Geog318 Film Project            02.17.04

 



Goals: This project is designed to further discussion of some of the topics we have addressed in our class.  Even more relevant could be discussion of themes not addressed but relevant to our course.  In short, you need to write a narrative discussing geographic issues provoked by watching a moving picture.

 

[Please understand that the following long description of the project is to help you with ideas and logistical questions.  Despite the detailed and lengthy description, all attempts have been made to keep this as a relatively small project (worth 30 points).  Make sure that you address all the formal requirements described below, and you will be fine.  Use office hours if you have questions.)  This is an individual project.  Plagiarism will be punished.]

 

Choice of film: It should be a feature film about Russia (or its neighbors) and be made in the area.  In other words, American or West European films are NOT acceptable.  Below I include a list of films available either in our library’s media section (videos and DVDs could be borrowed or viewed there), or in Long Beach Public Library.  These films are grouped to follow vaguely the chronological and topical logic of the course.

Please feel free to suggest your own (favorite and not so) film from and about Russia!

 

Procedures: In nutshell, do the same as with our usual weekly responses.

 

1. Watch the film and write a) its summary presuming that your reader is not familiar with the film;  b) express your general feeling/opinion about the film (Did you like it?  Was it accessible?  Was its aesthetics challenging?  c) list all geographical questions you have about the film. [1/2 – 1 page]

 

2. The main point of the project is to be able to see and analyze geographical issues in such a popular media as films, and bring in ideas from our readings and lectures.  Write a narrative about 6 page long discussing the questions of geographical nature you have after watching the film.  Ideally, the questions should be not only basic (e.g., the location of events), but also more fundamental (e.g., What is Russia in the film?  How do main characters perceive their Russian identify?  How is urban space organized differently from the USA?  How do non-Russians relate to Russia?).  Remember, very much like history, geography is everywhere.  Your ability to think spatially, to see geographical questions is most important, perhaps even more than the answers you provide.  Use geographical terms and concepts, such as scale, place, region, direction, distance, proximity, urban, geopolitics, etc.  Wherever appropriate, address the artistic dimension of the films.

 

3. Find available literature on your film and relevant geographic literature (roughly, as a guideline, the following would be enough: two books, or three academic articles, or four general audience publications such newspaper articles.  The web is okay, but only the web is a kind of not.)

 

4. Edit you essay, make sure it is free of errors and typos.  Pay attention to logic and argumentation.

 

5. It should be typed, in about 11 point font, 1.5 line spacing.  It should include about 0.5 to 1 page summary of the films and your opinion.  The main body of the essay should be about 6 pages, followed by a conclusion and a list of sources briefly cited in text.  All together the project is about 7 pages not counting any extras.

 

6. Deadline will be discussed in class.

 

7. Have fun!


 

 

HISTORICAL GEOGRAPHY: Before 1917

 

*** (easiest choices for accessibility)

 

*** Andrei Rublev = Andrei Rublev / directed by Andrei Tarkovsky

Summary Story of the famed 15th century icon painter who survives the cruelties of medieval Russia to create works of art.  PN1997 .A39 1992  v.1 

Comment: A good choice.  The film is powerful, unique, very relevant to our early discussions, you would have something to think and write about.  Tarkovsky is frequently considered among the top 10 best filmmakers ever.

 

Oblomov = Oblomov / directed by Nikita Mikhalkov

Summary A comedic drama about a landed gentry of nineteenth-century Russia whose indolence destroys his life.  PN1997 .O246 1981 

Comment: Although the name has become quite generic (there is Oblomov club in Glasgow!), the subtleties of the humorous and tragic port rail of the lazy main character may be not easy to understand.

 

War and peace = Voina i Mir/ by Sergei Bondarchuk

Summary Follows the interconnected lives of a group of Russian aristocrats from 1805 to 1812, including Napoleon's invasion of Russia.  PN1997 .W346 1982

Comment:  The film is based on the famous novel by Leo Tolstoy.  Not the best choice because of the epic scale of the film and its literary nature.

 

Sideburns = Bakenbardy /directed by Mamin

Summary The Pushkin Club is a group of reactionaries who affect 19th century dress and want to remove from Russia "the scum of Western influence."  In this original, biting satire a warning about the rise of militarism and fascism in Russia is sounded.  PN1997 .B243 1992 

Comment: I have not seen the film, but anything satirical does not sound easy to understand.

