VOL. 12, NO. 107

California State University, Long Beach April 24, 2006
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Music
• The Subways invade the United States with its new album, “Young to Eternity.” The Subways


The Subways bring fresh sound to new album


By Angela O’Brien

Online Forty-Niner
Staff Writer


You can add English power-trio the Subways—why they aren’t called the Undergrounds remains a mystery—onto the ever growing list of rock ‘n’ roll bands warranting that distressed, vintage sound. However, the youthful group is one band to finally get it right.

The Subways are brothers Billy Lunn on vocals and guitar, Josh Morgan on drums and childhood friend Charlotte Cooper on bass and backing vocals. When they were barely entering their teen years, each member of the Subways was greatly influenced by bands like Oasis, Nirvana, the Pixies and the Sex Pistols. It wasn’t long before they decided to learn their respective instruments and come together in a power-rock trio.

Last fall, the rock trio flew across the pond and warmed up the Yanks by following bands like Death Cab for Cutie and the Killers to Southern California for a guest stint on Fox’s “The OC.” Lucky for the Subways, Seth Cohen and gang made the band’s first single
“Rock & Roll Queen” tickle your eardrums on “The OC: Mix 5” months before the band re-released its debut album, “Young for Eternity,” to Americans on Valentine’s Day this year.

The 13-song disc begins with “I Want to Hear What You Have to Say,” an enchanting tune which showcases both Lunn and Cooper’s echoing vocals. It is hard to stay still to lyrics like “My head is spinnin’ round I don’t know what to do / If I’m so happy I’ve got everything to lose” bouncing back and forth to Morgan’s instant upbeat drumming.

Releasing “Rock & Roll Queen” as a first single was the smartest maneuver for the up-and-coming British invasion. Obviously written about Lunn’s muse, fiancée and fellow band mate, Cooper, “Rock & Roll Queen” is a catchy, fun rock ditty pedestal any female musician would want to be on.

Though the lyrics contain a bit of the cheese factor (“You are the sun / You are the only one / You are so cool / You are so rock and
roll”), I commend the Subways for its simplistic attitude toward rock music. The Subways proves bands don’t need to have serious song lyrics and technical progressions

The record slows down in the second half with the captivating, jaunty ballads “No Goodbye” and “She Sun.” However, the majority of the album remains cheery, light-hearted rock tracks.

From “Young to Eternity’s” catchy hooks to the whimsical ballads, the Subways has skillfully crafted its fresh, glowing personalities into a carefree and buoyant debut album.





 

 

 


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