VOL. LV, NO. 166

California State University, Long Beach October 25, 2005
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Editorial Staff

Jamie Rowe
Editor in Chief

Austin Lewis
Managing Editor

JENNIFER FREHN
News Editor


STARR T. BALMER
City Editor

Lesley Nickus
Diversions Editor

Bradley Zint
Opinion Editor

Lauren Williams
Assistant Opinion Editor

Kim Oswell

Sports Editor

Brigid McGuire
Calendar Editor

TRACEY ROMAN
Photo Editor

ELYSSE JAMES
Copy Editor

DAVID WHISLER
Copy Editor

Beverly Munson
General Manager

Jennie Lessel
Assistant to the General Manager

Jovanna Rosado
Advertising Representative

Sara Watanasirisuk
Gynneth
Harper
Daisy Cisneros
Stacy Hopper

Office Assistants

Jamie Eggleston
Production Manager

Sara Watanasirisuk
Sarah Leavitt
Production Assistant

Gia Marie Trovela

Web Assistant

Lin Jay Wang

Circulation Staff

 

 

. News  
 

Weezer never fails to disappoint fans, entertains once more

By Brigid McGuire
Online Forty-Niner
Calendar Editor




Weezer and the Foo Fighters rocked the Long Beach Arena with a clash of rock, emo and many surprises, Oct. 22.
Hot Hot Heat opened the evening with a mix of hits from their old album “Make on the Breakdown,” and their new record, “Elevator.”

After Hot Hot Heat the arena slowly filled and you could cut the tension with a knife.

This was Weezer’s first show in the Los Angeles County area since they played in Irvine in 2002.

The stage went dark as Pat Wilson, Brian Bell, Rivers Cuomo and Scott Shriner of Weezer came on, ready to rock the filled arena.

Weezer had many surprises for the crowd and the first was Scott Shriner, Weezer’s base player, singing “Dope Nose” from their last studio album “Maladroit.”

His raspy voice filled the air, while Cuomo rocked out during his time away from the mike.

Cuomo returned to sing his emotionally charged song “Tired of Sex,” the first song off their occult album “Pinkerton.”

Another switch took place as Cuomo switched places with Bell to play keyboards and Bell sang another crowd favorite, “Why Bother?” These switches drove the crowd into a wave of energy and anticipation, thinking, “what will happen next?”

On some songs Cuomo handed the guitar to a back-up guitar player and sang into the microphone. He looked awkward as he danced from one side of the stage to the other. He continued to play with the audience and lifted his arms into the air and watched as thousands of fans in the balcony followed suit.

The stage went dark and the band seemed idolized as the lights shined behind them. They seemed larger then life, as they began playing “Say it Ain’t So” from their debut album.

As the band played, the backdrop turned into a sea of stars, making the evening seem even more magical.

Another switch occurred with Wilson, who normally plays drums, picking up a guitar and singing the clap-happy song
“ Photograph” while Cuomo played drums. Then halfway through the chorus the band broke into a Blur song.

As Weezer continued to play old and new songs they never tired or cease to surprise. At one point Cuomo disappeared from stage and reappeared in the middle of the stadium to play an acoustic version of “Island in the Sun” from their comeback album, “The Green Album” in 2001.

Bell picked a fan from the audience to play guitar for “Undone: the Sweater Song.” The fan nervously played along as Cuomo swung his arm around him in a brotherly way and crooned the words to the bands’ first hit, from 1994.

After the band played an electrified set they returned to the stage for an encore. The crowd screamed and cheered as the band played “Hash Pipe” and”“Buddy Holly.” After the intro, the famous Weezer “W” was revealed to cheers and screams from the crowd. The “W” is a large electric sign with flashing light bulbs, which the band has had for all their arena shows since 1994.

As the “W” flashed and the lights dimmed, the band walked to the front of the stage and gave a generous bow to the crowd.

As Weezer left the stage, loyal fans put their hands together to form a “W” and then the arena went dark.
Weezer never disappoints a crowd and will forever be geek-arena-rock-gods.

 

 

 


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