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VOL. VII,  NO. 123 CALIFORNIA STATE UNIVERSITY, LONG BEACH   JUNE 8, 2000
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Editorial Staff

Tracy reynolds
Editor in Chief

M.A. Anastasi
City Editor

Chan Tran
Diversions Editor

Se J. Reed
Opinion Editor

Cristian Vera Aleman
Photo Editor

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[Diversions]

"Time Code"

Cristian Vera Aleman
Summer Forty-Niner

"Time Code" brings out a new era, the digital era.  Director Mike Figgis, who in 1996 earned an Oscar nomination with his film "Leaving Las Vegas," has come this time with a totally fresh technique and idea which could be the birth of 21st century filmmaking.  "Time Code" is one of the first movies that has been shot entirely on digital format instead of film. 

In only 90 minutes, Figgis shot the entire film with four hand-held digital video cameras, which were filming simultaneously around various characters. The actors improvise their roles in real time as the film progresses.  There is no script and no editing.
 

MOVIE REVIEW

Each scene from all four cameras is displayed on the screen at the same time.  Isn’t it impossible to follow the story and not get distracted watching four different actions at the same time?  Well, at first it is hard work to determine where to focus and pay attention, but after a few minutes you will figure out how to move from frame to frame following the sound or music, or even the scene you personally find engaging. 

It is clear that Figgis’ main concern wasn’t the story.  The story is a dramatic and weak representation of Los Angeles lifestyles and the corrupted, rotten world inside a film-studio during the day of an earthquake. However, he has created a new style using the latest technology.

The acting, even improvised is excellent, especially from Salma Hayek, who doesn’t only appear extremely beautiful, but shows one more time the brilliant actress she is.

If you are looking for a movie out of the ordinary that will stick in your mind for a while, "Time Code" is an excellent choice. 

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