NBC
pins hopes on new animated series
LOS ANGELES (AP) — Jeffrey Katzenberg
found his muses — some furry, some
flashy — in a Las Vegas showroom.
Long
enchanted by magicians Siegfried Fischbacher
and Roy Horn and their exotic big cats,
Katzenberg drew inspiration for the animated
film ‘‘The Lion King’’
and for characters in ‘‘The
Prince of Egypt.’’
He
drew on the duo’s act again when
NBC asked him and DreamWorks SKG, the
studio Katzenberg co-founded, to develop
an animated prime-time series with the
satirical edge of DreamWorks’ ‘‘Shrek.’’
‘‘’Wow,
this could be it,’’’
Katzenberg recalled thinking during one
of the dozen-plus ‘‘Siegfried
& Roy’’ shows he attended
over the years. ‘‘I then started
to imagine about these lions and tigers:
They have a job, they go to work every
day, they try to raise a family.’’
The
result is ‘‘Father of the
Pride,’’ only the second computer-generated
series on prime-time network TV, after
UPN’s recent ‘‘Game
Over,’’ and certainly the
most expensive: The per-episode cost is
reportedly $2 million to $2.5 million.
The
comedy, part of NBC’s fall schedule,
makes comedic kibble out of Siegfried
and Roy, their stage act and the notion
that their animals lead routine domestic
lives with a touch of Vegas kitsch.
In
its tongue-in-cheek fashion, ‘‘Father
of the Pride’’ keeps alive
the popular ‘‘Siegfried &
Roy’’ show that was ended
by Horn’s brutal onstage mauling
last October at The Mirage hotel-casino.
The
entertainers are ‘‘totally
thrilled’’ and comfortable
with the satire, said longtime manager
Bernie Yuman, who with Horn and Fischbacher
has a co-executive producer credit on
‘‘Father of the Pride.’’
‘‘I
think it’s a way to continue their
legacy,’’ Yuman said. ‘‘They’re
not on stage now and they will not be
again. ... What better way to begin Chapter
2 than to walk on stage through animation?’’
‘‘Father
of the Pride’’ focuses on
easygoing Larry the white lion, voiced
by John Goodman; his lovely lioness mate
Kate (Cheryl Hines of ‘‘Curb
Your Enthusiasm’’), their
two offspring and Kate’s overbearing
dad (Carl Reiner). The ebullient Siegfried
and Roy are voiced by Julian Holloway
and Dave Herman.
The
show’s look is sophisticated computer-generated
imagery in the style of the Oscar-winning
‘‘Shrek,’’ costly
but made feasible for a TV budget by advances
in technology. The tone is wittily adult
and even risque in hopes of snaring the
advertiser-coveted 18-to-49 crowd.
Jonathan
Groff, a former head writer on ‘‘Late
Night with Conan O’Brien,’’
and Jon Pollack, who worked on ‘‘Spin
City’’ and ‘‘Just
Shoot Me,’’ direct the dozen-member
writing team.
The
project’s impetus is equal parts
Katzenberg’s fascination with Siegfried
and Roy’s showmanship and rare animals
(‘‘amazing, beautiful,’’
he rhapsodizes) and NBC’s preoccupation
with finding a hit comedy.
Make
that a new kind of hit comedy, said NBC
Entertainment President Jeff Zucker.
‘‘You
can’t just have another situation
comedy around a living room couch,’’
Zucker said. ‘‘It’s
just so much harder for that to break
through and attract attention. You have
to offer something different, and I think
that’s what this show does.’’
It’s
the sitcom reimagined, Katzenberg agreed.
‘‘By
telling a story through these characters,
these lions — in effect, a fable
— you get to do stuff that’s
familiar but completely new.’’
NBC
and DreamWorks are oiling the ‘‘Father
of the Pride’’ pump heavily,
although both refused to confirm the series’
reported cost or how its split.
Animated
comedies are a particularly risky venture.
Most prime-time network entries —
save a handful of Fox shows (‘‘The
Simpsons,’’ ‘‘King
of the Hill’’) — have
flopped, Koerner noted.
Zucker
is aware of the odds and what it takes
to beat them.
‘‘Television
is about risk-taking these days, and playing
it safe won’t get it done,’’
he said. ‘‘If you’re
going to get involved in a risk, especially
in animation, there’s nobody I’d
rather be involved with than Jeffrey Katzenberg
and DreamWorks.’’
Horn
will speak publicly about the mauling
for the first time in an interview with
Maria Shriver, NBC officials said Friday.
The 90-minute special will include interviews
with Horn’s doctors and Fischbacher.
However
viewers receive Katzenberg’s series,
he said he’s already gotten the
opinions that matter.
‘‘I
flew to Vegas a week or two ago and showed
Siegfried and Roy the first episode,’’
Katzenberg said. ‘‘Sitting
there in their home, watching this for
the first time, trying to see it through
their eyes, I held my breath for 21 minutes.’’
And?
‘‘They
loved it. They were amazing and generous
and got a kick out of it. ... It’s
every single bit as important to me as
the show succeeding, if not more, that
they be proud of it.’’