A

AALBP p4, "'Do you love me?' I asked.", THE TOAD

AALBP p5, THE BELLS WERE RINGING FOR ME AND MY GAL, "i was reading a book yesterday"

AALBP p8, "he knew he was in serious trouble," A LOSER

Abbey #44 1983 Fall p2, "t.v. has been so awful lately," THE WASTELAND EXPANDS

Abbey #44 1983 Fall p9, "i picked san francisco to win the super bowl," SUPERCOACH

Abbey #52 1987 Jan p3, DEATH WITHOUT HEADLINES, "i was one of richard burton's greatest fans"

Abbey #52 1987 Jan p17, "before class someone mentions," NEVER TELL A PHARAOH HE CAN'T TAKE IT WITH HIM

Abbey #54 1987 Fall p6, AFTER THE ARMISTICE, "in the mid–1970's a lot of male writers"

Abbey #54 1987 Fall p7, THE WAY TO A WOMAN'S HEART, "when this beautiful young lady"

Abraxas #23/24 1981 p82, HOW TO RUIN THE REST OF SOMEONE'S DAY, "I was just about to open"

Abraxas #23/24 1981 p83, CHECKING IN AND OUT, "i'm in the line at the hospital"

Abraxas #25/26 1982 p40, "she never smiles. she only laughs," WE'LL NEVER KNOW HOW MUCH OF LIFE IS LEARNED BEHAVIOR

Abraxas #25/26 1982 p41, "i've long respected madalyn murray,", SUCCUBUS, WE CAN DO IT TOO, "you say she is a myth?"

Abraxas #27/28 1983 p39, "after an evening of glowering at my daughter," MAYBE THE WOMEN ARE RIGHT ABOUT US

Abraxas #27/28 1983 p40, THE LADIES THANK YOU, LADIES, "the wives of talented friends of mine"

Abraxas #27/28 1983 p55

Woessner, Warren, BY LAND, SEA & AIR by LOCKLIN & ZEPEDA [rev], SCENES FROM A SECOND ADOLESCENCE AND OTHER POEMS by LOCKLIN [rev], TWO FOR THE SEESAW AND ONE FOR THE ROAD by LOCKLIN [rev]

Abraxas #27/28 1983 p56, "it drove me to drink living with you.", WODEN'S DAY

Abraxas #29/30 1984 p62, "i don't know how weird these kids," YEAH, I'M THE GUY IN THE OVERCOAT OGLING MINNIE MOUSE

Abraxas #29/30 1984 p63, "a girl i had been sleeping with," I'M AFRAID SHE'S RIGHT

Abraxas #31/32 1984 p21, THE CLOSEST DISTANCE IS SELDOM DIRECT, CONSTRUCTIVE CRITICISM, OR, EVERY ATROCITY MUST HAVE A SILVER LINING, "everyone's started telling me again," "most san francisco city councilmen"

Abraxas #33 1985 p55

Barkawitz, Mark; Stetler, Charles & GL, THE SUN AND THE CHILL [prose]

Abraxas #34 1986 p45, L'AGE D'ALUMINUM, "at the los angeles museum of natural history"

Abraxas #34 1986 p46, ON THE BEACH, "the rousseauistic edenic prelapsarian"

Abraxas #34 1986 p47, "the master scuba diver is telling the neophyte," A T. CORAGHESSAN BOYLE CHARACTER ONCE SAID THAT HE DIDN'T CARE HOW HE DIED AS LONG AS HE DIDN'T END UP AS SHARK SHIT

Abraxas #35/36 1987 p18, FOR THE CHRISTENING OF AARON SJØRN ZIOLKOWSKI, JUNE 20, 1986, "this child comes to us at a time"

Abraxas #35/36 1987 p72, HAPPY ENDING

Abraxas #37 1988 p72, HAPPY ENDING, "my daughter and i are riding out"

Abyss 2(2) 1969 p28, "We were the poets of the fifties,", WINFRED PENN SCHWARTZKOPF

Abyss 2(2) 1969 p59, A DEATH EROTIC, "the sea at sunset beach is victorious, thrashing"

Abyss 2(2) 1969 p67, GUYAMAS BAY, "'There was a time,' she said, 'when all the ocean"

Active Ing back cover, GERALD LOCKLIN [art]

Active Ing p3, "i'm riding in the car," TRUTH AND THE CONSEQUENCES OF CONSENSUS

Active Ing p4, "i just noticed that the expiration date," THE WORLD IS A FOREST OF SIGNS

Active Ing p5, THE ACTIVE INGREDIENT, "as a matter of fact,", WILLIAM T. WILEY: NOTHING...IS AS IT SEEMS, 1986, "william burroughs invented this"

Active Ing p6, "about the only time i've ever," "infra dig –– what a great," MAYBE I'VE BEEN READING THE WRONG ROMANS, THE PERENNIAL PARADOX

Active Ing p7, HOW TO LIVE FOREVER, MAYBE, "with a couple of hours still to go"

Active Ing p8, JERRY GARCIA AND MICKEY MANTLE, "they died in the same week,"

Active Ing p10, LONG DAY'S JOURNEY TO THE END OF NIGHT, "you begin to grasp the deeper structures:"

Active Ing p11, READER RESPONSE, SHE'S ONLY SIX YEARS YOUNGER THAN I, "she'd like to classify rocks on the moon.", "toad is reading a youthful story by nabokov"

Active Ing p12, HOWARD HODGKIN: DINNER IN PALAZZO ALBRIZZI, 1984–88, "robert hughes, whose word to me is"

Active Ing p13, ESPECIALLY CARRIE, "today's videos carry the disclaimer,"

Active Ing p14, PAUL CÉZANNE: SELF PORTRAIT, 1875, "what sort of man"

Active Ing p15, "it was a good year to look backwards,", PAUL CÉZANNE: THE LARGE BATHERS, 1906

Active Ing p16, "i guess the endless, tubular, regressive corridors," VINCENT VAN GOGH: HOSPITAL CORRIDOR AT SAINT–RÉMY, 1889

Active Ing p17, "she has this thing about always carrying," TOAD'S GALLANT GESTURE

Active Ing p18, THE FRIENDLIEST PERSON ON CAMPUS: A STUDY IN OVERCOMPENSATION, "i often wonder," "i've been teaching for thirty–two years," SOME THINGS DON'T CHANGE

Active Ing p19, "he grew up on heroic myths,", IN THE JUNGLE OF THE SELF

Active Ing p20, CROWNED BUDDHA, THAILAND, 13^th CENTURY, "they say that, at the end, bukowski was"

Active Ing p21, "in the aerobics room,", WHERE HAVE YOU GONE, T. S. ELIOT?

Active Ing p22, "in high school, when the jesuits insisted," SPIRITUAL READING

Active Ing p23, "at last he decides he has got to take action," THE ENABLER DECIDES TO DISABLE

Active Ing p24, "an artist learns to tolerate complacency,", DAVID HOCKNEY: MY FATHER, PARIS, JANUARY, 1974

Active Ing p25, "my friend at the ymca pool,", PORTALS OR POTHOLES

Active Ing p26, "a few of us are around a table," THE IN–CROWD LEAVES THEMSELVES OUT

Active Ing p27, I'M AFRAID TO LOOK IN THE MIRROR, "lately i've been shocked at the faces"

Active Ing p28, "how often do you get to drop," ONE I HOPE HANK WOULD HAVE LIKED

Active Lis #4 1983 Oct p13, "the movie, paris blues,", THERE ARE GOOD THINGS ABOUT

Active Lis #4 1983 Oct p27, "'it's a fact,' she says;", STANDARD DEVIATION

Active Lis #4 1983 Oct p29, AN UNWARNED TEAMSTER, "'well,' i said, 'don't take any wooden nickels!'"

Active Lis #5 1984 Aug p25, "i've been two hundred fifty pounds before," MY FAT IS SICK

Aileron #7 1985 p13, "a historic event occurred yesterday," A QUIET TEA PARTY

Aileron #7 1985 p14, THE FOOL, "when they ask me if i watched"

AKA #1 1987 Spr p6, "i watch with my kids the classic animations," THE POLITICS OF THE EXCRETORY SYSTEM

AKA #1 1987 Spr p8, "a lot of people seem to think," AN UNCOOL YUL

AKA #2 1988 Win p19, AT THE ACADEMIC WEEKEND, "my colleague from another institution"

AKA #3 1988 Sum p20, "in the downtown cafe in victorville,", THE POSTMAN DOESN'T RING AT ALL

AKA #3 1988 Sum p22, MARRIAGE, "On Fridays Blaze and Charles and Paul and I"

AKA #4 1989 p5, THE CONFESSIONS OF A RUBDOWN FREAK, BY MELISSA M. [prose]

AKA #6 1991 Spr p4, BIG MAN, "the pudgy kid in the book store"

AKA #6 1991 Spr p6, "carrion comfort, despair, of course," GEORGIA O'KEEFFE

AKA #6 1991 Spr p7, PINK ROSES, "what does anyone see in them?"

Akros #4 1981 Spr p23, THE DEATH OF THE CHAMELEON, "one saturday as a kid,"

Albuz track 16, DANNY BOY [GL singing]

Alcatraz #3 1985 p37, A SOBER READING OF DR. SIGMUND FREUD [prose]

Aldebaran #4 1969 p6, "he waited 'till she went to bed"

Aldebaran #4 1969 p9, "all the children are gleeful,", PHOTOGRAPH OF A CIRCUS IN EUROPE

All's p37, BUKOWSKI AT HIS BEST, "he was sitting in the forty–niners tavern"

All's p42, HEY, HANK, "you know that barmaid"

Alpha B #7 1990 Aut p54, "i swim the old–fashioned backstroke, end–", "question: what kind of man would take his," ROCKWELL KENT: FATHER AND SON (FOX BAY, ALASKA), THE VIEW FROM THE WATERBED

Alpha B #7 1990 Aut p55, APOCALYPSE IN LAKEWOOD, "the malathion helicopters pass overhead"

Always p59, THE DOLPHIN MARKET, "The Dolphin Market is one of the last"

Always p115, "i need a country where one takes," VINCENT VAN GOGH: THE NOONDAY NAP

Always p116, "he was not always a volcano of starfire," PEACH BLOSSOM IN THE CRAU

Am Book Rev 1(4) 1978 Oct p6, "one woman said she pitied me because"

Kopp, Karl, THE CRIMINAL MENTALITY by LOCKLIN [rev], POOP AND OTHER POEMS by LOCKLIN [rev], SON OF POOP by LOCKLIN [rev]

Am Book Rev 1(4) 1978 Oct p7, "is this what we came to california for?", "judy garland is dead and everyone," "mush, king, mush? the hunt boys"

Am Book Rev 4(5) 1982 July/Aug p6, DANGLING IN THE TOURNEFORTIA by BUKOWSKI [rev]

Am Book Rev 5(2) 1983 Jan/Feb p23, DREAMS FROM BUNKER HILL by FANTE [rev]

Am Lit 50(1) 1984 Mar p68

Stull, William L., RICHARD BRAUTIGAN'S TROUT FISHING IN AMERICA: NOTES OF A NATIVE SON [prose] [GL cited]

Am Lit Rev 1(2) 1980 Dec p25, A DREAM OF INCEST [prose]

Am Mu Bl #15 1997 p2

Frischkorn, Craig, GERALD LOCKLIN INTERVIEW

Am Sch 42(2) 1978 Spr p231, "all the poets complain of her.", DIVORCEE

Amanda 3(1) 1983 Jan p28, "rests back in the cushioned," THE WOMAN IN HER THIRTIES

Amanda 1983 June p11, DIVVYING UP THE LOOT, "In the beautiful hardcover book of poems"

Amanda 1983 June p12, "Is everyone done?", THE LAST OF COYOTE

Ambit #109 1987 p59, "her face is one of the few," "i had purchased in amsterdam," THE TURNING POINT, VITTGENSTEIN VINS THE VINTER GAMES

Ambit #109 1987 p60, INDIAN CHIEFS ARE NO WORSE THAN SECOND, "the old man at the birthday picnic"

Ambit #119 1989 p48, "because i was kept home sick a lot as a child," "i learn from a tony hillerman novel," THE NATIONAL HEALTH, PHILIP TAAFFE: YELLOW PAINTING, 1985

Ambit #119 1989 p49, "are his two–hundred year old dreams," FRAGONARD

Ambit #119 1989 p50, EUGENE BOUDIN: YACHT BASIN AT TROUVILLE, "his name meant blood–sausage, but"

Ambit #125 1991 p44, BLOODY SATURDAY, "i am sitting in my office"

Ambit #125 1991 p45, CAT LOVERS, BEWARE, "if your cat dies, a part of you," "it is coincidence that there is so," JUST IN CASE YOU COVET POWER, "the mughal emperor, akbar,", THE RULERS

Ambit #136 1994 July p66, SWING LANDSCAPE REVISITED, "she's six years younger than i am,", "the swing has come unswung.", WHOSE TURN IS IT?

