PHILOSOPHICAL PROBLEMS OF DANCE CRITICISM

BIBLIOGRAPHY

by Julie Charlotte Van Camp

Copyright Julie Charlotte Van Camp 1981

All Rights Reserved

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BIBLIOGRAPHY

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Balanchine, George. Balanchine's New Complete Stories of the Great Ballets. Edited by Francis Mason. Garden City, N.Y.: Doubleday & Co., Inc., 1968.

________________, and Francis Mason. Balanchine's Complete Stories of the Great Ballets. Garden City, N.Y.: Doubleday & Co., Inc., 1977.

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_________________. The Possibility of Criticism. Detroit: Wayne State University Press, 1970.

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Beiswanger, George, Wilfred A. Hofmann, and David Michael Levin. Three Essays in Dance Aesthetics. New York: Dance Perspectives LV (Autumn, 1973).

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___________. Looking at the Dance. New York: Horizon Press, 1949.

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Dickie, George. Aesthetics: An Introduction. New York: Pegasus, 1971.

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__________. The Modern Dance. Brooklyn, N.Y.: Dance Horizons, Inc., 1933.

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__________. World History of the Dance. Trans. by Bessie Schonberg. New York: W. W. Norton & Company, Inc., 1937.

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Alonso, Alicia. "Performing Giselle." In American Ballet Theatre. By Charles Payne. New York: Alfred A. Knopf, 1978. Pp. 333-342.

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"Ballet: Tribute to Janacek at Spoleto," June 12, 1968.

"Cuban Ballet Performs an Unfamiliar 'Coppelia,'" June 17, 1978

"Miss Farrell and Martins in 'G Major,'" June 18, 1978

"Chinese Troupe Dances Peking Opera Excerpts," July 8, 1978

"Berlin Troupe Dances 'Cinderella,' by Panov," July 11, 1978

"Pilobolus at American Dance Festival," July 31, 1978

"Dance: New Baryshnikov," December 12, 1978

"Ballet: City's 'Symphony in C' Is a Crystal Palace," January 9, 1979

___________________. "Idealists, Materialists, and the Thirty Two Fouettés," Ballet Review, V (No. 1, 1975). Pp. 13-21.

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______________________________. "The In's and Out's of Dance: Expression as an Aspect of Style." JAAC, XXXVI (Fall, 1977), 15-24.

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"Ballet: Fine Baryshnikov and Makarova in 'Giselle,'" January 7, 1975

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"Dance: 'Mexican Tribute,'" April 6, 1975

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"True Partnering - When Two Dance as One," October 19, 1975

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"Spinning Off the Modern Way," February 29, 1976

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"Oh! Copenhagen," March 7, 1976

"Two Young Troupes - Off And Running," March 14, 1976

"Meredith Monk's Tapestry of Music and Dance," March 28, 1976

"Ballet: Timeless 'Moves,'" April 2, 1976

"Choreographers Cast Their Spell Over Broadway," April 11, 1976

"Dance: Lar Lubovitch," April 25, 1976

Beardsley, Monroe C. "The Definitions of the Arts." JAAC, XX (Winter, 1961), 175-87.

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Boas, Franziska. "Psychological Aspects in the Practice and Teaching of Creative Dance." JAAC, II 1943), 3-20.

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_____________. "Langer and Hofstadter on Painting and Language: A Critique." JAAC, XXXII (Spring, 1974), 331-42.

Code, Grant. "Aesthetics." Dance Observer (December, 1947), p. 111.

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_________________. "Some theories of dance in contemporary society." JAAC, IX (December, 1950), 111-18.

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__________. "Looking Back and Around." In Ballet Here and Now. Edited by Susan Lester. London: Dennis Dobson, 1961.

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"Royal Jitters," May 27, 1974

"I Have Made You and You Are Beautiful," August 5, 1974

"The Royal Line," May 17, 1975

"The Bolshoi Smiles, Sort Of," May 26, 1975

"'Beauty' in Distress," July 5, 1976

"Beyond Ballet Theatre," July 4, 1977

"News from the Muses," September 11, 1978

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"Other Verdi Variations," February 5, 1979

"Nureyev as Nijinsky, Babilee as Babilee," March 26, 1979

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___________. "The Transfiguration of the Commonplace." JAAC, XXXIII (Winter, 1974), 139-48.

Davida, Dena. "Pilobolus: A Re-View." Many Corners, III (February, 1975).

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Dunning, Jennifer. Reviews, New York Times.

