VOL. LV, NO. 32
California State University, Long Beach October 21, 2004
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Editorial Staff

Sonya Smith
Editor in Chief

Trent Loomis
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L'oreal Battistelli
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Sara Watanasirisuk

Stacy Hopper
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Kari Schneider
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. News  
 

"Team America: World Police" shows the rest of the world who is boss

By Sinnie Chen
Online Forty-Niner
Contributing Writer

Last weekend at the box office "Team America: World Police" ranked third on the top 10 list by making $12.3 million. The film cost around $20 million to produce, which seems amazing, seeing as how the film solely features marionettes. Most of the money was spent on props and miniature sets that were very realistic and detailed.

In 1999, Trey Parker and Matt Stones' "South Park: Bigger, Longer and Uncut" opened with $11.3 million at the box office, and the cost to make that film was estimated around $21 million.

Parker, Stone and Pam Brady, the original writers of "South Park," united again to produce "Team America." To reduce cost, director Parker invited his friend Stone and together the two voiced many of the characters in the movie.

The movie was originally rated "NC-17," until they deleted a portion of the puppet sex scenes to drop the rating down to "R." "Team America" cunningly uses classic scenes from action movies such as "Pearl Harbor" and "Top Gun" for a sense of biting satire. Originally Parker and Stone's idea was to do a version of "The Day After Tomorrow" with puppets, but due to legal issues they had to abandon the idea and changed the movie into "Team America."

Parker and Stone use crude humor to insult Hollywood, international politics, right-wing conservatives and left-wing liberals with their animated string puppets. In the movie, a team of special forces that calls itself Team America fights terrorists and tries to stop them from destroying the world. With Kim Jong Il's madness for world domination, Team America must save the world before Il carries out his diabolical plan.

Sean Penn, angry over the film, wrote a letter to Stone and Parker condemning them of sending the wrong message to young people by telling them there is no shame in remaining apathetic about the political process when, according to him, Stone and Parker don't even realize what is happening around the world.

The language spoken by these puppets might offend you or make you laugh hysterically. This is not a serious film by any means; it is just a satire of the current state of the world. Though I found some of the messages stereotypical and degrading towards minorities, Americans, conservatives, liberals, women, men and Hollywood I must give Parker and Stone the benefit of the doubt that they just wanted to mock our society and break a few conventional rules and standards for appropriateness. After all, the movie is funny and humor sells.

While my father was not too happy with the film (he walked out during the middle of it), there is no denying that this film is clever and smart. The humor is pure Parker/Stone-esque, and sometimes it seems as if a lot of it came right out of the pages of "South Park."

As I said before, the film may be offensive, but Parker's creativity and wit cannot be denied. Besides, all of the miniature recreations of such locations as the pyramids of Giza, the Eiffel Tower and Arc de Triomphe in France, Mount Rushmore in South Dakota, the palace of Kim Jong Il in North Korea and Manhattan in New York are intricately detailed and gorgeous to look at. The marionettes have many life-like features, and it is easy to get drawn into the story and come to think of them as actual actors.

Overall, the film was well-made, and can be a relaxing experience, especially during midterms, to go to a movie theater and get lost in the wacky and clever comedy of Parker, Stone and Brady.

 


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