VOL. 12, NO. 65

California State University, Long Beach January 31, 2006
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. News  
 

Talking Heads continue to challenge music world



By Jon Matsumoto

Online Forty-Niner
Contributing Writer



An album’s greatness can only be truly measured over time. With that said, it can be safely stated that Talking Heads’ 1979 album “Fear of Music” and its 1980 disc “Remain in Light” stand as landmark achievements in rock history.

Both were recently released by Rhino Records as dual discs containing remastered and 5.1 surround sound versions of each. The album discs also contain bonus videos and previously unreleased tracks.

There has never been a rock band that has combined artsy but unpretentious intellectualism with primal dance instincts better than Talking Heads. The cerebral side of the group seemed to arrive naturally for the band: vocalist-guitarist David Byrne and drummer Chris Franz were products of the prestigious Rhode Island School of Design while guitarist Jerry Harrison was an alumnus of Harvard. Ace bassist Tina Weymouth rounded out the quartet. The band’s dance element came from an unbridled love of black music.

The music of Talking Heads seems to originate from a strange, but exciting nether-world. Indeed, the wild-eyed and jittery-voiced Byrne was known to perform and sing as if he were from another planet.

“Fear of Music,” Talking Heads third album, is full of gloriously obtuse and oddly existentialist lyrics loaded with minimalist titles like “City,” “Mind,” “Paper,” “Air,” “Heaven” and “Drugs.”

“Life During Wartime,” the album’s best uptempo tune, is an edgy dance floor celebration despite its proclamation that “This ain’t no disco, this ain’t no party, this ain’t no fooling around.”

If “Fear of Music” is a great record then “Remain in Light” is a great and revolutionary one. Compared to “Fear of Music,” the feel on this album is much denser, full-bodied and propulsive with guest guitarist Adrian Belew producing a marvelous array of spiraling solos and sound effects.

Anchored by tracks like the supremely funky and spacey “Once in a Lifetime” and the tribal yet avant-garde “Born Under Punches (The Heat Goes On),” “Remain in Life” still sits on the cutting edge 26 years after it was released.

Rhino has also released dual disc versions of Talking Heads’ first two albums, “Talking Heads 77” and “More Songs About Buildings and Food.” The label will reissue the following three Talking Heads studio albums from the 1980s on Feb. 14: “Speaking in Tongues,” “Little Creatures” and “True Stories.”

 





 

 

 


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