VOL. LIII, NO. 128
California State University, Long Beach July 10, 2003
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Rachelle Youngman
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Justin Diemert
News/City Editor

Zamna Avila
Opinion Editor

Jamie Ouye
Diversions Editor

Michelle Siazon
Sports Editor

 

. News  
 

Hootenanny rocks Cal State Fullerton


By Joe Licavoli
Special to the Summer On-line Forty-Niner

SpeedoThe rockabilly and punk fest, the Hootenanny festival returned Saturday and Sunday with a change in venue, leaving its home at Hidden Valley Ranch in Irvine and broadening its horizons at the larger venue of Cal State Fullerton.
 
Amid a sea of multi colored umbrellas and tattooed men and women, the two-day festival brought together many different music genera’s, old-fashioned custom cars, as well as an appearance by Little Richard and the return of the Stray Cats.
 
The legendary rockabilly band, The Stray Cats, fronted by Brian Setzer (of late 1990s neo-swing heavyweights The Brian Setzer Orchestra), came together for Saturday’s show after a ten-year absence. The Stray Cats played to the crowds delight whipping out 1980s radio hits, “Rock This Town,” “Stray Cat Strut” and “(She’s) Sexy and 17.”
 
Setzer, stand-up bass player, Lee Rocker and drummer Slim Jim Phantom were great on stage and looked like they had never taken a break. The bands tight and energetic set made the reunion a positive and memorable event.
 
Before the Stray Cats rocked the town of Fullerton, The Cadillac Tramps warmed up the crowd with a rowdy and rambunctious set. Front man Gabby [its just Gabby, no last name is needed for the outrageous singer] made the crowd go crazy with his amazing charisma.
 
It seemed that one day was not enough for Gabby because he was back on Sunday playing with a bunch of his buddies in Manic Hispanic. The band played an array of punk rock cover songs, including one of my favorites, Rancid’s “Ruby Soho.”
 
Lee Rocker, who also played the day before, took the stage for Sunday’s show. Rocker played a set chock-full of rockabilly tunes that got the crowd up and dancing. Some of the more punk rock attendees did not seem interested in Rockers stripped down brand of rock, but for those who were there to see some great rockabilly, Rocker did not disappoint.
 
San Diego’s Rocket From the Crypt put an upbeat splash into the Hootenanny, with its infectious brand of punk rock with horns. Few punk bands have attempted to have horns, yet Rocket From the Crypt have been rocking and rolling for over ten years now and by the great crowd reception from the bands set, this idea is working well.
 
Then a living legend took the stage, Little Richard taught the crowd at Cal State Fullerton a lesson in rock and roll. Hauling in a piano for his set, Little Richard blasted through many of his hits on a including, “Good Golly Miss Molly” and “Whole Lotta Shakin’ Goin’ On.”
 
Little Richard was so excited and involved in playing, that he went over his hour set time. A few people in the crowd in front of the stage where Social Distortion was to play were chanting for Little Richard to get off stage; I could not believe it. I think Social Distortion is an amazing band, but Little Richard was one of the founders of Rock and Roll. It was a sad thing to see at such an eclectic rock festival as the Hootenanny.
 
Eventually Social Distortion took the stage and played a fantastic set. Legendary in its own right, Social Distortion chose to play some cover songs and more rare Social D songs rather then the bands radio hits like “Ball and Chain” and “Story of my Life.” The band played a few songs from its 1990 self-titled release, including, the boisterous “Sick Boys” and “Ring of Fire.”



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