VOL. LIV, NO. 58
California State University, Long Beach December 10 , 2003
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Editorial Staff

Rachelle Youngman
Editor in Chief

Miguel A. Lopez
Managing Editor

Tina Page
News Editor

Jamie Oye
Assistant News Editor

Sonya Smith
City Editor

Jack Scheneider
Assistant City Editor

Monica L. Pardee
Opinion Editor

Monica L. Clark
Diversions Editor

Karl Peterson
Sports Editor

Jennifer Camacho
Photo Editor

Beverly Munson
Advertising/Business Manager

Janet Gutierrez-Tostado
Floria Myung

Advertising Representatives

Marcela Juarez
Esther Song

Business Staff

J. M. Eggleston
Production Manager

Kari Schneider
Assistant Production Manager

Lego Hartanto
Production Staff

Carlo Dayrit
Justin Smith

Circulation Staff

 

. News  
 

G-Unit rides coattails of 50 Cent

Cop it or drop it

Ratings
4 stars = cop it
3 stars = play it
2 stars = ok it
1 star = drop it

 

G-unit

"Beg For Mercy"
G-Unit
Interscope

**1/2*

50 Cent is everywhere these days, and maybe that's not a bad thing due to the wave of success that he's riding. What the people at Interscope are hoping is that 50's popularity will carry over to his crew, G-Unit, and their debut album, "Beg for Mercy."

This time 50 Cent is flanked with rappers Lloyd Banks, Young Buck and still incarcerated Tony Yayo, who will hopefully add to their increasing street credibility.

As for "Beg For Mercy," G-Unit puts forth a solid effort with at least the first eight tracks, which keeps your head bobbing while 50 Cent and crew keep the lyrics simple, but the second half of the album falls off into mediocrity.

There are a few surefire hits such as "Stunt 101," which has already received steady airplay .

Other notable tracks are "Groupie Love," and "I'm So Hood," which depict the lifestyles of some of today's rap superstars.
-- Trent Loomis

 

 

Salty the pocketknife

Salty They Pocketknife
"Salty The Pocketknife"

**
Self-released Dustin Diamond, that adorable nerd "Screech" from the '90s teen comedy "Saved by the Bell, has re-emerged in the public eye. Diamond is the bass guitarist for the progressive/experimental rock group, Salty the Pocketknife.

The peculiar name of the group is fitting for the peculiar and unique style of music it produces.

"Shiny Lines," the opening track off their self-titled album, sets the bands progressive rock image, with heavy drums and guitar riffs dominating the track. Rosebud's vocals are well timed and powerful.

"Red Panties 145" would have to be one of the best tracks off the album. Rosebud's sultry leading vocals sound reminiscent of Gwen Stefani from No Doubt.

Diamond's bass riffs are timed perfectly with Scott Ireland's guitar, creating powerful bursts between vocals and Evan Stone's talent on drums is evident.

Of course along with a "best track," follows a "worst track." Filling this position is "Pour No Gasoline." The instrumentals jump all over the place and the tempo changes between the verse and chorus seem erratic.

Don't be surprised if you see more of these guys, not because they're a great band, but because of you know whom.
-- Troy Dove

 

Josh Groban
Reprise Records
"Closer"

On his sophomore effort "Closer," Josh Groban, or "the new boy wonder of the voice," as some people call him reaches even further into not only the souls of his listeners, but his own as well.

Groban invokes the human spirit with 13 news songs on "Closer," aptly named for his new found intimacy between himself and his listeners.

Using three different producers, including French duo, Deep Forrest, and several guest musicians such as world-class violinist Joshua Bell, Groban stretches the boundaries of the classical vocal sound that dominates today's easy listening genre.

In fact, Bell's accompaniment on "Mi Mancherai (il postino)," is the most moving and inspirational track on an album that never relents with emotion.

This is a perfect album to listen to while you study is also an album that lives up to all expectations of a 22- year-old boy wonder that will be closer to us for years to come.
-- Trent Loomis

 


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