them into his art. Uses these pathetic objects conceptually, thus, to make us critically question romantic notions that mystify or mask dysfunctional realities and to re-consider how complexly embroiled human interpersonal relations are.
Context: late capitalistic, consumer-oriented society in which object-lust masks or cloaks an underlying state of human degradation; lifts up the slick, shiny surface of the hyperreal to see what might be lurking underneath--the pathetic and the abject (those aspects of the body or the real that we prefer to repress); the end of utopia; grunge.
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