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Online Forty-Niner: Finals Week: Diversions
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VOL. VIII, NO. 120
CALIFORNIA STATE UNIVERSITY, LONG BEACH
MAY 21 - 25, 2001


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diversions: video picks

Many video picks for the long, hot summer

Every story has an end, so does my weekly column.

As I write my last piece, I want to thank Don Weberg for the opportunity to take over Video Picks for the last half of the spring semester. It gave me an opportunity to view movies, which I have already seen, from a different perspective. Instead of watching a movie at face value, I was forced to go deep into the heart of the story. It also gave me the opportunity to provide quality weekly suggestions to you, the readers.

Weberg authorized me to write a massive last run, leaving you with more than enough movies to last the entire summer  so I hope you enjoy this lengthy column.

Usually, I try to relate the Picks to something that has directly or indirectly affected me during each week. I have touched on issues such as racism, life decisions and overcoming inner demons.

My last column is going to journey us into a flat out party, merely suggesting movies that deal with the summer heat, kissing your current educational institution goodbye and outer space.

With the energy crisis and temperature expected to skyrocket this summer, I felt an appropriate journey would be to travel to scorching Brooklyn, New York and visit Mookie, in Spike Lee's 1989 film "Do the Right Thing."

In most of, if not all of Lee's flicks, he uses a lot of foreshadowing to alert the audience of upcoming eye-opening events. Lee touches on issues of hate and racism. "Do the Right Thing" was one of Lee's first films to address ignorance in an intimate community.

The opening scene takes place in Mister Senior Love Daddy's (Samuel L. Jackson) radio booth, with him waking up a neighborhood over the airwaves. Yelling "Wake up!" Love Daddy foreshadows a trip, starting with a quiet New York block, traveling through a day of racial discrimination and tension and ending with a night of death and resolution.

"Do the Right Thing," also starring Rosie Perez and John Turturro is a powerful portrayal of unity by the minorities. Finally fed up with the dirt that the ruling class dishes down, the Bed-Stuy neighborhood rallies together to shout "No more!"

Journeying from the late '80s to the early '60s, our travels land us to a time of drag racing, Inspiration Point and drive-ins.


George Lucas' 1973 classic, "American Graffiti," captures a coming of age story of four teenagers on their last summer night before college.

Starring Harrison Ford, Richard Dreyfuss, Ron Howard and Suzanne Sommers, "American Graffiti" tells of a time when rebels were cool and the rules were always being broken.

The theme of "living your youth" sticks out in this film. Teenagers were having fun and they did not let higher authorities control their decisions. The transition from high school to college usually leads youth to a summer of no rules and this film recaptures those moments.

Breaking the rules of the Video Picks column, our next stop is Huntington Hills High, in the 1998 film "Can't Hardly Wait."

The tassels have crossed over and the graduation caps have been tossed into the air. The only thing left to do is PARTY!

For Preston Meyers (Ethan Embry), graduation day is more than a transition into his new life. It is a day to reveal his love to his four-year crush.

The end-of-the-year party is Preston's last chance to tell his soul mate, Amanda Beckett (Jennifer Love Hewitt), of his dying love for her, before he heads off to Dartmouth College.

The only thing stopping Preston is Amanda's current boyfriend and the fact that she does not even know Preston exists.

The movie follows Preston's eyes in trying to win a love that seems to be forbidden. Booze, partying and rock -n' roll lead Preston to a face-to-face confrontation with his love, only to be let down by an angry Amanda. Amanda embarrasses him, thinking Preston only wants her for sex.

Much like "American Graffiti," "Can't Hardly Wait," also starring Seth Green, Donald Faison and Johnny Zander, captures youths last stand as high school students. The rules are thrown out the window and everything goes.


Next, our trip lands us further back than high school. We find ourselves in a small Oregon town, in the 1986 hit "Stand By Me."

A group of four friends, in the summer of 1959, decide to end school break with an adventure worth etching in stone. They decide to turn a usually boring weekend into a memory, none of them will ever forget.

A missing body is what ties the four teenagers together.

Gordie Lachance (Wil Wheaton), Chris Chambers (River Phoenix), Teddy Duchamp (Cory Feldman) and Vern Tessio (Jerry O'Connel) venture into the woods in search for the Ray Brower kid, the missing body.

"Stand By Me" is an odyssey of self-discovery. It is a movie that joins four friends, through tall-tales, youthful "smokes" and leeches, into a journey of coming-of-age. The movie captures the strength of friendship and the experiences of growing up.


For many of us, our final step through college life is just around the corner. For Lelaina Pierce (Winona Ryder), college has ended and real life is beating her to the ground. "Reality Bites" (1994) is a romantic comedy that looks at love, intertwined with post-college life.

Many of us are afraid of the real world. This movie shows us why many of us should fear the transition.

Lelaina is off on her own, with her recently lost internship, trying to find a new means of income. The only thing keeping her sane is her friends and developing love life.

Also starring Ethan Hawke, Ben Stiller and Janeane Garofalo, "Reality Bites" joins a love triangle, the fear of AIDS and minimum wage jobs into a 90-minute realization.


Our final destination is outer space. There are no graduations or coming-of-age tales. The only thing evident is "The Shwartz." Mel Brooks writes and directs one of the only successful spoofs in movie history, in his 1987 classic "Spaceballs."

Feeding off of and mimicking Lucas' "Star Wars," Brooks wages battle between good and evil. The heroes are Lone Star (Bill Pullman) and his half dog/half human pal Barf (John Candy). Their mission is to save Princess Vespa (Daphne Zuniga) from the shackles of the evil Dark Helmet (Rick Moranis). Facing jelly jammed computer screens, sexual innuendoes and Yogurt (Brooks), our heroes finally infiltrate Dark Helmet's spaceship, rescuing the princess and saving the universe.

"Spaceballs" is a story of "life, liberty and the pursuit of massive merchandising opportunities."

I hope my experience, as a columnist, was as enlightening for you all to read as it was enlightening for me to write. I urge you, when looking at a flick, to look past what is on the screen and to see what is in between the film and the projector.

Derrick Engoy is a print journalism major at Cal State Long Beach.

 

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