VOL. LV, NO. 158
California State University, Long Beach October 11, 2005
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Editorial Staff

Jamie Rowe
Editor in Chief

Austin Lewis
Managing Editor

JENNIFER FREHN
News Editor


STARR T. BALMER
City Editor

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Diversions Editor

Bradley Zint
Opinion Editor

Lauren Williams
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Kim Oswell

Sports Editor

Brigid McGuire
Calendar Editor

TRACEY ROMAN
Photo Editor

ELYSSE JAMES
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DAVID WHISLER
Copy Editor

Beverly Munson
General Manager

Jennie Lessel
Assistant to the General Manager

Jovanna Rosado
Advertising Representative

Sara Watanasirisuk
Gynneth
Harper
Daisy Cisneros
Stacy Hopper

Office Assistants

Jamie Eggleston
Production Manager

Sara Watanasirisuk
Sarah Leavitt
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Gia Marie Trovela

Web Assistant

Lin Jay Wang

Circulation Staff

 

 

. News  
 


Music • Members of Underoath played for a full house last Friday in Irvine. Tooth and Nail Records


Underoath, the Bled, Thrice sell out in Irvine


By Angela O’Brien
Online Forty-Niner
Contributing Writer



Only four days into Thrice’s tour featuring Underoath, the Bled and Veda, each band embraced their set with fervent resonance Oct. 7 at the Bren Events Center at UC Irvine.

Veda, a rock quartet hailing from Kansas City, Mo. opened the show. They began their set to a quizzical audience. However, once Kristen May belted out the chorus of the first song, she had the crowd hooked.

A piano concealed her petite frame, but her voice—think Sneaker Pimps when they had a female lead—overflowed the arena with intensity, never missing a note. Throughout the set May’s vocals never had to compete with the heavy rock sounds from the band.

A stagehand brought her a guitar in the middle of the third song, conveying she is a triple threat: vocalist, pianist and guitarist. May’s passionate attitude behind the piano and guitar, made the band as a whole more interesting and intriguing to view.

Next on the line-up was the Bled. The easiest way to describe the quintet is chaos embracing melodic hooks.

During “You Know Who’s Seatbelt,” from their first album, “Pass the Flask,” there is a violent crash of vocals from singer James Munoz as if they are being thrown and tossed against cold jagged pavement.

“ My hand bled more last night than any other show [we’ve done],” said drummer Michael Pedicone about their vigorous set at Soma in San Diego. “[That’s a] cliché remark since we are called the Bled.”

Their second full-length album, “Found in the Flood,” dropped mid-August after many challenges. The Bled had never written together as a band and they had not worked with a producer on previous albums. They also had a limited time to put the album together, but the songs “came out naturally,” said guitarist Jeremy Talley.

The Bled has been touring nonstop since breaking out of Tucson, Ariz. They joined whatever tours they were offered and eventually found a home among metal and hardcore fans.

“ We never set out to be a hardcore act,” said Pedicone.

Each member of the band draws influence from varying musical inspirations. Talley is motivated by the works of Foo Fighters, the Smashing Pumpkins and Radiohead, while Pedicone mainly listens to jazz.

“ [Hip hop] rhythm is inspiring,” said Talley.

All the band members draw inspiration from various hip hop artists. Talley eventually plans on adventuring into a rhyme scheme when writing lyrics instead of his comfortable free verse.

Ending the final song, Munoz screamed, “Who wants it the most? You or me,” teasing the swarm of fans along the barricade. He immediately dropped into the crushing crowd to be lifted into a finale of ferocity.

Quickly, stage hands and roadies broke down the Bled’s setup to make room for one of the two headlining acts, Underoath.
From start to finish, the Tampa, Fla., natives enthralled the audience in energetic melodious heavy music. The opening song, “Young and Aspiring,” stirred lead vocalist Spencer Chamberlain back and forth about the stage before bringing him down to his knees and crawling in raw emotion. That is how their show progressed, in no way skipping a beat.

To catch a breath between songs, they promoted their re-release of 2004’s “They’re Only Chasing Safety” with four unreleased tracks and a new bonus DVD. Their label, Solid State, came to them with the idea of a CD re-release after they finished shooting a DVD for seven months. The CD would have new artwork and be a major promotion for the label.

“ For us [the release] gave a chance to get out the DVD at a cheaper price,” said guitarist Tim McTaque.

McTaque constantly remains focused on music and its business. When he is not on stage, he can be found co-managing fellow Solid State artists As Cities Burn or in the tour bus recording.

Early next year, Underoath will head back into the studio to record their follow-up to “Safety.” Their fans should expect more changes. Some songs will be softer and others will be heavier.

“ We don’t like to repeat ourselves twice,” said guitarist James Smith.

The album should be in stores by late spring.

Before the last song, Chamberlain threw a shout out to Jesus Christ — the band’s main musical inspiration — and the crowd burst into cries of ecstasy. The band finished outlined in silhouettes then rushed off the stage. Thrice was on next.

Set in front of the new “Vheissu” album artwork, Thrice performed their post-hardcore musical advancement before their diehard hometown crowd.

At one point, the band took a moment to dedicate the fan favorite “The Artist and the Ambulance” to a close friend who passed away.

The enthusiastic audience sang the words to each song just as thunderous and vigorous as vocalist Dustin Kensrue.

Each band who preformed before the sold-out crowd did not disappoint the devoted Orange County audience.

 

 

 


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