Ambit #136 1994 July p67, "iris murdoch's novels always get me," MYSTICISM–PISSTICISM

Ambit #136 1994 July p68, "as usual, the windows are," EDWARD HOPPER: SUN ON PROSPECT STREET, 1934, THE GLASS MONOTONY, "the paper runs a picture"

Ambit #152 1998 p69, MONDRIAN: BROADWAY BOOGIE WOOGIE, 1942–43, "next week i go back to new york."

Ambit #152 1998 p70, EDWARD HOPPER: NEW YORK MOVIE, 1939, "i love the quietness," PEACE ON EARTH, "an usherette in back beneath the hall lights, flaxen hair and high heels,"

Ambit #152 1998 p71, MATSUMI HAYOSHI: EASTERN STATE PENITENTIARY, INFIRMARY, "prisons are so much more beautiful"

Ambit #160 2000 p80, "it arched above us," RAILWAY STATION

Ambit #160 2000 p81, "at the end no one can tell," THE FACE OF CHET BAKER (PHOTO BY BRUCE WEBER, 1987), INTOXICATION, "in an interview, my former student,"

Ambit #162 2000 p91, TERENCE BLANCHARD: JAZZ IN FILM, "when the circuits are overloaded"

Ambit #169 2002 Sum p68, ALBRECHT DÜRER: ADAM AND EVE, 1504, "the aqueduct flows," RICHARD DIEBENKORN: FREEWAY AND SNAPSHOT, 1957, "she has a face that would stop"

Ambit #169 2002 Sum p69, HANS–CHRISTIAN SCHINK: AUTOBAHN LANDSCAPE, PHOTOGRAPH, "nothing's more concrete than concrete."

Ambit #170 2002 Aut p67, "I have obtained from my dog's vet," "why do you think they want"

Burns, Jim, THE LIFE FORCE POEMS by LOCKLIN [rev]

Amelia 8(1) 1996 p26, DON'T SPEAK TOO SOON, "i show the paperback i've just purchased"

Amelia #26/27 1998 p13, CHARLES GLEYRE: JOHN LOWELL IN ORIENTAL DRESS, 1834, "i guess he was a great explorer, but"

Amorotica p68, "Don't ask me why,", FATHER CONFESSOR

Amorotica p69, THE END OF A DRY SPELL?, "i catch her in the parking lot"

Amphibian 1(2) 1991 p23, THE GREAT FARTER OF UCLA, THE NEGLECTED, "the neglected will track you down.", "one of edward field's classic eskimo"

AMV 1980 p247, "everyone writes of him, myself included,", GUNFIGHTER

Angelflesh #7 1997 p16, JERRY GARCIA AND MICKEY MANTLE, "they died in the same week,"

Angelflesh #7 1997 p34, THE STUDENT JANITOR [prose]

Angelflesh #8 1997 p11, "at the academic christmas disco party," NOTHING'S REALLY CHANGED SINCE HIGH SCHOOL, TOAD MEETS TARZAN AND STOMPS HIS HAIRY ASS, "when he found himself listed in"

Angelflesh #8 1997 p20, ANTON ARTAUD: SELF PORTRAIT, 1947, "the electroshocks sizzled through"

Angelflesh #8 1997 p44, THE LAW OF REVERSALS, "with the acceleration of technology"

Angelflesh #9 1998 p16, "he is disappointed not to find," WHEN TOAD VISITS THE SILICON VALLEY

Angelflesh #9 1998 p19, "in general it makes a world of difference,", SPECTROSCOPY IN THE SUBURBS

Angelflesh #10 1998 p7, "the exhibit of japanese photography," SOMETIMES I THINK WE THINK TOO MUCH

Angelflesh #10 1998 p24, THE EXQUISITE DILEMMA OF THE BOURGEOISIE, "a psychologist's column"

Angelflesh #10 1998 p46, I'M VERY PROUD OF HER, "i am deeply touched when,"

Angelflesh #11 1998 p13, THE HOUSEHOLD GODS HE'S ALLOWED, "two frames hang above his work desk,"

Angelflesh #11 1998 p23, "the implements of geometry,", WASSILY KANDINSKY: COMPOSITION WITH CHESSBOARD–ORANGE

Angelflesh #12 1999 p2, "i like inspector morse," WHAT I LIKE ABOUT INSPECTOR MORSE

Angelflesh #12 1999 p22, CHAIM SOUTINE: HANGING TURKEY AND HEAD AND CARCASS OF A HORSE, "turn studio to slaughterhouse."

Angelflesh #12 1999 p41, "I just read that a pediatrician," I NEED TO FIND A SPECIALIST WHO TREATS ADVANCED BOGGLING OF THE MIND

Angelflesh #13 2000 p21, A GOOD BOOK, "i never watch movies on planes,"

Angelflesh #13 2000 p24, IF ANYONE, "just as straights find the things"

Angelflesh 1997 bonus issue p7, "how do the people," AN IMPORTANT QUESTION

Angelflesh 1997 bonus issue p20, "i'm riding in the car," TRUTH AND THE CONSEQUENCES OF CONSENSUS

Angle #5 1960 Spr p8, AMERICAN GOTHIC, "I saw it hanging there on the wall"

Angle #5 1960 Spr p9, IN WILLOW GROVES, "In willow groves where sleeping beauties slept"

Angle #5 1960 Spr p17, SERENADE, "When in evening cool you love me"

Angle #5 1960 Spr p21, "The bronze man in the park," "I once said good morning to an eyeless," "In the wind–splitting, heaven–creeping," I, III, II

Angle #5 1960 Spr p24, RONDO [prose]

Angle #5 1960 Spr p26, ONCE WITHIN A THISTLE LOVE, "She stirs across the motion of my mind"

Another p171, FASCIST ISLAND, "it's the sort of shopping center"

Ant #3 1996 Sum p32, "birds and," "entrop–", KANDINSKY: DOMINANT CURVE, KANDINSKY: ON GRAY, KANDINSKY: WHITE CENTER, "a stair"

Apocalypse #3 1997 Spr p75, "a meadow of their own, wild–", WINSLOW HOMER: SNAP THE WHIP, 1872

Approach #48 1963 Sum p39, HART CRANE

Ark 2(2) 1972 p32, THE FOUR–DAY WORK WEEK [prose]

Ark 2(4) 1974 p24, "Thirteen, the unlucky number. Well,", #13

Ark 2(4) 1974 p26, DEAR MR. BEETHOVEN, "i have a question for you:"

Ark 3(2/3) 1976 p45, "has a beer gut. that's the," SONNY JURGENSEN: 1970

Art & Life p1, BLOOMSBURY, "you didn't have to be that talented"

Art & Life p4, SAN RAMON PASTORAL, "what an uncharacteristically romantic"

Art & Life p9, "argenteuil, giverny, auvers," DÉGAS BETWEEN BALLETS, PARIS AND ITS SUBURBS, "so often he captures"

Art & Life p10, THE BONNARD–VUILLARD SYNDROME, "they remind me of the films"

Art & Life p11, THE OBSERVER, "you have to give it to him:"

Art & Life p12, AESTHETIC JUDGMENT IS NOT ARBITRARY, "in a roomful of prints,"

Art & Life p13, THE BUTT–BUTT WALL, "a wall of women"

Art & Life p14, "monet's argenteuil,", YOUR ATTENDANCE IS REQUIRED

Art & Life p15, CÉZANNE, "our century would be the"

Art & Life p16, BRIDGES, "the ninth bridge might, by"

Art & Life p17, CLAUDE MONET: WOMAN WITH A PARASOL: MADAME MONET AND HER SON, 1875, "not, at first, his wife and son,"

Art & Life p19, "children should not smoke cigars.", PAUL KLEE: SCHOOLGIRLS, OUTDOORS, 1939

Art & Life p20, DAY TRIPS, "my wife and i go to museums"

Art Cr #7 1989 June p55, "in sixth grade they gave us a belgian nun.", PEDAGOGY

Art Cr #7 1989 June p60, "i know she's hypersensitive," ON THE RACK

Art Cr #11 1991? p55, EN GARDE, "i bought her a wooden chess set"

Art Cr #11 1991? p124, ANCIENT MUSIC, "the three old guys in the locker room"

Art Dog 1(4) 1988 Apr, "a lot of tough guys," NOBODY KICKS IN A DOOR LIKE GERARD DEPARDIEU

Art Farmer p2, AN EASY–GOING WEEKEND, "with my wife and daughter away at"

Art Farmer p3, "my son has kept his sunday afternoon," NOT SUNDAY AFTERNOON

Art Farmer p4, THE JAZZ BAKERY, "what used to be the grand"

Art Farmer p5, THE DIGNITY OF ART FARMER, "he must be nearly as old as"

Art Farmer p7, "i have a c.d. of two dates," THE SIDEMEN

Art Farmer p8, ALL THE WAY HERE, "back in the car"

Art Farmer p9, AT HOME, "my wife is back and i'm"

Art Farmer p10, "at chuck e. cheese's," LITTLE DOVE, WHO MADE THEE?

Art Farmer p11, MANET: THE BENCH, "probably he painted it to"

Weber, Mark, GERALD LOCKLIN & MARVIN MALONE 20APR95 LONG BEACH [art]

Art Farmer p12, INTERIOR OF A RESTAURANT, "never assume that vincent van gogh," THE UNFORGIVABLE SOLIPSISM, "vincent liked bread"

Art Farmer p13, "allah be praised: a self–portrait," "a cone is never an ice cream cone,", HENRI MATISSE PAR LUI–MEME, "i just read a list of," LIUBOV POPOVA: PAINTERLY CONSTRUCTION, 1920, WHAT HAS SHE DONE FOR US LATELY?

