FILM
review: 'Sylvia' reveals poet's marital
woes, nothing else
By
Lauren Nelson
On-line Forty-Niner
The
film, "Sylvia," starring Gwenyth
Paltrow as the late poet Sylvia Plath,
keeps true to Plath's marital ups and
downs, yet fails to show the real Sylvia.
The film documents Plath's marriage to
adulterous Poet Laureate Edward (Ted)
Hughes and the struggles they try to work
through.
However,
few lines of her poetry are ever mentioned.
"The Bell Jar," her only novel,
is only spoken of once and with little
regard. Her husband's poetry and achievements
are noted more than hers are. It is a
wonder the film is not titled "Ted."
Anyone
who knows anything about the Sylvia Plath
knows that she was dark, suicidal, and
often considered crazy. The film lightly
portrays her in this light while she is
struggling with her husband's adultery.
It makes Plath look as though her husband
was the root of all her problems when
in reality they were there before she
and Hughes ever met.
Don't
be tricked by the opening line: "Dying
is an art, like everything else."
You may think it is going to be her story,
but the film quickly sways from Plath
to Hughes.
"Sylvia"
may be entertaining for those who enjoy
intense dramas and are not looking for
a biography of the poet. The poets and
their two young children go back and forth
between houses in England and America
in which they meet few, but interesting
people. The film concludes, of course,
by Sylvia committing suicide the same
way she did it in real life.
For
anyone who liked "The Hours"
or "The Virgin Suicides," "Sylvia"
is the film to see.
Daniel Craig did a great job portraying
the part of Sylvia's husband. Someone
a little more psychotic than Gwenyth Paltrow
should have played Sylvia Plath's character.
Paltrow
is too well known and adored to be playing
the part of someone who made her own friends
nervous. Though Paltrow did an excellent
job, it just doesn't help the audience
because it is hard for the audience to
forget they are watching the gorgeous
academy award winner, Paltrow.
The
lack of details is hopefully due to cuts
that were made in the editing room. The
synopsis of the film by the presenter,
Focus Features, gives credit to all of
the major steps in Sylvia Plath's lifetime.
What happened between the blueprints and
the final product is unknown and unfortunate.