VOL. LIV, NO. 32
California State University, Long Beach October 23, 2003
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. News  
 

THEATER review: Homosexuality, abuse explored in 'Faust'

Ryan Harris, theater major of Cal State Long Beach, plays the role of Pete in "Faust is Dead," the masochistic, gay teen and main character of the play.  
Rude Guerrilla Theater

By Jack Schneider
On-line Forty-Niner

SANTA ANA -- A naïve and self-abusive young adult named Pete, played by Ryan Harris, lifts his shirt on stage, and reveals a series of tiny , jagged cuts splattered all over his body.

This event is only one of many controversial elements that prevail in Mark Ravenhill's contemporary drama "Faust is Dead," now playing at the Empire Theater.

Pete meets up with a renowned, but troubled homosexual philosopher Alain (Jay Michael). With his book titled "The Death of Man," Alain looks to Pete for casual sex while Pete reluctantly gives in to his sexuality.

From then on, the two embark on a downward spiral of experimenting with hallucinogens, running away from the everyday hassle of life, and the dream of getting rich by using the power of computers and the Internet.

Already, "Faust is Dead" has become one of the theater's most successful plays. It's controversial messages, along with the play's use of mixed mediums on stage, such as Internet cams and recording cameras.

Dave Barton, artistic director for "Faust is Dead" said while the original script included a death scene on a web-cam, this version puts the violence right in front of the audiences' eyes.

"When [the play] toured England, the scenes involving the boy who cuts himself on the Internet," Barton said. His fairly gruesome death scene was also on videotape."

Harris, who is also a theater major at Cal State Long Beach said the sex scene involving his character and Alain took some getting used to as an actor.

"I thought it was the most courageous part," Harris said. "It took a lot of commitment. I believe it stretched me as an actor. You're not going to grow as an actor unless you take chances."

Balancing a busy schedule with rehearsals, plays, school and work has been anything but easy, he said.

"Theater always been a passion for me. I'm 23-years-old, and I've never been this busy in my life."

By performing three days a week in "Faust is Dead," Harris said the experience of acting in a controversial and provocative play has stuck a chord with audiences.
 
"Every night is different something different happens, it's live theater, anything can go. We had a few nights where people gasped and cover their eyes," Harris said. " On Sunday this woman came up and was in tears saying 'my son cuts himself' and she left balling."

"Faust is Dead" is a violently edgy feast filled with vivid technology and high-octane acting. Although the characters are radical in behavior, they are nonetheless believable.

The wild and controversial antics in "Faust is Dead" may take a while to digest after leaving the theater, but it shows that even the stage can evoke a shock value.

"You're not going to see a Neil Simon play at Rude Guerrilla," Harris said. "[The theater] has the balls to put on these type of shows."
 

"You're not going to grow as an actor unless you take chances."
-- Ryan Harris,
theater major
 

EVENTS LISTING

What: "Faust is Dead"
When: Now until November
Where: The Empire Theater 200 N. Broadway,
Santa Ana, CA.
Information: (714)547-4688

 

 

 

 


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