VOL. LIII, NO. 107
California State University, Long Beach April 23, 2003
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. News  
 

‘Apparel’ shows sophistication with letters


By Monica Levette Clark

On-line Forty-Niner

Intimate ApparelCOSTA MESA — Lynne Nottage is drawn to the stage not for the drama, climactic experiences or the tragic moments, but for the intertwining relationship among different voices on stage, as opposed to in a book.
 
Nottage is also fond of the idea of theater as a collaborative effort between director, writer, actors, designers and even their audience.
 
In her latest play, “Intimate Apparel,” which premiered April 11 at the South Coast Repertory’s Segerstrom Stage, Nottage explores the experiences held by three women from the high, middle and low rungs of society in the 1900s.
 
Esther Mills (Shane Williams) is the protagonist of the play, a 35-year-old innocent black woman, who worked as a seamstress making lingerie for 22 years to pay for her stay in a boarding house in New York’s Tenderloin.
 
Mrs. Van Buren (Sue Cremin) is a Fifth Avenue lady who is in a failed marriage, determined to please her husband with her beautiful looks and social graces. She is also a valuable, dependable customer of Esther, whom she shares her secrets with.
 
Mayme (Erica Gimpel) is a lady of the night who dances for men at a local saloon and shows them a better time afterwards to make her real money. She is also the best friend of Esther, although their realities are worlds apart.
 
The plot of the play is made clear at the very beginning. Esther is a deeply religious woman, with high, conservative morals, who longs for romance with a man to make her humble existence complete. She is also striving, like she has been since she moved to New York in her teen years, for a distant dream she has of owning her own beauty parlor to service black clientele. She finds a man, George Armstrong (Kevin Jackson), but he is half across the world in Panama, a laborer working on the canal being built at that time.
 
They begin a fated love affair, but only through letters, that get more intimate with time. She gets one from him twice a month. After six months he asks, by letter for her hand in marriage, which she gives to him when he travels to New York to be with her.
 
But when he gets there, the plot thickens. George is disappointed with her not-so-drop-dead-gorgeous countenance. He was expecting the women who had so seduced him with stories of her crafting the perfect, sexy bustier, to be just as enticing in person.
 
Now living on her own, and out of the boarding house, with a man who is as boisterous as he is harsh and tactless, Esther finds herself in a bleak situation that only acts worse as it plays out. “Intimate Apparel” paints a true picture of these women, with its truly, believable dialogue for people living in those times.
 
The dialogue is sometimes funny, sometimes blunt, but altogether honest and revelatory. It is a great, but sorrowful tale based on a woman’s very human experience with love that doesn’t amount to much but open wounds and a bruised disposition in the end.
 
The two-hour play will run at the Segerstrom Hall in Costa Mesa through May 18.


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