VOL. LV, NO. 156
California State University, Long Beach October 6, 2005
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Editorial Staff

Jamie Rowe
Editor in Chief

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Managing Editor

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Diversions Editor

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Circulation Staff

 

 

. News  
 

Crow grows ‘Wildflower’s in her garden of newest hits

By Lesley Nickus
Online Forty-Niner
Diversions Editor


Before breaking into the music business, Sheryl Crow was a music teacher and joined the ranks of aspiring vocalists in 1993. Since then she has accumulated nine Grammy Awards and a number of hit albums including “C’mon, C’mon,” from which her popular single “Soak Up The Sun” emerged, “The Globe Sessions,” “Sheryl Crow,” featuring a cover of Guns ‘N’ Roses' “Sweet Child of Mine,” featured in the film “Big Daddy.”

She also did a live album in 1999, called “Sheryl Crow and Friends: Live.” However, it was her first album, “Tuesday Night Music Club,” that thrust her into the spotlight as a budding musician.

Her single “All I Wanna Do,” quickly shot up the charts in 1994, putting Crow on the map as a recognizable artist.

Crow has embarked on a new musical journey with her newest album, “Wildflower.”

“ I wanted to reveal more of myself on this record,” Crow said in a press release, “I didn’t have any trepidation about doing that. At this point in my life, I wanted to make a record that wasn’t concerned with having singles.”

“ Wildflower” is Crow's first new full-length release in three years. Her 2003 album, “Very Best of Sheryl Crow” gave her the opportunity to figure out where she wanted to go with her next musical endeavor.

After her “Best of” tour, she packed up her belongings, which included guitars and a tape recorder, and went to Spain. This gave her the opportunity to relax and figure out what her next step would be.

“ I gave myself the gift of time off to reflect, to observe life for a little bit and to get recommitted to the idea of collecting stories and living life before I sat down to write,” Crow said.

This vacation from the grueling life of the music business gave Crow the opportunity to observe a number of things that ultimately became subjects for many songs on the album.

The song “Lifetimes” describes the feeling of being yourself and loving who you are. The lyrics describe feelings of hope and commitment: “You see if you’re lost inside, I get lonely too. Even in the worst of times, I give my best to you.”

This seems to be a theme throughout the album. Many of her songs portray the feeling of having personal inner strength, even in times of doubt. Her lyrics speak to the listener in a positive, reassuring way. Her voice is mellow and peaceful, giving an inspirational feel to every song she performs.

The musical style is slightly different from the other albums she has made. While her earlier work had, at times, pop sound, this is raw and deep feeling. This album really displayed her songwriting and musical talents, which explains it having sold 140,000 albums to date—it is at No. 2 on the charts, according to Rolling Stone.

Crow developed her album using a number of inspirations. Neil Young’s “Harvest” gave her a sense of intimacy, while the”“down-homeness” of Elton John’s “Tumbleweed Connection” was also helpful in developing the tone of the album.

She also looked to George Harrison’s “All Things Must Pass” for its classic vibe and slide guitar, on which she modeled in the first “Wildflower” single,”“Good is Good.”

The decision of when to release “Wildflower” involved a number of factors, including her relationship with Lance Armstrong. He recently won his record-breaking seventh Tour de France victory and Crow put her album release on hold in order to be there to provide support.

“ The record’s been done since February,” she said, “but we sat down and made the decision to put it out in September so that I could be there for the race. I really wanted to be there, it’s the end of a big career for him.”

Fans of Crow’s music will enjoy the laid-back, inspiring vibe of “Wildflower.”

 


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....“Waiting,” entertaining for both sides

....Crow grows ‘Wildflower’s in her garden of newest hits

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