Art Farmer p14, "from now on all my odalisques," HENRI MATISSE: ODALISQUE WITH GRAY TROUSERS, NOTE WELL, "pol pot, like many artists and intellectuals"

Art Farmer p15, "do you know how sick one can get," ELIE NADELMAN: HORSE, 1914, "a hairless horse?", THOSE WHO CAN'T, TEACH

Art Farmer p16, JUDITH WITH THE HEAD OF HOLOFERNES, "she asks me, 'what does one say," "she is last seen lowering it," WHAT WE TALK ABOUT WHEN WE TALK ABOUT LITERATURE

Art Farmer p17, "i think like an old man these days.", TOAD SENESCENT

Art: M #24 2001 p37, "the creator was the first calligrapher;", WOODWINDS

Art: M #24 2001 p40, FRANZ KLINE: HAZELTON, 1957, "hung horizontal,"

Art Surv p11, PREFACE [to ART, SURVIVAL & SO FORTH by SMITH]

Art Surv p15 21 63 74 78 82 83 189-191 & 202-203, LOCKLIN, GERALD [about]

Art Surv p148a

Locklin, Vanessa, GERALD LOCKLIN, JULY 1998 [art]

Art Surv p164 & 170-171, CHARLES BUKOWSKI, A SURE BET [excerpt]

Art Surv p174 184 190 213 221, BUKOWSKI, CHARLES HENRY [about]

Art Surv p191-192

GL & Stetler, Charles, CHARLES BUKOWSKI [about]

Asylum 9(1/4) 1994 p127, ANDRÉ DERAIN: LANDSCAPE IN THE ÎLE–DE–FRANCE, 1904–5, "you wake one day in winter to a sky of ice."

Atom 4(13) 1994 Win p61, "all this hullabaloo about not taking no for an answer.", DATE RAPE, I'VE BEEN A JEALOUS MAN, "sometimes i wanted the same ones that"

Attention 2(2) 1977 June p11, THE CULMINATION, "they have awarded him"

Attention 2(2) 1977 June p15, "For centuries the preachers have counseled," RHETORIC

Author p3, THE AUTHOR IS NOT QUITE DEAD, "i keep hearing about collaborative learning"

Author p4, IT'S WHAT, IN HIS TIME, HEMINGWAY ACCOMPLISHED, "one of the swimmers at the 'y'"

Author p5, "the newspaper guide to saturday night," PRIVATE SCHOOL, PUBLIC SCHOOL

Author p6, THE PROBLEM WITH FLOPPY EARS, "whenever it rains during the night"

Author p7, "no.", WAS CHARLES BUKOWSKI A GREATER WRITER THAN WILLIAM SHAKESPEARE?

Author p8, "if you ever need an illustration," JOHN SINGER SARGENT: ENA AND BETTY, DAUGHTERS OF ASHER AND MRS. WERTHEIMER

Author p9, A SIGHT I'D HATE TO SEE, "when i hear academics speaking of"

Author p10, ANSWERED PRAYER, "in my fair lady henry higgins"

Author p11, CONSTANTIN BRANCUSI: MADEMOISELLE POGANY, 1912, "is a woman an egg on"

Author p12, GERALD LOCKLIN [art]

Author p13, PERIOD OF ADJUSTMENT, "when old paul tells toad"

Author p14, NOT CHEAPER BY THE DOZEN, "old paul recently celebrated"

Author p15, ALFRED STEIGLITZ: FLATIRON (REPRISE), "the V of the tree"

Author p16, THE CARDIO–PULMONARY RESUSCITATION CLASS, "the only drawback is"

Author p17, INTERVIEW WITH THE VAMPIRE, "she asks me what i consider"

Author p18, DIFFERENT GENES/SAME RESULT, "unlike eugene o'neill,"

Author p19, CHAIM SOUTINE: LANDSCAPE AT CAGNES, "this is the nowhere of the brothers grimm,"

Author p20, ARTHUR DOVE: THAT RED ONE, "the football was too fat"

Author p21, "for willie loman,", A PRINCE OF A GUY

Author p22, SO MANY TALENTS, "when toad, at sixty, saw that"

Avalanche 1(2) 1996 Spr p14, "i learned today from my teenage son," "korea, vietnam, russia,", THE SOLUTION IS NOT MILITARY BUT POLITICAL, THIS WILL SPARE ME WHAT WOULD EVENTUALLY AND INEVITABLY HAVE BEEN A VERY EMBARRASSING MOMENT

Avalanche 1(2) 1996 Spr p15, AN ARBITER OF POLITICAL CORRECTNESS, LIFE EXCEEDS ART, "my barber is very thin," TWENTY YEARS AGO THIS WOULD NOT HAVE BOTHERED ME, "waiting for the elevators," "when the starlet on the tonight show"

Avalanche 1(2) 1996 Spr p16, "i come out of the bar at closing," ONCE AGAIN IT'S TIME TO FIND ANOTHER BAR

Avalanche 1(2) 1996 Spr p17, "the blurb for," WILL THEY EVER MAKE UP THEIR MINDS?

Avant #1 1995? p16, HIS THREE DAYS AND NIGHTS IN THE DESERT, MAYBE SHE WAS JUST AN ASSHOLE, "the three–day diet," "when the swat team guns down"

Avant #1 1995? p35, CHIRON REVIEW ed by HATHAWAY & LOCKLIN [rev], THE YELLOW FORD OF TEXAS by LOCKLIN & ZEPEDA [rev]

Aversion #4 1986 June p3, DEGREES OF DIFFICULTY, "when i went to get my parking sticker today"

Aversion #6 1986 Fall/Win p4, BARBRA'S BIG FIB, "one thing london teaches you:"

Axe #3 1990 p16, THE EXHIBITION SEASON, "this afternoon i taught my third grade daughter"

Axe #3 1990 p17, "i taught my daughter solitaire today.", SOLITAIRE

 

B  top of page 

Baby #2 1970 Sep p14, "'Twas a time when Captain Hook," #37

Baby #2 1970 Sep p50, "the silver lake, its," WHILE STROLLING DOWN THE RUE HAIKU

Baby #4 1971 July p25, "can even ezra," "the crowing of the," HOMAGE TO THE HAIKU, "life's little triumphs:", "the only good paté"

Bachy #4 1974 Aut p83, "last night i dreamed again.", POETS HAVE A DEPLORABLE, THE SHIT STAIN, "tendency to raise montes veneris"

Bachy #4 1974 Aut p129, THE CONTINUING SAGA OF BRUCE [prose]

Bachy #6 1975 Aut p84, THE LOVE SONG OF JOE BASHO, "unhandled? hardly."

Bachy #6 1975 Aut p85, "i used to go to the parades. the bands," MEMORIAL DAY

Bachy #6 1975 Aut p87, "it's nice tonight. ten o'clock and i just," WODEN'S DAY

Bachy #6 1975 Aut p88, "i was in the living room with bruce lindsay's kid,", LIKE FATHER, LIKE SON

Bachy #7 1976 Sum p21, "i had been out of sorts for days; i was so miserable," THANK YOU, MR. PRESIDENT

Bachy #11 1978 p111, SLEEPWALKER [prose]

Back East back cover

Locklin, Vanessa, GERALD LOCKLIN [art]

Back East front cover

Hernandez, David, GERALD LOCKLIN [art]

Back East p3, ALTHOUGH I'D NEVER BET ON IT, "the night before flying back east"

Back East p5, THE GREAT DIET PEPSI URINATION, "i've no sooner crossed the line"

Back East p7, HA HA, "on the way into"

Back East p8, "i used to think sometimes," THE SILOS OF ONTARIO

Back East p9, "i have only to spend," THE SHOPPER

Back East p10, "on friday night," THE WORST MEAL IN AMERICA

Back East p12, SCARY, "whispering the sussurating sibilants"

Back East p13, "my last remaining aunt,", SHE DESERVES AN AFTERLIFE

Back East p15, IRON MAN, "i wonder why some athletes"

Back East p16, I USED TO LOVE CUBA LIBRES, "i wonder what i'd do if,"

Back East p17, "because i'm visiting my children and my grandchildren," WE DON'T OUTGROW WHAT WE GREW UP ON

Back East p18, "back east they don't have," CANINE TASTE TREAT

Back East p19, "it's so easy to love," UNFAITHFUL MASTER

Back East p20, "it's always a toss–up," A LITTLE SOMETHING TO LIE AWAKE WORRYING ABOUT

Back East p21, "on saturday morning my daughter and her," THE ROAD TO LIPOSUCTION IS PAVED WITH GOOD INTENTIONS

Back East p22, I DID NOTHING TO DESERVE HER, "my daughter drives me to dearborn"

Back East p25, FUN EVENING, "sunday evening we eat lightly at"

Back East p26, "i tell them about the knowledge computer," THE RISE AND FALL OF THE WILD COLONIAL LAD

Back East p27, "after arriving alone at the mexico city airport," STOUT HEARTS AND STEADY, THE WORLD IS HER OYSTER, "waiting for my daughter's plane to board"

Back East p28, "arriving inside, wet and cold,", I'M GLAD I DIDN'T HAUL IT UP TO BED WITH ME

Back East p29, SOME DAYS THE NEW WORLD IS STILL NEW, "who of the hudson river school, i"

Back East p30, THE CRITIC RE–CALIBRATES, "i always thought my mother had"

Back East p31, I COULDN'T BE PROUDER OF HIM, "my son hated school and had"

Back East p33, THE COMPANY OF WOMEN, "i was raised by women,"

Back East p34, BEFORE AND AFTER THE OPENING BELL, "back in the motel"

Back East p35, "i learn from my daughter that," MY CHILDHOOD SWEETHEART AND FIRST WIFE

Back East p37, "so that i won't have to travel," YOU TRY TO DO EVERYTHING RIGHT

Back East p38, "at home,", EVEN THE CORRECT DOSE LEAVES ME WIRED

Back East p39, DANIEL BOONE MADE BETTER TIME, "yeah, the mercury has been dipping"

Back East p42, "skulls, maos, crashes, suicides, collaborations." [sic], THE WARHOL MUSEUM

Back East p45, "i always have to sample," THE MANTLE IS PASSED

Back East p47, "at the dunkin' donuts," BUT EVERYONE'S ON PROZAC

Back East p48, COMMUNITY, "on friday night, after dinner with"

Back East p49, "although i mistake moon road for," THE BELL LAP

Back East p50, "my daughters and i sift through," THE TRACES

Back East p51, "i make good time from ann arbor," THE NEIGHBORS ARE BEGINNING TO EYE ME SUSPICIOUSLY

Back East p52, JAKE, "the starkey's dog is the second"

Back East p53, "at the advanced age of fifty–five,", CHICAGO, CHICAGO, I'LL SHOW YOU AROUND

Back East p60, KILLER FOG, "on my return from chicago"

Back East p62, THE PENULTIMATE DAY, "sometimes you need a day just to yourself."

Back East p64, THE LAST NIGHT IS ALWAYS A DARK NIGHT, "naturally i'm awake an hour early"

Bakunin 5(2) 1995 Win p98, MAGRITTE: DOUBLE SELF–PORTRAIT, CLAIRVOYANCE, "magritte painted this picture," NOTE WELL, "pol pot, like many artists and intellectuals"

Bakunin 5(2) 1995 Win p99, "is the atmosphere blue?", MAGRITTE: THE DOMAIN OF ARNHEIM

Bakunin 6 1997 p166, LÊON BAKST: COSTUME STUDY FOR LA PERI, "nijinski never jumped; he only," RUBENS: VENUS AND ADONIS, "venus does not discourage her hunter."