 

Russian Ark = Russkiy Kovcheg / directed by Alexander Sokurov

Summary: A modern filmmaker magically finds himself transported to the 18th century, where he embarks on a time-traveling journey through 300 years of Russian history.  Russian master Alexander Sokurov has tapped into the very flow of history itself for this flabbergasting film. Thanks to the miracles of digital video, Sokurov uses a single, unbroken, 90-minute shot to wind his way through the Hermitage in St. Petersburg--the repository of Russian art and the former home to royalty. Gliding through time, we glimpse Catherine II, modern-day museumgoers, and the doomed family of Nicholas II. History collapses on itself, as the opulence of the past and the horrors of the 20th century collide, and each door that opens onto yet another breathtaking gallery is another century to be heard from. The movie climaxes with a grand ball and thousands of extras, prompting thoughts of just how crazy Sokurov had to be to try a technical challenge like this--and how far a distance we've traveled, both physically and spiritually, since the movie began.

Comment:  Sokurov is notoriously famous for making extremely complex, incomprehensible films, yet this one has huge and surprising mainstream success in the USA.  Check why!  Available from the public library or – who could imagine?!from Blockbuster!

 

 

Prestuplenie i nakazanie = Crime and punishment/ directed by Lev Kulidzhanov

Summary A former law student kills two women and is tortured by remorse.  Basically, life behind the imperial capital’s façade of power.   PN1997 .P727 1989

Comment: based on Dostoevsky’s famous novel, therefore not a good choice (too literary).

 

 

HISTORICAL GEOGRAPHY: Around 1917 Revolution

 

Rasputin = Rasputin / directed by Elem Klimov

Summary The story of the rise of Rasputin, his influence over the royal court, and his lust for power that eventually threatens the House of Romanoff and all of Russia.  PN1997 .R349 1989 

Comment: should not be too difficult to understand.

 

October 1917 / direction, Sergei M. Eisenstein and Grigori V. Alexandrov.

Summary Silent film by the Russian master, Sergei M. Eisenstein, detailing the events leading up to the Russian Revolution. The original version was heavily censored by Stalin, but in 1967 a full restoration was made, and a music score by Shostakovich and sound effects track were added.   PN1997 .O3 1990 

Comment:  We need to have something from the genius.  Eisenstein’s Battleship Potemkin is often labeled the best film of all times (also available from our library for the project). 

 

Strike = Stachka/ directed by Sergei Eisenstein

Summary Story of a strike by factory workers in Tsarist Russia which is brutally suppressed.  Originally released in 1925.   PN1995.75 .S774 1999 

Comment: See above.

 

*** The Red and the white / directed by Miklуs Jancsу

Summary Powerful film about the absurdity and evil of war. Set in Central Russia during the Civil War of 1918, it details the battles between the Red soldiers of Russia and the counter-revolutionary Whites in the hills along the Volga River.   PN1997 .R355 1990 

 

Comment: I have not seen the film, yet the film sounds to be very geographical and relevant.  See also the description below.

 

From amazon.com: Miklós Janscó takes the romance out of Russia's Revolutionary struggle in this simultaneously beautiful and brutal look at the civil war following the Bolshevik coup of 1918. Set in a remote region of Central Russia in 1919, The Red and the White follows the shifting balance of power around an abandoned monastery. The anti-Bolshevik White Army has embarked on a campaign to completely eradicate the area of Red Army soldiers, and scores of Hungarians, former Bolshevik prisoners thrust into battle, are caught in the middle. The graceful camerawork and lush, lovely landscape captured in stunning black-and-white widescreen stand in sharp contrast to the abrupt on-the-spot executions and sadistic cat-and-mouse games of the White Army, hiding behind a mask of politeness and civility as they line up their next row of victims. But Janscó's portrayal of the Bolsheviks, while decidedly more heroic, isn't much more sympathetic. The dreamlike poetry of Janscó's cinema and the surreal atmosphere of doom carries the film in place of a strong story or a central set of characters, but there is no mistaking his sympathies for the victims of the struggle--peasants and prisoners and civilians caught between collision of two armies, systematically stripped of their dignity and their lives as the battle rages around them like an evocation of hell on Earth. It's a brave stance for a Hungarian filmmaker working on Soviet soil in 1968 and it makes for a powerful film.

 

 

HISTORICAL GEOGRAPHY: WWII

 

My name is Ivan = Ivanovo Detstvo/directed by Andrei Tarkovsky

Summary An orphan boy serves the Russian army by reconnoitering behind enemy lines during World War II.  PN1997 .I926 1991 

Comment: another masterpiece from Tarkovsky.

 

*** Come and see = Idi i smotri = Viens et vois / directed by Elem Klimov

Summary The horrific and harrowing experiences of a young boy coming of age during the brutal German occupation of Byelorussia during the Great Patriotic war.  DVD PN1997 .C7456 2001 

Comment: Come and see.

