VOL. LV, NO. 66
California State University, Long Beach February 1, 2005
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Editorial Staff

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. News  
 

Matsui plays CSULB, promotes breast cancer awareness

Jazz • Keiko Matsui performed her eclectic brand of jazz at the Carpenter Performing Arts Center on Saturday, in front of a full-house crowd of her fans. Carpenter Performing Arts Center

 

By Brooke Karli
Online Forty-Niner
Staff Writer

Jazz artist Keiko Matsui delivered a powerful performance Saturday night at the Cal State Long Beach Carpenter Performing Arts Center, proving once again why she has been named one of the most prominent modern contemporary jazz icons.

With 20 years of experience and 15 records under her belt, there is no question as to why pianist Keiko Matsui left the audience with a standing ovation.

The elegant and mystical Matsui accomplished intense musical climaxes with the help of a saxophone, bass, percussion, drums, acoustic and electrical guitars, along with a keyboard and grand piano.

"Matsui and her able ensemble turn each piece of music into a graceful, highly evocative and very accessible work of art," wrote jazz magazine Jazziz.

Each piece had a separate identity, sewn together by the soul of jazz and the heart of Matsui.

"Sometimes when I'm playing, I feel like I'm in a completely different dimension," Matsui told the Pasadena Star-News in 2001.

There is a story to each song; an inspiration to be found. Whether a song's basis is found in a country Matsui has visited, such as South Africa, Morocco, Turkey or Finland, or in a book about a childhood television show, there was meaning to all that was played.

"The First Four Years" was a smooth, light-hearted piece reflecting a book written by Laura Ingalls Wilder, Little House on the Prairie. Another piece, "The Safari," had Matsui swiveling her hips to the salsa tempo.

Other pieces included some alternative rock, hard metal and tribal beats. Her ensembles were truly passionate and powerful, while her piano playing was fluid and breathtaking.

"Keiko Matsui's music connects people around the world, as oceans do," wrote Global Rhythm magazine.

Keiko Matsui has been a Yamaha Music Foundation piano prodigy since age five, finding inspiration in the works of Chick Corea, Stevie Wonder, Rachmaninov, Sibelius, Maurice Jarre and Nino Rota.

After composing a film score and releasing four albums with a jazz band called Cosmos, Matsui went solo in 1987, beginning her career with the album "A Drop of Water."

In 1996, after the release of her eighth album, Matsui was named Top Indie Contemporary Jazz Artist of the Year by Billboard Magazine. Since then she has also been honored with the American Society of Young Musicians' Essence Award, along with three National Smooth Jazz Awards'— two for Best Female Artist and one for Best Long-Form Video Achievement.

To date, Matsui has sold over one million records within the United States alone.

Matsui is also a humanitarian who donates portions of her proceeds to benefit marrow donor and breast cancer research programs.

In 1997, she launched a tour dedicated to raising awareness of breast cancer, also releasing the album "A Gift of Hope," which benefited the Y-Me Breast Cancer Organization. Her 2001 release of "A Gift of Life" raised money for The National Marrow Donor Program and The Marrow Foundation in hopes of increasing the awareness of a shortage in bone marrow donors.

Her current album, "Wildflower," benefits the United Nations World Food Programme's efforts to end hunger in Africa.

Matsui has also worked with the Susan G. Komen Foundation and has been featured on Lifetime television for her efforts to end breast cancer.

"We select one or two causes each year. We like to share what we have, because we have a good life and a good family," Matsui told Jazz Times in 2003.

If you are interested in finding out more about Keiko Matsui and her upcoming tour dates, logon to www.keikomatsui.com, where you will also find photos and links to her charities.

 


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