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Vol.7, No 34, October 27, 1999 

Bizarre comedy film a hit

By Amanda Thomason
Special to the Daily Forty-Niner

"Being John Malkovich" gives new meaning to the phrase 'traveling on a mental journey.'

Lingering disbelief from the movie's unusual yet appealing scenes propels the viewer around the blind corners as the bizarre plot unfolds. 

Craig Schwartz is trapped. An unemployed puppeteer, he is plagued by intellectual isolation and suppressed sexual desires. Amusingly, he exhibits these personality quirks through his puppets. His wife, Lotte, clueless to her husband's angst, constantly comments about their dubious future and her pet chimp, Elijah's, ulcer. 
 

MOVIE REVIEW

Finally, when at his new job at Lestercorp, he finds two potential escapes from his personal prison: a sexy colleague and a door that leads into John Malkovich's head. 

The characters in this film are unforgettable. John Cusack turns in his usual clean-shaven look for the scruffy, sloping Schwartz. 

Cameron Diaz is anything but an effervescent, blonde "Mary." Her character, Lotte Schwartz, is far more complex. Lotte's personal revelations, such as when she announces that she wants to become a man, stretch Diaz's acting repertoire. 

Catherine Keener plays Maxine, the third member of the story's bizarre love triangle. Keener gives a sharp performance as the crisp, manipulative colleague who masterfully exploits Schwartz's discovery and talents. 

This cinematic effort marks big screen debuts for director Spike Jonze and screenwriter Charlie Kaufman. They have created a film in which unexpected twists occur every time the characters open their mouths. 

This film is rated-R.

 

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