 

Ballad of a soldier = Ballada o soldate / directed by Grigori Chukhrai

Summary A young soldier refuses a medal following a heroic action and instead takes leave from the front to visit his mother. During his travels by train, truck, and on foot, he meets many people: a crippled veteran, a comic sentry, faithful and faithless wives, and a girl with whom he falls in love.  PN1997 .B34 1980 

Comment: One of the most popular, a bit melodramatic, Soviet films about WWII.

 

*** The cranes are flying = Letiat Zhuravli / directed by Mikhail Kalatozov

Summary: Mikhail Kalatozov's luscious portrait of love and loss during World War II stars almond-eyed beauty Tatyana Samojlova and handsome Aleksei Batalov as moony-eyed young lovers whose innocent romance is shattered by war. When the idealistic boy volunteers for service, his draft-dodging cousin steals the despondent girl by brute force, yet she never gives up on her true love, even when he's reported dead. Kalatozov's patriotic paean to fallen soldiers and home-front heroes is an undeniably sentimental melodrama suffused with lush images and lyrical sequences, a kind of cinematic poetry unseen in Soviet cinema since the experimentation and optimism of the silent days. Produced during the "thaw" following Stalin's repressive reign, it won the Palme d'Or prize at the 1958 Cannes Film Festival and set Kalatozov on the road to more ambitious expressions of Soviet idealism in the modern world.

Comment: Gone by the wind of WWII. Public Library has a copy.

 

Kindergarten = Detskii Sad / written and directed by Yevgeny Yevtushenko

Summary:  "...s sprawling, semi-autobiographical film which follows the adventures of a young boy cast adrift in Russia during World War II..."  PN1997 .K432 1984 

Comment: the film’s narrative is a bit too subjective.

 

*** Vor = The thief / directed by

Summary An Academy Award nominated (Best Foreign Language Film, 1997) tale of passion, betrayal and innocence lost, as seen through the eyes of an impressionable young boy. Set in post-World War II Russia.  Video Cassette 10008 

Comment:  moving film.

 

 

URBAN GEOGRAPHY / STALIN

 

The world is laughing = Veselye rebiata / directed by G.V. Aleksandrov

Summary A musical comedy which pits a whip-cracking, animal-herding, good-hearted rustic with a fine voice and a Pan-like effect on all who hear him against a so-called "finer" stratum of society. Leaving a trail of mirth and mayhem from the seaside to the Moscow theater world, our hero eventually finds harmony and lifelong melody with a pretty, tuneful serving girl.  Video Cassette 10007 

Comment:  Liubov Orlova was the Soviet answer to Hollywood’s stars of the 1930-50s (her eternal beauty is legendary).

 

Moscow parade = Prorva/ directed by Ivan Dykhovichny

Summary The post-Soviet Union view of the Stalin Era. Set in Moscow in the summer of 1939. Anna, a former aristocrat, is married to one of the chiefs of the secret police. She hates these men who have exterminated her family and who are abusing her now. But she takes advantage of their luxurious life--all the things that are available only to the Soviet elite.  PN1997 .M674 1993 

Comment: Very arty, surreal film filled with haunting and strange beauty.

 

Burnt by the sun = Utomlennye Solntsem / directed by Nikita Mikhalkov

Summary: Russian filmmaker Nikita Mikhalkov is also the star of this tragic 1994 drama about the last happy season in the life of a Bolshevik hero's family. The year is 1936, and Stalin's purges are in full swing. Despite his reputation and revolutionary record, Sergei Kotov (Mikhalkov) seems to be on the dictator's hit list, as indicated by the insulting arrival of his wife's former lover, an agent of government police. Mikhalkov treats all this as a matter of personal and political intrigue dropping like rotting fruit in the middle of a sunny and loving period for the Kotov clan. The director ingeniously understates the mounting threat until one begins to realize that the Kotovs are only geographically distant from the long, bloody reach of Stalin. By the time we do realize it, the shock of change is almost unbearable. A very fine movie all around, though Mikhalkov's touches of magic realism (particularly the presence of a golden orb that keeps popping into the action) are distracting and a subject of controversy among viewers. (amazon.com)

Comment: The Academy Award winner as the best foreign film.  Summer cottages of the elite, their large estates in the vicinity of Moscow, the use of landscapes by the filmmaker.

 

 

*** Moscow does not believe in tears = Moskva Slezam Ne Verit/ directed by Vladimir Menshov

Summary The setting is Moscow in 1958, and three small town girls have just arrived to pursue their separate dreams in the big city. Shows how their lives have turned out 20 years later.   PN1997 .M672 1984 

Comment:  An easy choice for the urban.  Academy Award, Best Foreign Film.

