VOL. 12, NO. 72
California State University, Long Beach February 13, 2006
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Editorial Staff

Jamie Rowe
Editor in Chief

Austin Lewis
Managing Editor

JENNIFER FREHN
News Editor


STARR T. BALMER
City Editor

Lesley Nickus
Diversions Editor

Bradley Zint
Opinion Editor

Lauren Williams
Assistant Opinion Editor

Kim Oswell

Sports Editor

Brigid McGuire
Calendar Editor

TRACEY ROMAN
Photo Editor

ELYSSE JAMES
Copy Editor

DAVID WHISLER
Copy Editor

Beverly Munson
General Manager

Jennie Lessel
Assistant to the General Manager

Jovanna Rosado
Advertising Representative

Sara Watanasirisuk
Gynneth
Harper
Daisy Cisneros
Stacy Hopper

Office Assistants

Jamie Eggleston
Production Manager

Sara Watanasirisuk
Sarah Leavitt
Production Assistant

Gia Marie Trovela

Web Assistant

Lin Jay Wang

Circulation Staff

 

 

. News  
 

Our View: ‘No labels’ craze detrimental to music



While perusing the local record shop, it has become increasingly difficult to locate a specific album or record. Should one look under classic rock or pop? Would this album be considered organic funk or contemporary jazz? The confusion can be overwhelming.

Too often music lovers leave music stores empty handed and frustrated. Rather than engage in this pretentious, self-serving game where artists refuse to label themselves, record labels should feel an obligation to their audiences to make their music readily available and uncomplicated.

This “no labels” craze has become so prevalent throughout the current music scene that when music fans are researching a band or talking about music with friends, it has become impossible to accurately describe a band without leaving out some quality crucial to understanding the band’s sound. Even the ever-popular MySpace.com, designed to give the budding artist a chance to be heard, features bands who have mile-long genre titles.

The truth is, few contemporary bands want to label themselves as any one kind of music for fear their music will be pigeonholed. Many musicians think their artistic creativity will be stifled and their ability to move freely throughout the different genres will be hindered.

Instead of trapping a band to certain expectations from potential listeners, bands should label themselves by the genre they most closely associate themselves. Then when they incorporate different styles into their music they bring a unique, refreshing approach to a musical group otherwise devoid of variety.

But, some musicians prefer to forgo labels, not because they are being true to their art or any other higher purpose, but because they simply want to appeal to a larger audience and ultimately make more money. By calling themselves one thing, these artists alienate a whole population of potential consumers. If these non-label, money-craving bands really want to make good money they should perfect their craft. If they have true talent, people of all musical walks of life will hear about their music and seek them out.

The most contemptuous of reasons to go without labels is the self-righteous attitude that an artist’s music is too good for any one word to capture their band’s magnitude. This pompous outlook is both shameful and disappointing. These artists are putting their egos before their art and their audiences.

Music should be about the messages being sent to the listeners. Getting caught up in a band’s image detracts from the group’s music. It’s hard trying to take a band seriously when it can’t even determine what kind of music it’s playing.

Although oversimplifying a band is a likely solution to this label sensitive trend, it can detract from a musician’s quality the same way convoluted classifications can. Groups need to find a simple word or phrase that accurately conveys the band’s style.

The current method of tacking on any genre that might be applicable is confusing and unnecessarily complicated. Bands need to move away from this image conscious milieu and allow their music to speak for itself.






 


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