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The (Non)Fickshun 500
or, Short Stuff for Lazy People
THEY'LL ONLY LET
YOU DOWN
by Darran Anderson
My father told me once bout the time Superman went
bad.
Said he could remember it like yesterday.
Burnt all the women’s clothes off with his x ray
eyes.
Laughed as he flicked busloads of old folks off
flyovers.
Spelt out obscene messages with the cities’
Christmas lights.
Pissed down on the streets from the Chrysler
building.
Pops said he didn’t believe in nothing after that.
ARM READING
by Regina Bauch
I
once met a man on the train who was blind. He was an inspiration. He
made me feel bold and I asked him to interpret the bumps that
spotted my upper arm. He gave me a look and I pretended not to see
it. I am you for this second, I thought, looks don’t affect me. I
rolled up my sleeve.
Could you help me out and read my arm?
I don’t do that, he said blankly.
I don’t either.
I don’t think you’ll find anyone who can. He turned to
the window. Brush and trees smeared with motion outside.
But don’t you read
Braille?
Yes, but not arm
Braille.
Leg?
What? He twitched his shoulders together.
Not now. Listen, I don’t normally do this.
What?
Ask blind people to read my arm.
So why start?
You’re an inspiration. Don’t you want to continue to
inspire?
How many blind people do you meet and harass? He kept to
the window.
I thought about my answer because I passed a blind man
on the street a couple months ago, but he looked busy crossing the
street and his busyness made me busy thinking about the types of
canes I’d like to grip if I were blind or had to wear an eye patch
or just old. I didn’t even think about my arm at the time.
Just you, I answered. I didn’t want to make things
complicated. Am I harassing? I asked.
No, just annoying. He didn’t turn from the window.
Can you feel past this and just read my arm?
I’m not a circus performer.
I don’t insult, I just wonder.
I’m not a palm reader or psychic either.
I know that. This is my arm. No wrinkles. Just
undiscovered words. My body is telling me something and only you can
decode it.
This is getting kinky.
But don’t you see that it’s true?
I guess . . . but—no! No. I’m not going to touch your
imperfections.
Heah now. You insult. Don’t you even wonder about what
my arm is telling us?
It probably wants to tear itself away from you.
And be read by you because you are the only one who can
understand it.
It’s just flaking skin, he said.
And bumps and tiny hairs and colors even.
He shifted in his seat. No, he said almost to himself,
squinting to the glass.
Some are red like chapped lips, I said twisting my arm
into my chest for a closer look. Then the pink spots, I kept
talking, these make me think of those soft mints you get at
restaurants. You know, the ones that dissolve so easy. They smell so
good in the bowl together. Some are tan. Chocolate I think would be
the normal association but I prefer something less romanticized,
like potatoes. Then—ooo that’s a weird freckle, like a Beatle’s do .
. . I trailed off, poking at my bicep.
He was silent while I sat picking the bumps off my arm,
flicking skin to the floor.
Don’t do that, he said looking down to his hands folded
on his cane.
What?
Pick the words off your body.
DREAM NARRATIVE
by Miki Howald
The dream narrative is interesting only to the dreamer, he told her,
the story arcs of the subconscious compel no reader or listener
besides the self. So she will never tell him how last night she
drove down the Seward Highway in all its pulchritude, where along
the side of the road the skeletal pines, simultaneously killed and
preserved by salt water, rose out of marshes to lord over the road.
Somewhere in those five miles between Turnagain Pass and the road to
Hope, on that long, slow-grade down a mountain, she lost control.
There are things she knows about stopping a car: shift into neutral,
pump the brakes, if it fishtails, turn into the spin, all of it
futile. She opened the door and flung her body into the road, rolled
through the dirt until she stopped. Because this is a dream
narrative—so self-referential and uninteresting—she will never tell
him that he was there, too, waiting in a car parked beside the road.
He lifted her from the ground and held her, told her she didn’t look
that hurt. She let him kiss her neck and her clavicle. His lips left
bruises, but this has nothing to do with him, so she will never tell
him that. She shivered under his touch and his gaze, and he offered
to kiss her entire body, if only so everyone could see where she
hurt.
WATER CLOSET
by Deborah Diemont
The restaurant in
the converted mansion does not have a bathroom but a Water Closet.
On the door, WC, like the initials of an English lord. He's tall and
chilly, one leg slightly longer than the other. He's like a coffin
into which the bog leaks. But then again, what grace and flourish!
WC, wild and curvaceous, like a ten-acre garden with snaking paths
and fountains. Like the blackberries that stain lips and fingers,
the thin summer dresses you once wore, scoop-necked to show off your
collarbones and breasts.
Turn the handle and step into the cold, tiled space. Fasten the
heavy iron clasp. Aren't these also called privies? No. Privies are
moldy outhouses; they were for poor peoples’ relief. The lonely
throne has a varnished wooden seat. You can still see the birthmarks
of the tree it once was. A long bronze chain reaches up to a very
high ceiling. What if the lock won't open again?
Hitch up your skirt and sit. The drain in the floor looks ashamed.
If only it had been born an eyelid to close. The walls are a white
forest closing in. Concentrate instead on the sepia portrait of a
family. The looks baby translucent in her baptismal gown but her
brother and parents frown. Why smile if no one makes you?
Now, consider the daunting chain. Reach out your sweatered arm and
pull. The vortex could suck you down, down, away. Back to your
first house at the bottom. The bear in the crib, one glass eye
missing. The tiny shoes yellowing like teeth. Flee into the mirrored
ladies' lounge. Breath in the restorative lavender.
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