VOL. 12, NO. 103

California State University, Long Beach April 17, 2006
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. News  
 

PAC celebrates 35th anniversary with PCN



By Alfred Peckson
Online Forty-Niner
Contributing Writer



The Pilipino American Coalition (PAC) of Cal State Long Beach celebrated two milestones April 7 when it hosted its annual Pilipino Culture Night (PCN) at the Carpenter Performing Arts Center. This year’s PCN was the club’s 20th anniversary and it also marked PAC’s 35th year on campus.

“ PCN is also about a group of young people coming together to learn about our culture, to celebrate it and put on a show for our community,” said co-coordinator Jason Samson, a senior Asian-American studies.

This year’s PCN theme was “Kalayaan,” which is Tagalog for freedom. The show covered many issues facing Filipinos and Filipino-Americans today, such as capitalism, racism, Filipino pride, generational differences and finding yourself.

PCN gives PAC an opportunity to talk to the different generations within the Filipino community. The storyline followed the lives of nine people, who in a month’s time, struggle with self-discovery, loss of innocence and preserving their town. In between acts, there was a cultural dance that relevate to the previous act. Some participants sang Filipino music and modern day music. A live band, Elements of the Outer Realm, provided background music.

“ We also want to pay tribute to all of those before us, especially here in Long Beach, who paved the way for us to have this tradition to go on for many years,” Samson said.

According to Samson, there were about 200 participants, including actors, singers, dancers and backstage crew. PAC’s hip-hop dance group, PAC Modern, also made a special appearance.

PAC started preparing for the event in June 2005 and rehearsed for nearly three months, starting at the beginning of the semester.

“ I think it’s really cool that we’ve been practicing for seven weeks and also I’ve heard that there’s other schools out there that have been practicing for months or over a year before preparing for something that’s two hours long,” said actor Marty Lewis a senior biology major. “We have the pride for Long Beach doing something like this.”

Some of the featured Filipino cultural dances derived from religious or cultural influences. For example, the Sagayaan is a traditional Muslim dance usually performed when welcoming royalty or special guests. The dancers use swords and shields and their movements symbolize scaring evil spirits away.

The Rigidon de Honor is a Western Christian influence dance introduced by the Spanish. It is an opening dance usually performed at formal affairs. Perhaps the most well known throughout Filipino culture is the Talagang Tinikling Medley. Tinikling consists of dancers and several bamboo sticks. Two men clap the bamboo sticks in rhythmic form while the dancers graciously step in and out, avoiding getting their feet injured. The dance mimics the movement of the tinikling birds as they dodge bamboo traps set by rice farmers.

The event was sold out and an estimated 1,000 friends and family were in attendance.

“ This show is important to us because our children are participants in this performance,” said Malou Fajardo, 51, of Corona, whose son, Aldrich, was a cast member. “Every time they’re here, we’re here because we want to support them. And of course, we are Filipinos, and we want this generation to understand our culture.”

“ Tonight is a culmination of long hours and long nights of working hard to put this show together,” said dancer Angelina Altobano, a sophomore studio art major. “It’s sad to have it ending tonight, but I know the crowd loved our performance. We’re doing it for our families out there.”

 


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