Barbeque #7 1977 Spr p4, BELLY LAUGHS, "bill jaquith and his girl, jan, and lou boyles"

Barbeque #7 1977 Spr p6, "All you ever hear about Phoenix," I GI' YE ME SOLEMN AFFIDAVY, "I had to leave my car at a garage in," PHOENIX

Bard p107, THE BARD OF AMPHIBIA, "i arrive home to find,"

Bard p108, FAME AND MISFORTUNE, THE FAT LADY SINGS, "'i'm moving to palm springs,' gunther," "'well,' i say to my buddy, romero,"

Bard p109, "'aren't you ever depressed?' the aging," "the barmaid with the ultra–trim body and frizzy hair," A COMMERCIAL FOR DIE–HARD BATTERIES, DEPRESSIVE, FATHER KNOWS BEST [prose], A REFRESHINGLY HAPPY DEPRESSIVE, SWEET 'N LOW [prose], "this famous serial killer used to drink beer"

Bard p110, A CO–OPERATIVE EFFORT, "'did you know,' she tells me, 'that everytime," THEY HAVE VERY TINY, NEARLY INVISIBLE BARF–BAGS, "yesterday, after a committee meeting"

Bard p111, "by the final hour of the faculty bash," GERRY, ROLAND PLEADS WITH ME, PLEASE FORGET YOUR IMAGE AND REMEMBER YOUR JOB!, I'LL LEAVE THE HEROINE ANONYMOUS, "i ran into a guy in a bar," MUSICAL COMEDY, "when sending in my travel receipts, i write,"

Bard p112, "after they read bukowski's poem,", I TOOK IT AS A POSITIVE SIGN, ONE TO WHOM IT IS NOT A JOKING MATTER, "owner of a base–model hyundai excel,", WHY STOP SHORT?

Bard p113, F.A.D.D., "'look,' i tell chris daly, 'i gave," WEIGHING THE RISKS

Bard p114, GREAT WEALTH MIGHT LEACH THE SWEETNESS FROM HER DISPOSITION, HOW IN TEN BRIEF YEARS THE FIRST AND SECOND WORLDS CAME TO JOIN THE THIRD WORLD, "I think that liberals have been"

Bard p115, "the new state–of–the–art jukebox in 'the interval'", ON THE EVE OF THE SECOND GREAT DEPRESSION

Bard p116, "all the aches and pains and illnesses," THE CONDEMNED MAN'S LAST SUPPER, THE DAY AFTER HE HAS BEEN PLACED IN A FULL–BODY CAST, "hearing that an unknown arsonist," "his horoscope reads,", IN THE FIFTY–FIRST YEAR OF THE TOAD, "i think i would demand an exact replication," THANKS FOR REMINDING ME

Bard p117, "after my poetry reading, she says,", BREAKING THE SILENCE, "even though watching it at home," POEM THAT EXISTS PURELY FOR ITS PUNCH LINE

Bard p118, AND I REMEMBER WHY I FLED WEST, "horace greely did not say,", "in the first week of november," "lead, south dakota, is not," A MAN WHO WROTE ONE SENTENCE, "owen wister," TIME IS THE ULTIMATE EDITOR, A TRUE MINING TOWN

Bard p119, "at the motel–6," COCOONING COMES TO THE BREAD BASKET, THIS SAYS SOMETHING ABOUT SOMETHING, "you wonder why you are the only"

Bard p120, I'LL PACK ANOTHER ON OUR NEXT TRIP, "it isn't because the originals are always," "near the end of the trip," WHY I GO TO ART EXHIBITS

Bard p121, "at the los angeles closing," DAVID HOCKNEY'S A LAWN BEING SPRINKLED, EDGAR DÉGAS: AT THE MILLINER'S, HE'LL GROW UP INVESTING IN THE BIGGEST AND THE NEWEST LIKE DONALD TRUMP, "my god but this young milliner is ever," "the rich are different from"

Bard p122, "i was taking to charles webb," OPEN ADMISSIONS, THE PRECISE MOMENT IN GENDER HISTORY AT WHICH THE SELF–STYLED PREY DISCOVERS HERSELF NO LONGER PREYED UPON

Bard p123, "at the bay area hotel bar," A SECOND LOOK OR, NOT TO MENTION THE OCCASIONAL CAPSIZING OF A WINDSURFER, SOMETHING'S ROTTEN AT DENMARK HOPKINS, "they give me a seat at a window"

Bard p124, UN BEL DI, "because my daughter's eighth–grade teachers," SERBIA ÜBER ALLES, "well, i guess any of us"

Basinski #1 1998 May p13

Basinski, Michael, ART FARMER SUITE AND OTHER POEMS by LOCKLIN [rev]

Basinski #1 1998 May p31

Basinski, Michael, THE MACAO/HONG KONG TRIP by LOCKLIN [rev]

Basinski #1 1998 May p34

Basinski, Michael, DYING FOR A BARGAIN by ZEPEDA & LOCKLIN [rev]

Basinski #1 1998 May p36

Basinski, Michael, THE NEW MALE by LOCKLIN [rev]

Basinski #3 1999 July p11

Basinski, Michael, DOWN AND OUT: A NOVEL FOR ADULTS by LOCKLIN [rev]

BB&B p11, BEER, "It takes a lot to get you there, but it won't kill you either."

BB&B p27, "ernest hemingway used to say, 'there are people," REQUIEM FOR THREE BAR GUYS

Beach R #1 2001 p12

Manly, Richard, CITY OF POETS [prose]

Bear #1 1971 p24, FELLOW SCIENTISTS, "perhaps you read the article about"

Beat #29 1997 p34, GERALD LOCKLIN [art]

Smith, Jules, GERALD LOCKLIN A SURE BET [interview]

Beat #29 1997 p36, GERALD LOCKLIN READING AT HULL UNIVERSITY IN 1989 [art]

Beer, BEER, GERALD LOCKLIN [art], "It takes a lot to get you there, but it won't"

Bellicose 1(12) 1996 Apr, "the interviewee is complaining about," "it's nice to know that,", MEET THE PRESS, YOU JUST NEVER KNOW WHAT WILL COME IN HANDY

Bellicose 1(13) 1996 May, THE ANCHORWOMAN JUST STARES AT HIM, "after a season of unprecedented"

Bellingham 3(2) 1980 Fall p16, "after the poetry reading, she says," NOT IF I SEE YOU FIRST

Bellingham 3(2) 1980 Fall p17, "In my sixth grade poetry writing class," LOOSE ENDS

Bellingham 4(2) 1981 Fall p6, "I just received something through interdepartmental mail," I'M A LOT MORE APT TO BREAK, "I read on a Scandinavian postcard," I'VE ALWAYS ENJOYED HER SENSE OF HUMOR, "she's an old friend," THERE IS NO COMPETITION IN THE ARTS

Bellingham 4(2) 1981 Fall p7, "California's business community," A CONNOISSEUR, "the english poet arrives in shabby cloak,", FROM THE UNIVERSITY BULLETIN

Bellingham 4(2) 1981 Fall p8, IN PRAISE OF MUSKETEERS, "i take a piss against a wall," MY GURU, "two bells, the hour at which the dream dies."

Bellingham 4(2) 1981 Fall p9, AN ANNIVERSARY, "Thirty–five years ago I entered kindergarten."

Bellingham 4(2) 1981 Fall p49

Green, Joseph, A CLEAR AND PRESENT DANGER TO SOCIETY by LOCKLIN [rev], THE LAST OF TOAD by LOCKLIN [rev], TWO FOR THE SEESAW AND ONE FOR THE ROAD by LOCKLIN [rev]

Bellingham 4(2) 1981 Fall p50, THE HELPFUL BARTENDER OF TILLAMOOK, "he'd been in england for a week," "he had already given them," SWANSEA

Bellingham 4(2) 1981 Fall p51, A CLEAR AND PRESENT DANGER TO SOCIETY, "I am against making guns illegal."

Bellingham 6(2) 1983 Fall p15, ADVERTISEMENTS FOR ONESELF?, "at the meeting the other members," "i'm skipping rope out back," STORY OF MY LIFE

Bellingham 6(2) 1983 Fall p16, "because i have a full white beard," THE COVER OF THE TOKYO–MONTANA EXPRESS, GOLD, FRANKINCENSE, MYRRH, AND ATARI, "'so that's brautigan,' she says."

Bellingham 6(2) 1983 Fall p17, ITS TIME HAS COME, "i wake to hear my healthy young daughter," "the reagan administration's," SPIRITUS

Bellingham 7(2) 1984 Fall p64, "purists hate it. they blame their hatred"

Nicoletta, Peter, FEAR AND PATERNITY IN THE PAUMA VALLEY by LOCKLIN [rev], WHY TURN A PERFECTLY GOOD TOAD INTO A PRINCE? by LOCKLIN [rev]

Bellingham 8(1) 1985 Spr p52, "a good colleague takes the time," HIS GOOD WORKS ASIDE, WHAT IS IT ABOUT RONALD MACDONALD THAT IS OBSCENE?, "he is too tall,", "i am always checking the birthdates," JUST ASK MY WIFE, THE MAGNANIMITY OF THE MENTALITY OF THE POET

Bellingham 8(1) 1985 Spr p53, "in our time many authors," LA LITTERATURE À LÀ MUD

Bellingham 8(1) 1985 Spr p54, GRINGO, "he survives where the sun shines"

Bellingham 9(1) 1986 Spr p30, THE COMMON GRAVE, "i read on the inside cover of an art book," "the killer bees would be reaching us," "mozart was buried in a common grave.", ONE THREAT ABORTED; ONE NOT, TOTALLY UNORIGINAL POEM

Bellingham 9(1) 1986 Spr p31, "in the 1979–80 revised edition," WE'RE ENTITLED

Bellingham 9(1) 1986 Spr p32, THE CABLE, "it may do for the family"

Bellingham 9(1) 1986 Spr p33, "i just heard on the news," THEY DON'T PUT THE SAME VALUE ON HUMAN LIFE AS WE DO

Bellingham 10(2) 1987 Fall p21, "at barney's beanery, i tell her about," YES, BUT DON'T CHANGE THE BIG TO LITTLE

Bellingham 10(2) 1987 Fall p22, QUESTIONNAIRE, "there were 1000 job applicants"

Bellingham 10(2) 1987 Fall p23, I ONLY WRITE FOR MYSELF, "when i notice that tony harrison"

Bellingham 10(2) 1987 Fall p24, HOW OUR PETS CHOOSE US, "she asked me to feed her frogs,"

Bellingham 10(2) 1987 Fall p25, EDDIE MURPHY, "i guess i respond so"

Bellingham 10(2) 1987 Fall p26, ENOUGH ALREADY, "i just returned from three nights"

Bellingham 16(1/2) 1993 p14, RUFINO TAMAYO: THE MERRY DRINKER, 1946, "sure, it is, like picasso,"

Bellingham 16(1/2) 1993 p15, "of course a fruit dish would be," PICASSO: STILL LIFE WITH FRUIT DISH AND MANDOLIN

Bellingham 16(1/2) 1993 p105, LITTLE THINGS MEAN A LOT, "while trying to open a bottle of chardonnay,"

Green, Joseph, THE FIREBIRD POEMS by LOCKLIN [rev]

Bellingham 16(1/2) 1993 p106, "it does not matter where you break your lines," "my six–month old daughter," TOWARDS A METRICS OF THE ABSOLUTE

Beloit 18(3) 1968 Spr p16, "Malgre her fat legs," REMORSE

Bender #1 1997 p30, "how often do you get to drop," THE NEW MANDARINS, ONE I HOPE HANK WOULD HAVE LIKED, "those who can't"

Bender #1 1997 p31, "i used to consider sinead o'connor," MAYBE I WAS THE ASSHOLE?

Bender #1 1997 p32, A SOCIAL INEQUITY, "women touch me a lot."

