Film
review: Coppola back with poignant, funny
'Lost in Translation' starring Murray,
Johansson
By
Jack Schneider
On-line Forty-Niner
In
1999, director and screenwriter Sofia
Coppola captivated audiences in independent
movie theaters with her dreamy and dramatic
adaptation of Jeffrey Eugenides' novel,
"The Virgin Suicides."
Four
years later, Coppola returns to the big
screen, capturing more than just fans
and goers of indie cinema with her poignant
story and direction of "Lost in Translation,"
starring Bill Murray and Scarlett Johansson.
Bob
Harris (Murray) is a middle-aged celebrity
who is in Tokyo promoting a line of Scotch
to Japanese billboards. He is burned out
with promotions, has trouble sleeping
in his hotel room and wishes to escape
the confusing atmosphere of Japan.
Meanwhile,
Charlotte (Johansson) is living at the
same hotel as the 20-something-year-old
wife of John, a band photographer played
by Giovanni Ribisi. Charlotte is in a
state where nothing seems to excite her,
and feels as if she has no relation to
a normal, happy life.
At
the hotel bar, Charlotte and Bob engage
in conversation and the two end up clicking
on various levels.
"Lost
in Translation" has more than just
melancholy statements expressing the sorrows
life. Murray's performance as Bob Harris
is unlike anything audiences have seen
on film.
He
constantly has a damper smile on his face,
but remains charming in his character.
Johansson's
performance is similarly brilliant, evoking
a radiantly melancholy character with
jaded facial expressions.
Murray
and Johansson come off as friends rather
than as lovers. The relationship between
the two is so ambiguous it keeps the audience
guessing all throughout the film.
The
film does a superb job of paralleling
the misunderstandings of everyday life
with the troubles of trying to figure
out the Japanese culture. It's almost
as if Japan is used as an allegory, showing
that life is foreign to Bob and Charlotte.
Coppola's
direction and script added a human touch
to the movie. While the hilarious moments
shined in the movie, the comedy scenes
could have been spaced evenly throughout
the film to make "Lost in Translation"
a more even dramedy.