 

URBAN / PERESTROIKA

 

Legko li byt molodym? = Is it easy to be young? / directed by Yuris Podnieks

Summary Alienated youth in the Soviet Union.   HQ799.L3 I8 1988 

Comment:  This is mostly a documentary film which was one of the biggest sensations at the time of perestroika.

 

Repentance = Pokayaniye/ directed by Tengiz Abulaze

Summary In a small Russian village a woman is put on trial for repeatedly digging up the body of the town's recently deceased ruler. The trial gradually reveals the truth about the despot's vicious reign of terror, and forces the townspeople to face the reality of his (and the Soviet Union's) monstrous inhumanity during the Stalinist era.  PN1997 .M4577 1988 

Comment: Another hit from the perestroika time.  Very arty, surrealist masterpiece.

 

***Little Vera = Malen’kaia Vera/ directed by Vasily Pichul

Summary The controversial, award winning Russian movie about a woman torn between her lover and her bitter parents.  PN1997 .L5778 1989 

Comment:  A popular perestroika time film signaling the end of the Soviet system.

 

GEOPOLITICS

 

*** Kavkazskii plennik = Prisoner of the mountains /directed by Sergei Bodrov

Summary A Russian army patrol is ambushed by Caucasian rebels and two survivors are taken prisoner, by a local patriarch who is hoping to barter them for the release of his captured son. A bond of understanding develops between the soldiers and their captors, but it is broken when plans for their release go awry and a chain of violence and retaliation is precipitated.  Video Cassette 10894 

Comment: A good choice for the geopolitics theme.  Academy Award nominee.

 

A chef in love / by Nana Dzhordzhadze

Summary: Transcaucasia, Georgia, 1917-1921, revolutionary years.  Drama.

From amazon.com: This is a tragi-comedy about a French chef who falls in love in and with Georgia (the country, not the US state) as the Soviets are coming to power. “Having lived in Georgia, I was spellbound. Much of the movie was filmed in old Tbilisi, and the scene at the ancient cave city of Uplistika is spectacular. And for those lucky few who have enjoyed Georgian food, the Chef's love affair with the country, its culture and people is more than understandable. This is a great film about a great country.”

Comment: Public library has a copy of the film which sounds very unique.

 

The Legend of Suram fortress = Legenda o Suramskoy Kreposti / directed by Sergey Paradzhanov

Summary: Legends -- Georgia (Republic) -- Drama.

Comment: Powerful, masterpiece.  Public Library.

 

Siberiade = Sibiriada / by Andrei Konchalovsky

Summary (from amazon.com): This ambitious 1979 Russian film attempts no less a feat than the encapsulation of the tumultuous history of Russia in the 20th century. Written and directed by Andrei Konchalovsky (Runaway Train, Tango and Cash), the film weaves an engrossing tale of three generations of two Russian families in the remote region of Siberia, each trying in their own way to find fulfillment in their lives as they seek to reconcile themselves with the ever-changing landscape of their homeland. Sandwiched between the chaotic events of the First and Second World Wars, as well as the Russian Revolution of 1917, the people of the small village find themselves at the cusp of great changes, from communications to the expanding infrastructure and the changes that brings, to the discovery of oil and the riches and perils that come with it. Konchalovsky juxtaposes archival footage with stunning cinematography and contrasts the assaultive changes of the modern world with the timeless impulses of family and the enduring need to adapt and survive. Reminiscent of such great films as Giant and 1900, Siberiade is a visually adept and stunningly effective epic about the price of a country's history on its people.

Comment: Public Library has a copy.

 

*** Dersu Uzala = Dersu Uzala / by Akira Kurasawa

Summary: the first Russian/Japanese co-production.  Dersu Uzala is the near-poetic story of an elderly guide and gold hunter (Maxim Munzuk), who, at the turn of the century, agrees to shepherd a Russian explorer (Yuri Solomin) and a troop of soldiers through the most treacherous passages of Siberia. The guide has been "one" with the land almost from birth, and is thus able to save his party from perishing. Slow going in the earlier portions, the film's second half, lensed entirely on location, contains some of Kurosawa's best-ever work. Four years in the making, Dersu Uzala won the 1976 Best Foreign Film Oscar, and totally restored the flagging Akira Kurosawa to the top ranks of the Japanese film industry (amazon.com)

Comment: Good choice – the best foreign film according to the Academy.  By the best Japanese filmmaker.  Public Library