Bender #2 1999 p44, CRAZY, "during the last few years," "dwight gooden, daryl strawberry,", ROLE MODELS FOR REAL LIFE

Bender #3 2000 p18, INCOMPLETE REFORMATION, "when i used to be a big drinker,"

Bender #3 2000 p20, "at the start of the fall semester," LEAVING HOME

Bender #3 2000 p21, BLAST FROM THE PAST, "bumping in the oakland"

Bender #3 2000 p22, "it was only a few months after," TERI'S SOCK POEM

Bender #3 2000 p25, "i go to see evita", ONE SCREEN TOO MANY

Bender #3 2000 p26, "i swim one saturday," "the man at the table next to me," TWO DINERS, THE YOUNG (AND OLD) MEN'S (AND WOMEN'S) (VERY) CHRISTIAN ASSOCIATION

Bender #3 2000 p28, THE OLDEST INTERN IN AMERICA, "the two young mothers at our table"

Bender #3 2000 p29, THE POET'S HELPMATE, "writing a poem about a whistler beach scene,"

Bender #3 2000 p30, AND WHO KNOWS WHAT GOES ON IN THOSE PLACES?, "at a party for a young artist"

Bender #4 2001 Fall p48, PAUL CÉZANNE: MONT SAINTE–VICTOIRE SEEN FROM BELLEVUE, 1882–85, "the pines of provence are not"

Bender #4 2001 Fall p49, GORDON MATTA–CLARK: PIPES, 1971, "i like this laying bare of the," PAUL CÉZANNE: WOMAN WITH A COFFEEPOT, 1895, "where would the world be without"

Bender #4 2001 p48, PAUL CÉZANNE: MONT SAINTE–VICTOIRE SEEN FROM BELLEVUE, 1882–85, "the pines of provence are not"

Best p139, THE MONOPOLY STORY [prose]

Best p280, GERALD LOCKLIN [art]

Bête #4 1987 Win p122

Smith, Julian, INTRODUCING SIX POETS FROM LOS ANGELES AND LONG BEACH [includes Locklin] [prose]

Bête #4 1987 Win p134, "my daughter, blake, is in kindergarten. they are teaching her to be a docile," POOP

Bête #4 1987 Win p135, THE FURTHER ADVENTURES OF SHANE, "The next town he came to, San Berdoo,"

Bête #4 1987 Win p137, "because i am so much more insecure," DROWNING THE HATCHET

Bête #4 1987 Win p138, "I go to watch the sunset from the seawall.", LOW TIDE FLOODTIME: WINTER 1969

Bête #5 1988 Spr p138, THE LUCKY SUBWAY TOKEN [prose]

Bête #7 1989 Spr p147, THE AWESOME INCLINE TO THE EIGHTEENTH GREEN [prose]

Between p295, CLOTHES MAKE THE WOMAN, "i read in roland barthes: 'striptease"

Biblio 1990 p1

Malone, Marvin, INTRODUCTION [to BIBLIOGRAPHY ON THE WORK OF GERALD LOCKLIN, 1963–90 by WEBER]

Biblio 1990 p2

Stetler, Charles, THE CHARLES STETLER INTRODUCTION [prose]

Biblio 1990 p3

Potts, Charles, THE WIZARDRY OF GERALD LOCKLIN [prose]

Biblio 1990 p6

Zepeda, Rafael, GERALD LOCKLIN [prose]

Biblio 1990 p7

Field, Edward, untitled prose

Mailman, Leo, TOAD'S BIBLIOGRAPHY [prose]

Moore, Todd, untitled prose

Biblio 1990 p8, "Because I was drinking more," A TRADE SECRET

Catlin, Alan, GERALD LOCKLIN [prose]

Biblio 1990 p9

Leake, Brent T., LOCKLIN: AN HONEST SORT OF A GUY [prose]

Biblio 1990 p10

Menebroker, Ann, GERALD LOCKLIN [prose]

Biblio 1990 p36

Weber, Mark, GERALD LOCKLIN & D. H. LLOYD [art]

Biblio 1990 p41

Androla, Ron, untitled prose [re: GL]

Biblio 1990 p42

Wilson, GERALD LOCKLIN [art]

Biblio 1990 p43

Smith, Joan Jobe, GERALD LOCKLIN & EDWARD FIELD [art]

Voss, Fred, untitled prose

Biblio 1990 p44

Weber, Mark, GERALD LOCKLIN, MARILYN JOHNSON, RAY ZEPEDA [art]

Zepeda, Rafael, GERRY & ME ON THE LONG VOYAGE [art]

Biblio 1990 p45

Bach, David, GERALD LOCKLIN AT 725 [art]

Biblio 1990 p51, "I have a vision," JOHNNY RIGOLETTO

Biblio 1990 title page & p9

Bach, David, GERALD LOCKLIN [art]

Big B 2(1) 1974 cover

Smith, Jim, GERALD LOCKLIN & CHARLES STETLER [art]

Big B 2(1) 1974 p1, GERALD LOCKLIN [prose]

Big B 2(1) 1974 p2

GL & Stetler, Charles, THE LOCKLIN – STETLER (OR VICE VERSA) INTERVIEW

Big B 2(1) 1974 p6

Smith, Jim, GERALD LOCKLIN [art]

Big B 2(1) 1974 p14, "Rochester where I was born, why"

Big B 2(1) 1974 p15, A DEFENCE OF POESY, "from second grade through high school"

Big B 2(1) 1974 p17, "almost met him once in tucson," CREELEY

Big B 2(1) 1974 p18, "For years he'd been hearing the phrase, had," GOOD IN THE SACK

Big B 2(1) 1974 p19, "the influence of alice upon the residents," #21

Big B 2(1) 1974 p20, #22, "we have a nice thing going for us, baby,"

Big B 2(1) 1974 p23

Stetler, Charles, TO JOHN KEATS AND GERRY LOCKLIN UP ON CHOCTAW RIDGE

Big H #4 2001 p5, "i'm always suspicious of people who say," WHY WE WANT THE WORLD A CERTAIN WAY

Big H #6 2003 p64, "no one had an eye like walker evans.", WALKER EVANS: SUBWAY PASSENGERS

Big H #6 2003 p65, ", 1932, BROOKLYN, "the backyards of brooklyn," "jackie de shannon sang, OF ALL PERSUASIONS, OGDEN M. PLEISSNER: BACKYARDS

Big Man back cover

Freligh, Robert J., GERALD LOCKLIN [art]

Big Man cover

Ligammari, Alfred, GERALD LOCKLIN [art]

Big Man p5, ERNEST LAWSON: SPRING NIGHT HARLEM RIVER, 1913, "today, of course, what strikes us"

Big Man p6, "america has never lacked for elegant.", WILLIAM GLACKENS: FAMILY GROUP, 1910–11

Big Man p7, ORCHARD SURROUNDED BY CYPRESSES, "the picture on the postcard"

Big Man p8, "the family of three goes on a boating party.", MARY CASSATT

Big Man p9, "question: what kind of man would take his," ROCKWELL KENT: FATHER AND SON (FOX BAY, ALASKA)

Big Man p10, POOL WITH BRIDGE, "yeah, cézanne was the first cubist."

Big Man p11, "i finally figured out why there were," STILL LIVES WITH AN INFINITUDE OF APPLES

Big Man p12, GIRL IN BOAT WITH GEESE, "were geese as dirty, ornery,"

Big Man p14, "i need a country where one takes," VINCENT VAN GOGH: THE NOONDAY NAP

Big Man p15, ARHAT (KOREA, 1562), "these must be the steepest, spiniest"

Big Man p16, ABSTRACT SCULPTURE QUESTIONNAIRE, "would you rather have"

Big Man p17, HELEN FRANKENTHALER: BUDDHA'S COURT, 1964, "sure, i can buy the blob as buddha."

Big Man p18, "the foliage is bluer than," MATISSE: LANDSCAPE VIEWED FROM A WINDOW

Big Man p19, "i liked it just fine.", MY BEDROOM AT ARLES

Big Man p20, "carrion comfort, despair, of course," GEORGIA O'KEEFFE

Big Man p21, DAVID HOCKNEY: THREE CHAIRS WITH A SECTION OF A PICASSO MURAL, 1970, "i like hockney's stuff,"

Big Man p22, "the chinese built a skyscraper temple,", THE XINGIAO TEMPLE: A POSTCARD FROM MY DAUGHTER, BLAKE

Big Man p23, "the mughal emperor, akbar,", THE RULERS

Big Man p24, BIG MAN, "the pudgy kid in the book store"

Big Man p26, "in zorah standing and," TWO MATISSE MODELS

Big Man p27, "he was not always a volcano of starfire," PEACH BLOSSOM IN THE CRAU

Bjuk p80, NOTES TOWARD THE FUTURE OF BUKOWSKI CRITICISM: BATAILLE AND BAHKTIN [prose]

Bjuk p82

Lauterbach, Benjamin, GERALD LOCKLIN & FALKO HENNING ON THE CAMPUS OF THE LONG BEACH UNIVERSITY [art]

Bjuk p84, PREFACE TO ART, SURVIVAL AND SO FORTH [prose], PROPOSAL: TWO MAVERICK POETS: CUMMINGS AND BUKOWSKI [prose]

Black Box p67, DER LINKE HAKEN VON ROURKE IST NICH SO BESONDERS; DER BUKOWSKI–BARFLY–ESSAY [prose]

Black Box p92

Bukowski, Charles Henry, LETTER [to GL] [in German]

Black Box p95

Bukowski, Charles Henry, LETTER [to GL]

Black Box p97, LETZER TANGO IN LONG BEACH; AUS DEM ROMAN GLEICHEN TITELS ÜBERSETZT VON CARL WEISSNER [prose]

Black Box p98

Pierce, Jon, GERALD LOCKLIN [art]

Black Buz #8 p20, "at this stage tears are still," PICASSO: WEEPING WOMAN WITH HANDKERCHIEF, 1937

Black Cross #4 1997 p1, INSIGHT OF AN AMATEUR ASTROLOGER, "on impulse, I decide to look up"

Black Cross #4 1997 p7, "today's horoscope reads,", WELL SPENT

Black Cross #4 1997 p28, THE EDGAR ALLAN POE MEMORIAL PUNCHING BAG, "i had always wanted my own heavy bag"

Black Cross #4 1997 p57, "it's the first time i've been," SCALLOPED BY AN IRISH TOMATO

Black Cross #4 1997 p62, "i see her picture in a book–ad," THE NATIVE AMERICAN NOVELIST

Black Cross #4 1998 p30, MAKING THE SAME OLD MISTAKES, "this little kid at the pool"

Black Cross #4 1998 p58, "having recently viewed," AN INFINITESIMALLY MINOR CONTRIBUTION TO LITERARY HISTORY

Black Tape #4 1991 p8, BUT MAYBE EVERYPLACE, "i just read that the film casablanca"

Black Tape #4 1991 p9, "the chinese built a skyscraper temple,", THE XINGIAO TEMPLE: A POSTCARD FROM MY DAUGHTER, BLAKE

Blank #1 1991 Spr p10, THE FINAL SOLUTION, "I have sometimes been accused," SPOUSAL ACCOUNTING, "yes, for your birthday, we will all"

Blank #1 1991 Spr p11, "almost every night of late my little boy," ON A CLEAR DAY YOU CAN HEAR THE BIG BANG

Blank #1 1991 Spr p12, I WISH THEY'D BEEN AVAILABLE FOR VALENTINE'S DAY, "i heard on the radio that they're"

Blank #1 1991 Spr p13, "america has never lacked for elegant.", WILLIAM GLACKENS: FAMILY GROUP, 1910–11

Blank #3 1991/92 Win p6, "the day my daughter took," A LINGUISTIC ADVISORY TO THE BROTHERHOOD OF FALSELY ACCUSED MISOGYNISTS, "never describe women indiscriminately," SCI–FI TITLE: OFFSPRING OF HIPPIES

Blank #3 1991/92 Win p7, APPROPRIATELY ENOUGH, "i celebrate with a meatball sandwich," ONE HOPES IT WAS HIS FINGER, "when the urologist's female apprentice"

Blank #4 1992 Spr p4, THE BOOBY TRAP, "i'm sipping a little sherry in front of the telly"

Blank #5 1993 p5, HUNDRED/HUNDRED [prose]

Johnson, Marilyn, GERALD LOCKLIN [art]

Blank #6 1993 Spr p4, KUDOS FOR TOM; THE TRASH CAN FOR JERRY, "'there's something in the wall,' she says."

