Online Forty-Niner: Fall 2001: DIVERSIONS
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VOL. IX, NO. 25
CALIFORNIA STATE UNIVERSITY, LONG BEACH
OCTOBER 8, 2001


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diversions

Ms. Janet gets nasty

By Christine Shin
On-line Forty-Niner

In a confused city that both celebrates and protests in the same destructive ways, the Staples Center last week hosted an event without the usual flames and fury of Angelinos.
 
The City of Angels was instead treated to a warm, intimate moment with a pop culture icon.
 
Janet Jackson first exploded on the center stage with songs from her "All for You" album.
 
Jackson took a break from her newer songs to reminisce with a medley of tunes from decades past, including ballads "Let's Wait a While" and "Again."
 
Jackson walked to the front of the stage to embrace the audience as they all screamed for her. With tears flowing, she stood in front of her loving fans and smiled with her hand placed over her heart. She smiled as if meeting her audience for the first time, giving each fan an intimate moment with the humble entertainer.
 
Throughout the performance, Jackson weaved the old with the new, allowing for the enjoyment of a fan from any decade.
 
Blow-up dolls and human ladybugs were probably the most elaboration, or lack thereof, in set design of the entire night. The circus set-up and costumes were cute, but definitely catered to her younger crowd.
 
Cliché Asian themes with freaky Halloween masks were oddly melded. Jackson then jumped into provocative gear of black patent leather. After stating how "lonely" the stage was getting, she chose an audience member in a Laker jersey to voluntarily strap himself against a mobile sadomasochistic contraption.
 
As Jackson propped herself up in front of him, the seduction act became a comedy act with the not-so-helpless volunteer's "tongue actions" and comments like "Daddy loves you." After some grinding, teasing and countless "Oh my Gods" from the Laker fan, the "S&M-mobile" suddenly flipped from vertical to horizontal as it dropped beneath the floor stage.
 
Hey, at least it got laughs from the audience.
 
Choreography in the dance numbers were identical to Jackson's music videos and tours like "Rhythm Nation," preventing an original show, which worked for fans who had missed past tours.

filler

 

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