"Dances by a Pair of Loft Veterans," July 15, 1978

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"Dance: Premiere at Pillow," July 20, 1978

"'Romeo and Juliet' by Araiz Is Danced by the Joffrey Ballet," November 12, 1978

"The Ballet Odyssey of Suzanne Farrell," February 11, 1979

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Fisher, John. "Editorial." JAAC, XXXVII (Fall, 1978), 1-2.

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Friesen, Joanne. "Perceiving Dance." Journal of Aesthetic Education, IX (October, 1975), 97-108.

Gelles, George. Reviews, Washington Star.

"Paul Taylor: Back in the Spotlight," April 4, 1976

"'Raymonda' Falls Prey to a Few Pitfalls Suffered by Most Revivals," April 9, 1976

Gilbert, Katharine Everett. "Mind and Medium in the Modern Dance." JAAC, I (Spring, 1941), 106-29.

Gill, Jerry H. "On Knowing the Dancer from the Dance." JAAC, XXXIV (Winter, 1975), 125-35.

Haskell, Arnold. "Irene Skorik." In Dancers and Critics.

_____________. "Is it Ballet." Dancing Times (July, 1956), p. 565.


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Hospers, John. "Aesthetics, Problems of." In The Encyclopedia of Philosophy. Edited by Paul Edwards. New York: Macmillan Publishing co., 1967.

Hume, Paul. "The 'Unicorticore' With Music and Ballet." Washington Post, July 29, 1975.

Hutchinson, Anne. "The Preservation of the Dance Score through Notation." In The Dance Has Many Faces.

Isenberg, Arnold. "Critical communication." The Philosophical Review, LVIII (July, 1949), 330-44.

Jackson, George. "Two Cuban Premieres." Washington Post, June 8, 1978.

Jacobs, Ellen W. "Why Everybody Suddenly Loves Dance." In Growth of Dance in America.

Jaffe, Judith Snyder. "The Expressive Meaning of a Dance." JAAC, XII (1954), 518-21.

Jowitt, Deborah. "A Private View of Criticism." In Growth of Dance in America.

_____________. "Can You Solve this Dance?" Village Voice, February 2, 1976.

_____________. "Dance Makes The Musicals Go 'Round," New York Times, November 23, 1975.

_____________. "Rebel Turned Classicist." New York Times, March 10, 1974.

_____________. "Slugging It Out in Verona." Village Voice, August 14, 1978.

Kerr, Walter. "'Bubbling Brown Sugar.'" New York Times, March 7, 1976.

Khatchadourian, Haig. "Movement and Action in the Performing Arts." JAAC, XXXVII (Fall, 1978), 25-36.

Kibbee, Barbara. "Copyright Protection for Choreography." Art & Law (January, 1976), 1, 4-5.

Kisselgoff, Anna. Reviews, New York Times.

"The Dance: Merce Cunningham's 'Winterbranch,'" November 11, 1974

"Ballet: 'Episodes' Debuts," January 10, 1975

"Experimental Steps at Brooklyn Academy," February 15, 1975


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"Dance: Bettis Troupe Presents Drama," February 16, 1975