Blank #7 1993 p4, I AM NOT AN AMATEUR WORRIER, "time magazine assures me that"

Blank #8 1994 Apr p21, HE SHOULD HAVE SEEN IT COMING, "in front of their daughter, his wife"

Blank #9 1994 p3, "last night a man camped," OCTOBER 27, 1993

Blank #10 1995 p41, GEORGES DE LA TOUR: MAGDALENE WITH THE SMOKING FLAME, "sure, she holds a skull on"

Bleeding #1 1995 p5, TOAD WRITES SHORT SHORTS by LOCKLIN [rev]

Bleeding #1 1995 p7, THE PRODIGAL FATHER by LOCKLIN [rev], THE TREASURE OF THE SIERRA FAULKNER by LOCKLIN [rev]

Blind #1 1992 p23, AGING GEESE AND GANDERS, "believe it or not, there was a time," IT'S NOT THAT HARD TO SWALLOW, "interviewed in time magazine,"

Blind #2 1993 Jan/Feb p3, I'D GIVEN UP ON BEING PRESIDENT AND NOW I GUESS I CAN ALSO FORGET ABOUT BEING FIRST LADY, "we're discussing politics"

Blind #3 1993 Aug/Sep p44, RENO BLACKJACK DEALER, "she was very kind."

Blind #3 1993 Aug/Sep p45, AND THEY RAISED HIS WATER RATE, A BRINY DEITY, "it was the hippie era," "probably the weatherman who greeted noah," TOAD'S LITERARY GENERATION, "was bottle–fed the new criticism,"

Blind #3 1993 Aug/Sep p46, THE FEMALE CONDOM, "for the past couple of years," "makes sense to me;", ONENESS

Blind #6 1995 May p5, BIG BUSINESS, "i hurry out of the l.a. highrise"

Blind #6 1995 May p6, A DAB OF PATERNAL SELF–PITY, "for years i used to rush home every night"

Blind #6 1995 May p7, "blue and green," "'daddy,' my daughter asks, 'why do doctors," HOLISTIC MEDICINE, VAN GOGH: IRISES, 1880

Blind #7 1997 Win p18, "in the last three years," READER RESPONSE, A TRIMMER TOAD, "toad is reading a youthful story by nabokov"

Blind #7 1997 Win p19, "she has this thing about always carrying," TOAD'S GALLANT GESTURE

Blooms 12(8) 1992 Dec p20, "it does not matter where you break your lines," TOWARDS A METRICS OF THE ABSOLUTE

Kopp, Karl, THE FIREBIRD POEMS by LOCKLIN [rev]

Blooms 12(8) 1992 Dec p21, BLUE BOY, "everyone makes fun of him, his," "the firebird broods like yeasty dough," MY DAUGHTER AND THE FIREBIRD

BlueB #4 2000 p45, CANDY BARS by LOCKLIN [rev]

BlueB #10 1996 p1, CHARLES BUKOWSKI: A SURE BET [excerpt]

BlueB #10 1996 p6, CHARLES BUKOWSKI: A SURE BET by LOCKLIN [rev]

BlueB #12 1997 Mar back cover

Keida, Yusuke, EDITOR'S AFTERWORD [prose]

BlueB #12 1997 Mar cover

Freligh, Robert J., GERALD LOCKLIN [art]

BlueB #12 1997 Mar p1

Basinski, Michael, AN INTERVIEW WITH GERALD LOCKLIN

BlueB #12 1997 Mar p20, "I have a vision," JOHNNY RIGOLETTO

BlueB #12 1997 Mar p21, CHARLES BUKOWSKI: A SURE BET [in Japanese], TWO AMERICANS [in Japanese]

BlueB #12 1997 Mar p22, NEW DELPHI, CALIFORNIA [in Japanese], NEW DELPHI, CALIFORNIA [in Japanese]

BlueB #12 1997 Mar p23, HOW TO GET ALONG WITH CHARLES BUKOWSKI [in Japanese]

BlueB #12 1997 Mar p24, BUKOWSKI AT HIS BEST[in Japanese]

BlueB #12 1997 Mar p25, PEOPLE SAY BUKOWSKI HAS SOLD OUT [in Japanese]

BlueB #12 1997 Mar p27, HOW VERY INTERESTING (1992) [in Japanese]

BlueB #12 1997 Mar p28, ON THE DEATH OF A GREAT COMEDIAN, SPRING 1994 [in Japanese]

BlueB #12 1997 Mar p30

Newman, David, CHARLES BUKOWSKI: A SURE BET by LOCKLIN [rev]

BlueB #12 1997 Mar p34, THE FUNERAL OF CHARLES BUKOWSKI [in Japanese]

BlueB #12 1997 Mar p36a, MEETING CHARLES BUKOWSKI [in Japanese]

BlueB #12 1997 Mar p39, IN THE PRESENCE OF GREATNESS: THE BUKOWSKI/BARFLY NARRATIVE [in Japanese]

BlueB #12 1997 Mar p50, DANGLING IN THE TOURNEFORTIA by BUKOWSKI [rev] [in Japanese]

BlueB #12 1997 Mar p52, BEAUTI–FUL & OTHER ROOMS/THE ROOMINGHOUSE MADRIGALS: EARLY SELECTED POEMS, 1946–1966 by BUKOWSKI [rev] [in Japanese]

BlueB #12 1997 Mar p54, TWO POETS [in Japanese]

BlueB #12 1997 Mar p55, SETTING FREE THE BUK [in Japanese]

BlueB #12 1997 Mar p58, WAR ALL THE TIME & HORSES DON'T BET ON PEOPLE & NEITHER DO I by BUKOWSKI [rev] [in Japanese]

BlueB #12 1997 Mar p61, THE LAST ROUND–UP, "once in a while i wish there were a god,"

BlueB #12 1997 Mar p62

Weber, Mark, BIBLIOGRAPHY ON THE WORK OF GERALD LOCKLIN 1963–97 [prose]

BlueB #12 1997 Mar p66

Basinski, Michael, DYING FOR A BARGAIN by ZEPEDA & LOCKLIN [rev], THE MACAO/HONG KONG TRIP by LOCKLIN [rev]

BlueB #12 1997 Mar p70

Newman, David, THE NEW MALE by LOCKLIN [rev]

BlueB #16 2000 Apr p53

Basinski, Michael, THE FIREBIRD POEMS by LOCKLIN [rev], GO WEST, YOUNG TOAD by LOCKLIN [rev]

BlueB #16 2000 Apr p54, BEER

BlueB #16 2000 Apr p55, MY SIX–MONTH OLD DAUGHTER

BlueB #17 2000 Oct 15 p22c

Newman, David, A SIMPLER TIME, A SIMPLER PLACE by LOCKLIN [rev]

BlueB #20 2002 Oct p41, "first, it makes me laugh out loud.", SEQUENCE OF REACTIONS TO SOUTH PARK

BlueL #4 1985 Spr p33, THE BLUE NUN WONDERS WHAT, ECCLESIASTICAL RETICENCE, "needs to be said after tony bennett," "when they ask the blue nun about belfast,"

BlueL #5 1985/86 Win p38

Von Kesselhausen, Eva, THE CASE OF THE MISSING BLUE VOLKSWAGEN by LOCKLIN [rev]

BlueS 3(2) 1997 Feb p30, SHE'S ONLY SIX YEARS YOUNGER THAN I, "she'd like to classify rocks on the moon."

Bluff 2(2) 1991 p49, "the foliage is bluer than," HELEN FRANKENTHALER: BUDDHA'S COURT, 1964, MATISSE: LANDSCAPE VIEWED FROM A WINDOW, "sure, i can buy the blob as buddha."

Bogg #51 1983 p24, "the talk–show psychologists, dr. toni grant,", WILL I EVER LEARN?

Bogg #52 1984 p6, "i thought i'd finally won an argument," POEM

Bogg #52 1984 p14, "i drink more than most,", UNTRAINED BEAR ON A VICIOUS CYCLE

Bogg #53 1985 p12, SATURDAY NIGHT ON A BARSTOOL [prose]

Bogg #53 1985 p44, "is a surefire winner," THE WORD MNEMONIC

Bogg #53 1985 p54

Funsten, Kenneth, FEAR AND PATERNITY IN THE PAUMA VALLEY by LOCKLIN [rev], WHY TURN A PERFECTLY GOOD TOAD INTO A PRINCE? by LOCKLIN [rev]

Bogg #54 1985 p29, BOOLA–BOOLA, "i'm not at all sure that i'll still be around."

Bogg #55 1986 p17, "all i know is that," THE VALUE OF POETRY READINGS

Bogg #55 1986 p31, BESTSELLERS, "i really appreciate those small presses"

Bogg #68 1997 p14, A CAPSULE AUTOBIOGRAPHY OF THREE DECADES, "having just finished bech is back,"

BOI p85, DINNER AT EIGHT FOR FIVE WITH DAVID BOWIE, "It was my last night in London,"

Borges p49, "I turned into the sportalk show," MAYBE IT'S TIME TO RE–COMMISSION THE QUEEN MARY, MAYBE PYNCHON IS RIGHT, "#09–38–35"

Borges p50, AVID SPORTS FAN, "I just received some poems back from a young poet–editor,", VECTORS, "when she finally managed to drag him to the theatre"

Borges p51, EVOLUTION, THE EXISTENTIAL BULL, "He was bored by it all.", "There are only two things a man can do"

Borges p52, LIKE DAUGHTER/LIKE FATHER, "when my daughter was in kindergarten"

Borges p53, FIRST DAY OF THE MONTH, "this is the day the town drunk"

Borges p54, DON'T REST ON YOUR LAURELS, THE EDUCATION OF A MISTRESS, "God, I couldn't begin to count," "I was reading an article in Esquire"

Borges p56, CHARLIE BURCH, "Chopped up in her flower pots.", THE FIFTY–FIRST WAY TO LEAVE YOUR LOVER, "Vodka and root beer?"

Borges p57, THE HOLIDAYS, "I used to use her absence to chase strange pussy."

Borges p58, "I read this afternoon," WHALE POEM

Borges p59, GORE, "I took my kids, one nine, the other six,"

Borges p60, "Everybody asks me what I think of him.", PRONOUNCING BORGES

Borges p61, "At the age of 35, a strange inversion:", BODY AND SOUL, "Someone said that The African Queen", TWO FOR THE ROAD

Borges p62, BURN, "I had an insight today.", "'I'll never be like that!' he vowed.", ONE DAY THE LIGHT FLASHED ABOVE MICHELANGELO'S HEAD AND HE EXCLAIMED, 'BIBLICAL THEMES –– WHAT A GREAT IDEA FOR A CHAPEL!'

