VOL. LIV, NO. 7
California State University, Long Beach September 10, 2003
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Editorial Staff

Rachelle Youngman
Editor in Chief

Miguel A. Lopez
Managing Editor

Tina Page
News Editor

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Sonya Smith
City Editor

Jack Scheneider
Assistant City Editor

Monica L. Pardee
Opinion Editor

Monica L. Clark
Diversions Editor

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Sports Editor

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Photo Editor

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Assistant Production Manager

Lego Hartanto
Production Staff

Carlo Dayrit
Justin Smith

Circulation Staff

 

. News  
 

THEATER review: Poetic prose inspires Irish 'Lime Tree Bower'

By Allison Eaton
On-line Forty-Niner  

HOLLYWOOD--Down below the buzz of a typically hectic evening on the Sunset strip, 76 Productions will be presenting its west coast premiere of Irish playwright, Connor McPhere-son's "This Lime Tree Bower" through September 20 at the Gardner Stages.

Having earned mixed reviews during previous runs in New York, Boston and Chicago several years ago, cast member Jeremy Stevens said, Director Rand Marsh is hoping to catch a ride on the coattails of the success enjoyed by "The Good Thief," another play by McPhereson. It recently earned critical acclaim after its run in Los Angeles.

Written in 1995, the script is inspired by a selection of poetic prose by Samuel Taylor Coleridge dating back to the late 1790s. It is a story of contemporary boredom, desperation and reckless behavior in modern-day Dublin, where everything evolves around two brothers, Joe and Frank, and their sister's potential fiancé, Ray.

The actors are fully aware of one another's presence onstage, but that is where their interaction ends. In fact, three-man monologue was scripted without any stage directions. Each character develops only as the individual actors interact with the audience, creating a lively atmosphere at the very least.

Surprisingly, the actors ran into trouble maintaining their Irish accent, though Steven's said they were having an off night Saturday due to the malfunctioning air conditioner.  The little alcove of a theater, nestled in the basement of the Gardner Stages was, in fact, terribly stifling.

Witty puns are eased into the script along with offensively raw jokes that send the audience into moments of uproarious laughter, sharply contrasting the sullenly nagging idea that desperate times do in fact sometimes call for desperate measures.

Seth Macari's performance as Ray was hands down the highlight of the performance.  His impressive stage presence and complete comfort within his character brought forth an intensity the other two actors seemed to lack.


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News

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Opinion

.... Our View: Bush has a big mouth
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Get lost, get rich by Sarah Thigpen
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.... Speeches-smeeches
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Diversions

.... ART review: Museum exhibits similar artistry, contrasting mediums
.... THEATER review: Poetic prose inspires Irish 'Lime Tree Bower'

 

Sports

 

 

 

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