"Dance: Miss Evanitsky," March 12, 1975

"The Dance: 'Drumming,'" April 5, 1975

"Dance: Zero Movers," April 20, 1975

"Ailey Finds a Star in Estelle Spurlock," April 21, 1975

"Dance: 'Event No. 131,'" April 29, 1975

"Stuttgart Ballet: Tetley Era Begins," May 28, 1975

"Musicless 'Moves' Danced by Joffrey," October 15, 1975

"The Dance," October 25, 1975

"In Anna Sokolow's Dance, Her Beliefs," December 2, 1975

"Ballet: Basic 'Giselle,'" December 28, 1975

"Wall-Dancer Adds a New Dimension," January 8, 1976

"2 Stars from Italy Join In a Spirited 'Coppelia,'" January 12, 1976

"Dance: 'The Possessed,'" January 16, 1976

"Dance Umbrella Season Opens With Muller Work," February 20, 1976

"The Dance: Senta Driver in 2 Premieres," February 28, 1976

"Dance: A Step Beyond Mixed-Media," February 29, 1976

"Dance: A Spicy 'Carmen,'" march 4, 1976

"Pilobolus Dancing its Way to Togetherness," March 5, 1976

"Dance: Above the Ground," March 8, 1976

"The Dance: Midi Garth," April 25, 1976

"Ballet's Bicentennial Bow to Britain," May 13, 1976

"'Cloven Kingdom' - A Mad, Mad Whirl," June 11, 1976

"Ballet: 'Giselle' Via Lynn Seymour," June 12, 1976

"Royal Ballet Offers Houston 'Mayerling,'" June 8, 1978

"Dance: Baryshnikov Star of Festival," June 12, 1978

"Dance: Festival Shows Baryshnikov at Work," June 13, 1978

"Dance: Miss Alonso Stars in 'Giselle,'" June 15, 1978

"Dance: Senta Driver's 'On doing,'" July 18, 1978

"Ballet: Nureyev's Interpretation of 'Romeo,'" July 20, 1978

"A New Juliet By Londoners At the Met," July 22, 1978

"The Dance Boom In China Resounds Here," July 23, 1978

"London Festival Ballet in Skeaping 'Giselle,'" July 23, 1978

"Nureyev Dances Nijinsky Role," July 26, 1978

"Ballet: Canadians Dance their Own 'Swan Lake,'" July 28, 1978

"Dance on TV-A New Phrase," December 10, 1978


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"Ballet: The Grandeur of Balanchine's 'Barocco,'" January 8, 1979

"Nureyev in Nijinsky's 'Faune,'" March 25, 1979

"Dance: Alicia Alonso In 'Spartacus' Excerpt," July 23, 1979

Kleinman, Seymour. "Dance, the Arts, and the University." Journal of Aesthetic Education, III (January, 1969), 49-54.

________________. "Essay Review: Phenomenology and the Dance." Journal of Aesthetic Education, II (October, 1968), 125-30.

Koch, Roy. "'I'm a Playwright of Movement.'" New York Times, March 14, 1976.

Kriegsman, Alan M. Review, Washington Post.

"Dance Artistry," July 10, 1975

"'Nutcracker' Theme and Variations," December 23, 1975

"A Sparkling 'Coppelia,'" February 21, 1976

"Ensemble Work - With Fireworks," February 26, 1976

"New York Ballet: A Mixed Program," February 27, 1976

"Nureyev's 'Raymonda,'" April 9, 1976

"Alonso and An Imposing 'Oedipus,'" June 7, 1978

"Ballet Nacional de Cuba," June 12, 1978

"Nureyev Is 'Romeo,'" August 2, 1978

"The Esthetic Gimmickry of Araiz's 'Romeo and Juliet,'" August 4, 1978

"Stalking Rudolf Nureyev," August 6, 1978

"Standing Ovation for A Superb 'Giselle,'" August 10, 1978

"Uneasy Landings: It's A Hard Opera Floor," March 2, 1979

Lawson, Carol. "Paul Taylor Dance Company At the Billy Rose, Marks 20th Year." New York Times, June 11, 1976.

Levin, David Michael. "Philosophers and the Dance." Ballet Review, VI (No. 2, 1977).

Levinson, Andre. "The Spirit of the Classic Dance." Theatre Arts Monthly, IX (March, 1925), 165-77.

Lindsey, Robert. "Astaire, Kelly to Be Honored Tonight." New York Times, May 10, 1976.

Lipman, Matthew. "The Aesthetic Presence of the Body." JAAC, XV (June, 1957), 425-34.


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Lippincott, Gertrude. "A Dancer's Note to Aestheticians," JAAC, VIII (1949), 97-105.

Litvinoff, Valentina. "How the Human Being Becomes an Instrument in the Theater." Journal of Aesthetic Education, IX (July, 1975), 92-104.

________________. "Lessons from the Dancing Ground to the Studio: Implications of Pueblo Indian Dance for Modern Dance." JAAC, XXXII (Spring, 1974), 397-407.

Lloyd, Norman. "Composing for the Dance." In The Dance Has Many Faces.

Margolis, Joseph. "The Autographic Nature of the Dance." JAAC, XXXIX (Summer, 1981), 419-27.

______________. "The Identity of a Work of Art." Mind, LXVIII (January, 1959), 34-50.

Massine, Leonide. "The Creation of 'Parade.'" In Dance as a Theatre Art.

McDonagh, Don. Reviews, New York Times.

"Dances by Bowyer Are Small Dramas With core of Truth," January 28, 1975

"Chichicastenango Gives Dances In Athletic and Eccentric Style," April 6, 1975

"Cunningham Dance Combines Images," May 30, 1975

"Wayne Group Dances at Jacob's Pillow," August 14, 1975

"Odd Dances Given by Varney and Witt," February 2, 1976

"Dances are Shared by Francis Petrelle and Randolyn Zinn," February 11, 1976

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