Borges p63, "because i am so ignorant in such areas,", VIVA VITO

Borges p64, "Between Monday and Sunday my car required," ONE OF THE MOTHERS OF MY KIDS, "She says she always wanted to be a gangster's gun–moll,", THAT WAS THE WEEK THAT WAS

Borges p65, "it's gray outside grandma's candies.", MAIN STREET, SEAL BEACH

Borges p66, "A few years ago a friend and former student of mine," THE POETRY CONTEST

Borges p67, BILL, "He was a teacher in the drama department,", "Something has gone out of our romance, love:", WHERE HAS LOVE GONE?

Borges p68, THE NASTIEST GLAND, "Nearly all my friends have prostate trouble."

Borges p69, "after the film, my little boy," "he was not born to the word," THE MAN WHO WOULD BE POET, TRANSCENDENT LOGIC

Borges p70, ATRIUM–SCHMATRIUM, "my girlfriend tells me that colette"

Borges p71, AS ONE GROWS OLDER, "As you grow older,", ONLY WOMEN HAVE AFFAIRS

Borges p72, "I was reading just now," POEM COMPOSED MARCH 24, 1977

Borges p73, "Don't ask me why,", FATHER CONFESSOR

Borges p74, "'Oh, yeah,' he tells me,", THE ROMANTIC POETS, "She's the most beautiful girl I've seen," TOAD'S LUCK

Borges p75, "he gets the divorce," "I read in Robert Lowell that Carl Jung once told Lowell's mother," NOT ONLY CAN'T YOU GO HOME AGAIN, BUT YOU CAN'T GO ANYWHERE ELSE EITHER, THEY ARE IN LOVE WITH THE INEVITABLE

Borges p76, THE GENERATION GAP, "his idea of a vacation"

Borges p77, THE CRITIC, "My daughter is explaining to her eight–year–old brother," THAT'S LIFE, "When I was a sophomore in college"

Borges p78, FOUR MEN, "Her first man was an aspiring writer.", "she didn't try to bother him while he was writing,", THE UNDOING

Borges p79, "There is no ethnicity of cuisine that I less enjoy," WHAT IS THE SOUND OF A SINGLE COOKIE CRUMBLING

Borges p80, "As kids, if we arrived at the basketball court," SHOOTING FOR TEAMS

Bottomfish #17 1996 p47, "appreciate the kinesthesis of the rearing horses.", EUGENE DELACROIX: MILITARY EXERCISES OF THE MOROCCANS

Bottomfish #18 1997 p60, THE ACTIVE INGREDIENT, "william burroughs invented this"

Bottomfish #18 1997 p61, LONG DAY'S JOURNEY TO THE END OF NIGHT, "you begin to grasp the deeper structures:"

Bottomfish #19 1998 p49, A CUTE KIND OF SCARECROW, "i make a remark"

Bottomfish #19 1998 p50, DÉGAS: LANDSCAPE WITH SMOKESTACKS, "smoke or shrubbery: it's all the same"

Bouillabaisse #2 1992 p5, THE EVIL PATRIARCH WHO IS NO MORE, "he grew up in el paso/juarez"

BOW p51, THE INSCRUTABLE EAST, "my only memory," OLD WORLD/NEW WORLD, "roger was feeling a little down"

Brobd #12 1999 Sum, "he could never decide," "i keep increasing my speed," "i'm passing the pre–school that my," "i see it misused even in," ON THE TREADMILL AT THE YMCA, A SCHOOL STILL RUN ON THE SUMMERHILL MODEL, SHORTCHANGING THE KING OF BEASTS, THE ULTIMATE PESSIMIST

Brobd #20 2001 Sum np, AT LEAST SHE WAS SMILING, "when i made the mistake of letting it slip"

Brobd #24 2002 Sum, "bukowski was right to," DIRTY OLD MEN AND THE NEW DOUBLE STANDARD

Brother Songs p49, SON OF TOAD, "someone recently asked my kid,"

Brother track 3, HAVE YOURSELF A MERRY LITTLE CHRISTMAS [GL singing]

Brother track 7, THE CHRISTMAS SONG (CHESTNUTS) [GL singing]

Brother track 9, DANNY BOY [GL singing]

Brother track 13, HARK THE HERALD ANGELS [GL singing]

Brouhaha #13 1998 Jan p5, "my friend at the ymca pool,", PORTALS OR POTHOLES

Brouhaha #14 1998 July p21, "blues and reds will mingle but not mix.", DAVID HOCKNEY: TRISTAN AND ISOLDE, ELIZABETH PEYTON: HOTEL, "(why do women want"

Brouhaha #15 1999 Jan p38, AN IN–FLIGHT DIVERSION, "there is no such thing"

Brow #4 2000 June p13, AN EXCESS OF APPRECIATION, "i make a mildly amusing wisecrack"

Brown #5 2001 Jan p1, ITO JAKUCHU: VEGETABLE PARANIRVANA, "the representative vegetables"

BS#6 p57, "air, oxygen, and light still co–existed," BONNARD: THE OPEN WINDOW, 1921

BST p5, JAK JSEM SE SEZNÁMIL CHARLESEM BUKOWSKYM [prose]

BST p18, DVA BÁSNÍCI [prose]

BST p23, "dáma na lavièce," NEW DELPHI, KALIFORNIE

BST p25, DVA AMERICANI, "predpokládám, ze se ted"

BST p27, BUKOVA SVOBODA [prose]

BST p38, JAK VYCHÁZET CHARLESEM BUKOWSKYM [prose]

BST p40, "sedel v taverne devetactyricítce," TO NEJLEFSÍ Z BUKOWSKÉHO

BST p43, LIDI RIKAJÍ, ZE SE BUKOWSKI ZAPRODAL

BST p46, JAK VEIMI POZORUHODNÉ, "po prectení nekolika clanku z poslesní"

BST p48, NEJISTOTA V TOURENFORTII by BUKOWSKI [rev]

BST p56, VÁLKA NIKDY NEKONCI & KONE NESÁZÍ NA LIDI A JÁ TAKNY NE by BUKOWSKI [rev]

BST p65, NÁDHERE & DASÍ DIOUHÉ BÁSNE/MADRIGALY Z CINZÁKU: VYBOR Z RANYCH BÁSNI, 1946–66 by BUKOWSKI [rev]

BST p72, V PRITOMNOSTI VELIKÁNA: JAK JSEM VI DEL BUKOSSKÉHO STAMGASTA [prose]

BST p113, O SMRTI VELKÉHO KOMEDIANTA, JARO 1994, "vedel jsem, ze práve prekonal"

BST p117, POHREB CHARLESE BUKOWSKÉHO [prose]

Buffalo 1988 Apr 3 p.E11, COMING OF AGE IN SAN CLEMENTE, "i pick up my 16–year–old son"

Buk p63, ZWEI DICHTER [prose]

Buk p159, DER LINKE HAKEN VON ROURKE IST NICH SO BESONDERS [prose]

Buk p186

Bukowski, Charles Henry, LETTER [to GL] [in German]

Buk p189

Bukowski, Charles Henry, LETTER [to GL]

Buk p190, BUK'S BEGRÄBNIS [prose]

BukRe #1 2001/02 Win p45, NOTES TOWARD THE FUTURE OF BUKOWSKI CRITICISM: BATAILLE AND BAHKTIN [prose]

BukRe #2 2002/03 Win p21, UNPUBLISHED FOREWORD TO A FOREIGN EDITION OF PULP BY CHARLES BUKOWSKI [prose]

Buying p3

Zepeda, Rafael & GL, OPENING POEM, "ron koertge sends this note:"

Buying p4

Zepeda, Rafael & GL, AN INSPECTOR OF EXPERTISE, "it's a serious business, buying a house,"

Buying p5

Zepeda, Rafael & GL, "on the way through san bernardino," RUNNING UPHILL

Buying p6

Zepeda, Rafael & GL, "they drive the pass up into the mountains," UP THE PASS TO THE VALLEY

Buying p7

Zepeda, Rafael & GL, HAVING A LOOK AROUND: AN EXTERNAL INSPECTION, "when they drive up to the cabin"

Buying p8

Zepeda, Rafael & GL, HAVING A LOOK AROUND: THE REAL ESTATE OFFICE, "when they reach the realtor's office"

Buying p9

Zepeda, Rafael & GL, "the appointment is set for 2:30," HAVING A LOOK AROUND: WAITING FOR THE REALTOR

Buying p10

Zepeda, Rafael & GL, "the seller is a big guy with long, iron–grey hair," THE WALK THROUGH; A REALIZATION

Buying p11

Zepeda, Rafael & GL, INSPECTING THE INSPECTOR, "ray walks around with his pad and pencil"

Buying p12

Zepeda, Rafael & GL, AN OPEN FIRE, "when ray gets to the fireplace"

Buying p13

Zepeda, Rafael & GL, "it seems to ray that the seller has paid some," NEEDLES AND PINES

Buying p14

Zepeda, Rafael & GL, BAIT, "they are standing on the bank of big bear lake,"

Buying p15

Zepeda, Rafael & GL, "don't you think you'd like," THE SINGLE HOOK THEORY

Buying p17

Zepeda, Rafael & GL, "'look,' ray says, 'firewood!", THE NO–TRESPASSING FIREWOOD LOG

Buying p19

Zepeda, Rafael & GL, LE CHAT QUI PECHE, "'i'm glad you guys checked back,"

Buying p20

Zepeda, Rafael & GL, "bear is asking the seller,", MEANWHILE, BACK AT THE CABIN

Buying p21

Zepeda, Rafael & GL, "after they get a gander at the prices," BUT BEAR TIPPED FIFTEEN PER CENT

Buying p22

Zepeda, Rafael & GL, "the bartender at the blue bull emigrated," LITOTES COMES TO THE BLUE BULL TAVERN

Buying p23

Zepeda, Rafael & GL, THE BLUE BULL TAVERN, "'i love it up here,' the german woman says."

Buying p24

Zepeda, Rafael & GL, WHEN EVERYONE ELSE IS EXTOLLING THE MERITS OF CABERNET SAUVIGNON AND CHATEAUNEUF–DU–PAPE, "the young chef butts in with,"

Buying p25

Zepeda, Rafael & GL, "the french woman says,", I'LL TAKE THE HIGH ROAD AND YOU TAKE THE LOW ROAD

Buying p26

Zepeda, Rafael & GL, A CASTING LESSON, "jenks lake is about the size of an"

Buying p27

Zepeda, Rafael & GL, "there are only the chirps and songs of birds," WE ON THAT FAR SHORE

Buying p28

Zepeda, Rafael & GL, "the quiet," WHEN THE CANOES ARE BEING LAUNCHED

Buying p29

Zepeda, Rafael & GL, "there are three aluminum canoes in the lake," WHEN THE CANOES ARE AFLOAT

Buying p30

Zepeda, Rafael & GL, "how big was the fish the bear caught," THAT IS THE QUESTION

Buying p31

Zepeda, Rafael & GL, THE WHIRLIGIG MAN, "when they come out of the mountains"

Buying p32

Zepeda, Rafael & GL, IN FRONT OF THE OLD MAN'S HOUSE THAT HE'S CHOPPED THE STICK IN HALF, "the old man shows the bear and ray"

Buying p33

Zepeda, Rafael & GL, "bear and his wife are taking two carloads," FISHING FOR A CAT

By Land p5, "a couple of days before the trip," TUCSON JULY

By Land p9, TUCSON IS WHERE I MET RON KOERTGE, "we were, on the surface, so unlike"

By Land p11, "watching the tucson toros at hi corbett field,"

By Land p13, "the university of arizona was good to me,"

By Land p15, in the pool at the motel–6", "in the pool at the motel–6"

By Land p17, OFF TO A GREAT START, "when i ask my wife,"

