Ash creates a simple Brit-pop masterpiece
By Jason Kosareff
Daily Forty-Niner
Brit-pop rockers Ash have always taken a different road then their more
famous contemporaries such as Blur and Oasis.
On their new album, "Nu-clear Sounds," Ash has created a masterpiece
of minimalism and understatement.
Ash keeps their music even more simplified than Jesus and Mary Chain,
producing a sound similar to Sonic Youth while remaining distinctly English.
This stripped down, straightforward rock sound upliftingly recalls the
days before life became a complicated drag.
The simple, somewhat naive lyrics Tim Wheeler sings in his straining
voice are tributes to sadness and happiness, without weighing things down
with details or hyperbole.
While firmly rooted in the punk genre, Ash keep a tight lock on their
aggressiveness and don't try to compensate for the simplicity of their
music with noise and feedback the way contemporary bands such as Smash
do.
The first three tracks on the album have the common theme of Butch Vig's
masterful mixing. Vig is the guitarist and producer for Garbage.
He also produces Smashing Pumpkins.
"Jesus Says," "Wild Surf," and "Folk Song" all have the texture and
feel of Vig's mixing of layers of chords and multiple vocal dubs.
"Numbskull" is an outstanding track about teenage goofiness, an intelligent
rejection of conformity. "Burn Out" and "A Life Less Ordinary" are enjoyable
tracks about having a crush on someone.
Guitarist Charlotte Hatherley chimes in with her melodic vocals on these
and a couple of other tracks, adding to the melancholy air of the songs.
As on past albums, Wheeler's vocals are rich in tone though rather limited
in scale. He perfectly portrays the mood of his lyrics through his innocent
voice.
Rick McMurray's drumming and Mark Hamilton's bass playing lock into
minimalistic rhythms to create a light, lolling pace behind Wheeler and
Hatherley strumming, simple punk chords.
"Nu-clear Sounds'" end result is a devastating sound filled with resonating
loops propelling the songs along. |