CD
review: Air's 'Talkie Walkie' hypnotic,
beautiful. Over.
By
Simon Davenport
The Daily Cardinal
MADISON,
Wis. (U-WIRE) - It has been two years
since Air has graced our ears with a new
release, and it is obvious they have not
lost anything in the interim.
Their
previous albums include "Moon Safari"
and "The Virgin Suicides," and
"Talkie Walkie" is another example
of the immense talent possessed by Jean-Benoit
Dunckel and Nicolas Godin who make up
this electronic-dreamscape-band.
This
album, like many others Air has produced,
thrives on subtleties, both vocal and
symphonic. The songs unfold as in a dream;
they fade in and out of consciousness,
just grabbing you before you slip in too
deep.
The
mostly relaxed sound is due to the band
favoring major keys accompanied by repetitive
acoustic guitar backed with piano, flute,
xylophone or a dazzling array of synthesizer.
And where rhythm is concerned, Air leaves
it simple and unobtrusive unlike many
of their peers.
This
is not to say that the album is devoid
of engaging patterns. It rather downplays
them by putting emphasis on vocals and
accompaniment, suggesting that Air is
trying to break away from the rule that
says electronic music must have a pulsing,
hypnotic beat. It seems as if they are
giving more respect to their audience
by not beating it over the head with bass.
Sometimes
this approach can seem a little forced
as they rely more and more on chord changes
alone they seem to be overindulging. It
is the same kind of affectation some actors
feel when they enjoy the sound of their
own voice too much -- you are left bored
and unamused.
Much
is the same with tracks like "Another
Day." Its chord progression provides
a very interesting tension, but the seemingly
lazy rhythm ruins the mood, and what comes
through are hackneyed vocals that don't
seem to be moving the song along.
Some
of the samples can also be a bit too stretched
out and unnecessary, as in the song "Alpha
Beta Gaga," which seems to showcase
a rather annoying metallic run of notes.
On
the other hand, tracks like "Run,"
"Surfing on a Rocket" and "Universal
Traveler" are as beautifully crafted
as they are engaging, which brings up
possibly the best attribute this album
has to offer: Flawless and brilliant production.
It
feels as if this release was born mostly
in post production, lending to the prowess
of Air's Dunckel and Godin, not to mention
outside help from Nigel Godrich.
Every
orchestration is perfectly placed -- the
fading and panning is immaculate, to say
the least.
"Talkie
Walkie" may not be for everyone,
but for those who can appreciate production
and subtlety relaxing tunes it delivers
a great musical experience.