Mary-Kay Lombino, curator of exhibitions at the University Art Museum, is one
of the 2005/2006 recipients of a Getty Curatorial Research Fellowship to fund
a three-month summer leave of absence this year to research an upcoming exhibition
of work by California Symbolist/Surrealist painter Dorr Bothwell.
Dorr Bothwell, Self Portrait, 1932, oil on board, 27 x 21 in.
“I'm thrilled to receive the fellowship,” said the Los Angeles resident who
joined the university in 1999. “I have been thinking about organizing a Dorr
Bothwell exhibition for a long time, since before she died in 2000. This fellowship
will give me the opportunity to gain more in-depth knowledge of her life and
work, which will prepare me for the final selection of work to be included in
the exhibition.”
Getty Curatorial Research Fellowships support the professional scholarly
development of curators by providing them with time off from regular museum
duties to undertake short-term research or study projects that advance the
understanding of art and its history. The fellowships are reserved for full-time
curators of all nationalities who have a minimum of three years' professional
experience and who are employed at museums with art collections. Fellowships
support either independent research or museum-related projects, such as
exhibitions or catalogues.
Dorr Bothwell (1902-2000) is one of the few artists whose work serves as
a link between California and its Modernist past. “Dorr Bothwell: A Survey
Exhibition” will be co-organized by Julie Joyce, gallery director of Cal
State Los Angeles' Luckman Fine Arts Complex. It will be a comprehensive
overview of the work of an artist who, along with such pioneering figures
as Wallace Berman, Lorser Feitelson, Helen Lundeberg, Lee Mullican and others
helped form the Surrealist movement in California in the late 1930s through
the early 1950s, but whose achievements are greatly under-recognized.
Lombino's research will range from the American Archives of Art housed in a
branch of the Smithsonian Institution in Washington, D.C., to Pasadena's Huntington
Library.
“I wouldn't call this difficult because I love this sort of thing,” she said.
“It's fun for me to interview her old friends and her nephew as well as members
of the Mendocino Art Center where Bothwell taught for many years. I'll be having
a great time listening to all their stories. But it is hard work all the same.”
Lombino spoke to the artist before her death at age 98 in 2000 and prior to
that when she included Bothwell in a big group show titled “Pacific Dreams:
Currents of Surrealism in California Art” in 1995 while working for the UCLA
Hammer Museum as a curator.
Dorr Bothwell, Self Portrait, 1940, oil on canvas.
“She was honored to be included in the exhibition, which impressed me. She
was very modest,” she said.
“We have a long relationship with the Getty,” added Lombino. “They know the
University Art Museum and its track record.” The UAM has received a Getty Summer
Internship each year for five years to support an intern for 10 weeks in the
summer. “That has been fantastic,” she said.
Lombino received her master's from USC in Art History and Museum Studies in
1995. She went on to work at UCLA as a research assistant in the Wight Art Gallery
and continued as a curator when it merged with the Hammer Museum the following
year.
“I've received lots of grants for exhibitions but nothing like this,” she said.
“The fellowship is designed brilliantly because the Getty knows very well how
busy curators can be and how that can draw a curator away from in-depth research.
In terms of getting out of the office to do travel and research, this is a unique
opportunity.”