The Charlatans U.K. stage classic comeback
By Jason Kosareff
Daily Forty-Niner
Though they never really disappeared, The
Charlatans U.K. have staged a comeback album that picks up the torch the
Stone Roses dropped after their two or three year stint as the world's
greatest rock band.
Their new album, "Us and Us Only," is a
classic piece of dark, melodramatic rock 'n' roll.
The sound can be described as "riddled
with angst."
Angst has been worked to death in rock
music, and one can be thankful that the electronic music scene provides
enough of a means of escape from it.
But it is nice to occasionally revisit
the music that labeled a whole generation as unaffected.
In a sincere form, angst can be translated
into something moving without falling into cliche traps.
This is exactly what The Charlatans have
managed to do.
The opening track, "Forever," is a tribute
to the arrogant confidence of youth.
Tony Rodgers builds up a tense string of
organ chords over boom bass percussion played by Jon Brookes.
Singer Tim Burgess, though limited in vocal
range, works in his lyrics to create the overall effect of an anti-anthem.
"I wonder what these people do with their
lives?" Brookes sings.
Where anthems are generally uplifting,
"Forever" is exactly the opposite.
In fact, the only resemblance the song
has to an anthem is the repetitive chorus near the song's end.
Another outstanding track is "The Blonde
Waltz," which begs a comparison to The Verve. Like Stone Roses, The Charlatans
craft melodic, romantic music to juxtapose with bleak lyrics about all
the bad things in life.
The bitterness in their lyrics plays well
with the piano and mellotron work of Rogers and the lolling bass of Martin
Blunt that characterizes most of The Charlatan's music.
"Us and Us Only" may not inspire an exuberant
optimism, other than the idea that the moribund state of rock is not going
to be terminal. |