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VOL. VIII, NO. 96
CALIFORNIA STATE UNIVERSITY, LONG BEACH
APRIL 2, 2001


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news

Success of 'Crouching Tiger' and others discussed

By Stephine Michrina
On-line Forty-Niner

"Crouching Tiger, Hidden Dragon" may not have won best picture at last week's Academy Awards ceremony, but its award for best foreign film has brought exposure to Chinese-made movies.

"'Crouching Tiger, Hidden Dragon' gave recognition to all of the Chinese-made films over the past 10 years," said Huang Shixian, a professor at the Beijing Film Academy, who has published several books and articles on Chinese and foreign films. He was recently selected to serve on a board of seven specialists to select the 100 best Chinese films of all times, and spoke at a lecture Thursday at the University Student Union.

"It really is a new epoch in recognition of Chinese made films," said Huang, addressing an audience of more than 30 people, highlighting issues of globalization and the market trends of indigenous Chinese films.

With the recent popularity of the Ang Lee-directed "Crouching Tiger," movie critics are analyzing where foreign films will fit into Hollywood's big picture.

"Chinese filmmakers will have to learn how to provide excitement and thrillers like Hollywood produces today," Huang said. "However, Chinese films have found a little niche in the filmmaking industry."

Huang pointed to specific reasons for the success of "Crouching Tiger" in the United States.

"The first is the romantic, classical images of a martial arts movie. There's a beauty in the masculinity of the film.

"Second are the beautiful scenes with the combination of digital technology," said Huang, referring to scenes where the stars of the movie glide from rooftop to rooftop and fight amid waving bamboo shoots.

"There is also some degree of oriental mysticism in the movie," Huang added. "The sword is sort of a symbol of feelings."

"Crouching Tiger" is the first Chinese film to receive an Academy Award in the best foreign language film category. While viewing subtitled movies is typically not well received by moviegoers in the United States, the film has leaped this hurdle with receipts of more than $4.7 million at the box office.

"This was really a landmark film," said San-Poi Li, a professor in the department of Asian and Asian American studies. "Kung Fu movies have created stereotypes. This movie offers a new refreshing perspective."

 

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