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![[diversions]](http://www.csulb.edu/%7Ed49er/Icon/diversions.gif)
Listen
to me: Chan, the critic
gives his slant on this week's new music releases
By Chan
Tran
Daily Forty-Niner
Pearl
Jam: Live Bootlegs (Epic)
Pearl
Jam is a shell of its former grunge hype.
So what
is so interesting about releasing 28 live double-Cds
in an attempt at reliving past hits and recent unfocused
gibberish?
Absolutely
nothing.
Here
is my explanation: The shows were recorded on its
recent mild European tour, which was a set of shows
that nobody cared about or heard of on this side
of the Atlantic. Secondly, due to its constant media
mistakes, they've lost most of their fan base. Among
the frequent Eddie Vedder and co-horts screw-ups
are no videos, limited shows in the boonies, a Ticketmaster
debacle and the frequent hermit-like activities
from music promotion.
In fact,
not only do they mess up by shying from the media,
their only success has been a cover of a song that
was meant to be a Christmas bonus for its fan club.
Fan club? Where are the fans? Furthermore, Pearl
Jam was so desperate for record sales that they
ended up releasing the single. Talk about confusing!
What
does this all mean? Most likely, a pathetic attempt
at filling 30-album contract that they signed at
the height of their popularity. The albums
will once again be available at the band's official
Web sites and eventually make their way to retail
stores alongside their previous live album "Live
on two legs", which was released two years
ago. What was the purpose of that release
in light of the new releases? Once again, absolutely
nothing.
For a
better buying experience, retailers should file
Pearl Jam under Stone Temple Pilots in the stores.
Brian
Wilson: Brian Wilson (Rhino Records/Warner Archives)
This
is a cool release, because Brian Wilson for a period
time optimized cool. Rhino Records, a brilliant
label in terms of re-releases, pulls out all the
bonuses for this CD edition of Wilson's 1988 solo
album. In addition to the original tracks, there
will be 15 bonus cuts, including four rare non-LP
single sides, demo version and interview segments.
Martha
Stewart: Spooky, Scary Sounds for Halloween (Rhino)
Martha
Stewart is evil.
This
release is fitting of that status. Instead of broccoli
dishes and curtains designed with candle drippings,
Stewart has put together a collection of sound effects
for Halloween. Elvira beware.
Various
Artists: VH1: The Best of Where Are They Now (Rhino)
VH1 has
become a station that profiles the rejected and
the regurgitated artists in the music industry.
The first collection of hits from the VH1 program
is a batch of songs one would hear while watching
repeats of the "We are the world" video
-- the extended remix version. Offenders include
Bow Wow Wow's "I Want Candy," and Banan-anrama's
"Cruel Summer."
- Mack
10: The Paper Route (Hoo Bangin'/Priority)
- Various
Artists: Loud Rocks (Loud/Columbia)
- Ryan
Adams: Heartbreaker (Bloodshot)
- Man
… or Astro-Man?: A Spectrum of Infinite Scale (Touch
& Go)
- C-Murder:
Trapped in Crime (No Limit)
- The
6ths: Hyacinths and Thistles (Merge)
- Bettie
Serveert: Private Suit (Parasol)
- Mojave
3: Excuses for Travelers (Beggars Banquet/4AD)
- Madison
Avenue: Madison Avenue (Columbia)
- The
Black Heart Procession: 3 (Touch & Go)
- Alastair
Galbraith: Cry (Emperor Jones)
- Groop
Dogdrill: Every Six Seconds (Beggars Banquet)
- The
Hot Club of Cowtown: Dev'lish Mary (Hightone)
- The
Insomniacs: Get Something Going (Estrus)
- Josie:
Unkunvenshunal Girl (Qwest/Warner Bros.)
- No
Question: No Question (Ruffnation/Warner Bros.)
- Pinetop
Seven: Bringing Home the Last Great Strike (Atavistic)
- Trans
Am: Red Line (Thrill Jockey
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