2pac puts in worthy performance
By Wes Woods II
Daily Forty-Niner
2pac is back, yet again. His latest posthumous
effort with the Outlawz, "Still I Rise," is an above average collection
of tracks that show the good and bad of the collaboration.
The Outlawz consist of Young Noble, E.D.I.,
Kastro, Napoleon and deceased rapper Killa Kadafi.
The group makes a strong effort, usually
undermined by underwhelming instrumentals.
Most of the beats feature sounds reminiscent
of 2pac's "Makaveli" disc. And while that was a good album, it's outdated
by four years.
And usually, the music sounds like one
long, continuous song.
While 2pac is easily the album's star,
the Outlawz do a nice job of filling in the album's blanks. Their vocal
deliveries are easily recognized and, unlike some of 2pac's old crew, Thug
Life, they have something to say.
Songs such as "Homeboyz," "Baby Don't Cry
(Keep Ya Head Up II) and "Hell 4 A Hustler" show the group's potential.
Good lyrics are matched with even better instrumentals.
The single "Baby Don't Cry" is a touching
track about women who need to make it through the rough times despite life's
seemingly endless tragedies.
"Homeboyz" features an angry Pac telling
off fake individuals who need their friends to cause trouble. The enticing,
rumbling beat was produced by Daz Dillinger.
"Hell 4 A Hustler" is a haunting track
that has good vocal deliveries from 2pac and the Outlawz.
"Still I Rise" is also a nice effort that
shows 2pac will "be a thug ëtil they kill me."
Other songs, however, miss the mark.
The opening song, "Letter To The President,"
would get thrown in the trash based on its sound.
The track is a poor opener to a decent
disc and sounds like a throwaway. So are the songs "Tattoo Tears" and "Y'all
Don't Know Us."
Overall, "Still I Rise," despite its faults,
is a good album because of the vocals. Despite the shakiness of some tracks,
the lyrics are generally insightful and memorable. |