"Time Code"
Cristian Vera Aleman
Summer Forty-Niner
"Time Code" brings out a new era, the digital
era. Director Mike Figgis, who in 1996 earned an Oscar nomination
with his film "Leaving Las Vegas," has come this time with a totally fresh
technique and idea which could be the birth of 21st century filmmaking.
"Time Code" is one of the first movies that has been shot entirely on digital
format instead of film.
In only 90 minutes, Figgis shot the entire
film with four hand-held digital video cameras, which were filming simultaneously
around various characters. The actors improvise their roles in real time
as the film progresses. There is no script and no editing.
Each scene from all four cameras is displayed
on the screen at the same time. Isn’t it impossible to follow the
story and not get distracted watching four different actions at the same
time? Well, at first it is hard work to determine where to focus
and pay attention, but after a few minutes you will figure out how to move
from frame to frame following the sound or music, or even the scene you
personally find engaging.
It is clear that Figgis’ main concern wasn’t
the story. The story is a dramatic and weak representation of Los
Angeles lifestyles and the corrupted, rotten world inside a film-studio
during the day of an earthquake. However, he has created a new style using
the latest technology.
The acting, even improvised is excellent,
especially from Salma Hayek, who doesn’t only appear extremely beautiful,
but shows one more time the brilliant actress she is.
If you are looking for a movie out of the
ordinary that will stick in your mind for a while, "Time Code" is an excellent
choice. |