VOL. LV, NO. 160

California State University, Long Beach October 13, 2005
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. News  
 

Apple delivers mature brand of music

By Kimberlee Morrison
and Tanya Payne

Online Forty-Niner


You can count on Fiona Apple to make fresh music while staying true to the piano driven throaty style to which her fans have become accustomed.

Apple’s third album, “Extraordinary Machine,” released last Tuesday, is likely to capture the hearts of new fans with its pop appeal, while satisfying longtime fans’ need for great song writing and superb musical arrangement.

On past offerings —“Tidal” and “When the Pawn…”— Apple maintained simplicity and purity in her music by limiting the instruments to piano and various forms of percussions enabling listeners to focus on her unique vocal style. With her new album, Apple offers the listener a fuller and more adult lounge sound.

With a folk-inspired opening, the title track offers the most immediate and obvious departure from Apple’s usual style. The first few bars feature a creeping and playful piano accompanied by the singular tinge of a triangle. At first one might be put off by this new sound but by the time Apple gets to the chorus where she claims you could “Be kind to me or treat me mean/I’ll make the most of it. I’m an extraordinary machine,” the listener is drawn into her lyrical prowess and odd descriptions of relational dysfunction.

In “Window” Apple draws a parallel between a “filthy pane” of glass (which she decides to break) and a lover who mistreated and cheated on her.

With a deep and throaty, almost snarling voice Apple asserts “So I had to break the window/…Better that I break the window than him, or her, or me.”

While listening, it was hard to put a finger on the reason this recent release sounds so full and rich. Then it hit me — there is full orchestra accompanying Apple on the majority of the songs.

“ Not About Love” features such an instrumental component, which lends a classical sound to Apple’s formally jazz/blues overtones. It is as if she is singing over a symphony with the hard and emotional play of string instruments.

Other songs like “Oh Sailor” create nostalgia for the old with their melodic and skeletal instrumental accompaniment but are still strikingly different.

Overall the album is a great maturation for Apple, whose sound was often too emotional and angst filled for those who like music with a light tone. “Extraordinary Machine” maintains the strong emotion of the past while adding experimental orchestral arrangements and playful, folksy piano melodies. Apple continues with her satirical dark edge and lyrics plucked directly from poetry (or so it seems). The endeavor for mainstream appeal may prove very successful although, “Extraordinary Machine” is definitely grown folks’ music.




 

 

 


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