By Land p18, SIC TRANSIT GLORIA, "when i leave the hotel"

By Land p19, KENSINGTON HIGH STREET UNDERGROUND STATION, "the sign says, 'do not feed the pigeons"

By Land p20, DOUBLE SUPERLATIVE, HOW SOON THEY FORGET, "i heard the throbbing," "no one spoke to him;"

By Land p21, HEMINGWAY WOULD HAVE TO WRITE A COUPLE EXTRA NOVELS, "i used to agree with stokely carmichael," "i wanted my kids to see harry's new york bar and grill,", THE MOTHER COUNTRY MAKES A COMEBACK

By Land p22, "after i made the mistake of complaining," "i'm going to have to start speaking," OU SONT LES TOILETTES WAS SIMPLER, THE SEAT OF THE SELF

By Land p23, "the only thing i have in common," SHE'LL BE SO NICE TO COME HOME TO

By Land p24, DE PROFUNDIS, EARL'S COURT, MARCH 1980 [prose], THIS MORNING, A CHANGE OF VENUE [prose]

By Land p29, A FOUR DAY WORK WEEK UNDER THE VOLCANO DOWN AND OUT IN LONDON AND ADRIFT IN SOHO [prose]

By Land p31, JUST WHAT THE DOCTOR ORDERED, "when i was at the lowest point"

By Land p32, "my oldest child, a son, a month short of eighteen,", ROLE MODEL

By Land p33, MONOLOGUE FROM A PERMANENTLY UNFINISHED PLAY [prose]

By Land p35, "before i leave for gatwick with my son,", YOU CAN'T HAVE EVERYTHING

By Land p37, ADVICE TO WRITERS, "assassinations, beatings, perversions, strikes,", "because i was attending so many plays," THE CAMERA EYE

By Land p38, "everyone in england except the proprietors," "the irishman you meet in london," THE KNOWN EVIL, A REFLECTION ON MY ANCESTRY

By Land p39, BABEL, "the day after i make my return flight final,"

 

C  top of page 

CA Online 2001, LOCKLIN, GERALD [about]

Cabo p1, THE SILENT MINORITY, "the woman on the plane"

Cabo p2, "before leaving i joke with my friend ray," STRANGERS IN A RELATIVELY UNSTRANGE LAND

Cabo p3, IT'S NICE TO BE A MAJOR SOMETHING, "one fear is that i've only previously met"

Cabo p4, HOW DUMB DO THEY THINK I AM?, "when i summon the waitress in"

Cabo p5, TRUTH IN STEREOTYPING, "when i solicit directions"

Cabo p6, "at the hotel reception desk," THEY ALWAYS TEACH SOMEPLACE I'VE NEVER HEARD OF

Cabo p7, RAPID DROP IN INTEREST LEVEL, "when it becomes apparent that,"

Cabo p8, "if not exactly humbling,", YOU BEGIN TO WONDER IF YOU'VE EVER HEARD OF YOURSELF

Cabo p9, FORTUNATELY THEY ARE THE TWO WHOSE OPINIONS HE RESPECTS, "two others, however, do know his work:"

Cabo p10, KEEPING CARITAS IN THE ABSTRACT, "one of the presenters quotes shopenhauer:"

Cabo p11, AN EDUCATED FOOL, INTIMIDATION AND ITS DISCONTENTS, "one self–important shrill vainglorious lout," "the same woman who has so mismanaged"

Cabo p15, DON'T TAKE IT PERSONAL, "one of the young guys who was"

Cabo p16, "academics have such feeble senses of humor," OSCAR WILDE DID NOT TEACH COLLEGE

Cabo p17, "the horror of those with power,", THEY CAN'T TAKE IT WITH THEM

Cabo p18, I'LL HAVE THE BEEF TACOS, POR FAVOR, "one of my few lifetime ambitions"

Cabo p19, HOW I WON TWICE ON THE FIRST EVANDER HOLYFIELD/RIDDICK BOWE FIGHT, "(1) i didn't pay for admission"

Cabo p20, "i do not enhance," NO HORS D'OEUVRES, THANK YOU; I JUST ATE MY FOOT

Cabo p21, EVERYONE'S ILLITERATE SOMEWHERE, "the famous jewish critic tells a story"

Cabo p22, "i haven't been burning my candles," SAINT EDNA

Cabo p23, "the great critics of modern literature,", THE NEW KIDS ON THE QUAD

Cabo p24, "from cabo to the airport," A HUNCH PAYS OFF

Cabo p25, "in my room i drank a lot," THE TALLY, OR, B.Y.O. BABE

Café #8 1997 Spr p29, "i hear of this mother," WOMEN AUTHORS, OF COURSE, WOULDN'T THINK OF DEMEANING MEN

Café #8 1997 Spr p30, "i just noticed that the expiration date," THE WORLD IS A FOREST OF SIGNS

Café #8 1997 Spr p31, "infra dig –– what a great," MAYBE I'VE BEEN READING THE WRONG ROMANS

Caffeine #3 1993 p17, FRIENDS LITERARY AND NOT, "recently my wife and i"

CAFR 1979 v37/40 p336, LOCKLIN, GERALD [about]

Calif p17, AT MIDNIGHT, "at midnight, i look up"

Calif p18, À MINUIT, "à minuit, je lève les yeux"

Calif p19, CROSSING THE CREEK, "crossing the creek, i extend a hand"

Calif p20, POUR TRAVERSER LE RUISSEAU, "pour traverser le ruisseau, je tends la main"

Calif p21, LET'S OPEN OUR EYES, MY SIX–MONTH OLD DAUGHTER, "when they ask john updike"

Calif p22, "il faut que ma fille de six mois," MA FILLE DE SIX MOIS, OUVRONS LES YEUX, "quand on demande à john updike"

Calif p23, "after an evening of glowering at my daughter," MAYBE THE WOMEN ARE RIGHT ABOUT US

Calif p24, "après une journée passée à faire les gros yeux," PEUT–ÊTRE LES FEMMES ONT–ELLES RAISON À NOTRE SUJET

Calif p29, MY UNCLE HANK, "was not my favorite uncle."

Calif p30, MON ONCLE HANK, "n'éait pas mon oncle préféré"

Calif p31, SISLEY'S MEADOW, "who can count this many trees"

Calif p32, LA PRAIRIE DE SISLEY, "qui pourrait compter tan d'arbres"

Calif p33, "i taught my daughter solitaire today.", SOLITAIRE

Calif p34, "aujourd'hui j'ai appris la patience à ma fille.", LA PATIENCE

Candy p7, THE STORY STORY [prose]

Candy p17, TURKEY DAY [prose]

Candy p45, THE FOUR–DAY WORK WEEK [prose]

Candy p69, THE ENGLISH GIRL [prose]

Candy p119, I DO NOT HAVE HERPES [prose]

Candy p127, A SOBER READING OF DR. SIGMUND FREUD [prose]

Candy p139, TO THE SHORES OF SAN CLEMENTE [prose]

Candy p147, O TANNENBAUM [prose]

Candy p157, FIN DE SEMESTRE [prose]

Candy p167, CANDY BARS [prose]

Candy p183, SWING SHIFT [prose]

Candy p193, CIRCUITRY [prose]

Candy p199, BECALMED [prose]

Candy p205, THE HIPPIE SHIRT [prose]

Candy p219, THE MONOPOLY STORY [prose]

Candy p229, THE BUMMER [prose]

Candy p237, THE GOLD RUSH [prose]

Candy p247, NOT TO WORRY [prose]

Candy p255, RETURN OF THE HIPPIE SHIRT [prose]

CANRS 1985 v14 p293, LOCKLIN, GERALD [about]

CANRS 1991 v32 p267, LOCKLIN, GERALD [about]

Cape 1(2) 1964 Fall p50, EZRA, "Time to die,"

Cape 4(1) 1966 Fall p50, "even now i see," SCREWY LOUIE

Cape 4(1) 1966 Fall p51, NEAR GRANADA, "Near Granada now"

Cape 4(1) 1966 Fall p52, SOLO GIG, "The solitary saxophonist"

Capr 1990 Feb p33, "i know she's hypersensitive," ON THE RACK

Capr 1990 Mar p37, ON THE DEATH OF LOUIS L'AMOUR

Capr 1990 Mar p38, BUT HE LOVES IT, "life is a boat."

Capr 1992 June p11, GIORGIO DE CHIRICO, "he remains the kafka of the canvas"

Carb #4 1994 p101, "the new old guy in the locker room," Y ASK Y?

Carb #4 1994 p104, SHE REFUSES EVEN TO CRACK A SMILE, "'what did you say,' i ask, at the"

Caryatid #1 1969 p11, #50, "Having died, he was surprised"

Caryatid #1 1969 p14, "It was a question that he never asked himself," THE MAILBOX

Cathartic #14 1985 Spr p11, THE DEATH OF WILLIAM HOLDEN, OR PARDON ME WHILE I PUKE, "the newscasters say he must have had"

Cat's 1(3) 1985 Spr p10, AN ANTI–VIETNAM MEMORIAL, "there's a memorial now"

Cat's 1(4) 1985 Sum p3

GL & Stetler, Charles, HEMINGWAY AMONG SCHOOL CHILDREN [prose]

CBASB p1, MEETING CHARLES BUKOWSKI [prose]

CBASB p7, TWO POETS [prose]

CBASB p11, "the lady on the bench," NEW DELPHI, CALIFORNIA

CBASB p13, "not often, i suppose," TWO AMERICANS

CBASB p15, SETTING FREE THE BUK [prose]

CBASB p21, HOW TO GET ALONG WITH CHARLES BUKOWSKI [prose]

CBASB p23, BUKOWSKI AT HIS BEST, "he was sitting in the forty–niners tavern"

CBASB p25, PEOPLE SAY BUKOWSKI HAS SOLD OUT

CBASB p27, "after reading a couple of recent reviews,", HOW VERY INTERESTING

CBASB p29, DANGLING IN THE TOURNEFORTIA by BUKOWSKI [rev]

CBASB p33, WAR ALL THE TIME & HORSES DON'T BET ON PEOPLE & NEITHER DO I by BUKOWSKI [rev]

CBASB p37, BEAUTI–FUL & OTHER ROOMS/THE ROOMINGHOUSE MADRIGALS: EARLY SELECTED POEMS, 1946–1966 by BUKOWSKI [rev]

CBASB p41, IN THE PRESENCE OF GREATNESS: THE BUKOWSKI/BARFLY NARRATIVE [prose]

CBASB p59, "i knew he had just gotten over a," ON THE DEATH OF A GREAT COMEDIAN, SPRING 1994

CBASB p61, THE FUNERAL OF CHARLES BUKOWSKI [prose]

CBETT p7, WIE ICH CHARLES BUKOWSKI TRAF [prose]

CBETT p17, Buk p63

CBETT p21, "die dame auf der bank," NEU DELPHI, KALIFORNIEN

CBETT p23, "passiert nicht oft, nehm ich an," ZWEI AMERIKANER

CBETT p25, DER BUK UND DIE FRIEHEIT [prose]

CBETT p33, TIPS ZUM UMGANG MIT CHARLES BUKOWSKI [prose]

CBETT p35, BUKOWSKI WIE ER LEIBT UN LEBT, "er sab im forty–niners tavern"

CBETT p39, BUKOWSKI, DU VERRATER, "die leute sagen, bukowski sei ein verrater"

CBETT p41, "als ich einige der letzen kritiken las," SEHR INTERESSANT

CBETT p43, DANGLING IN THE TOURNEFORTIA by BUKOWSKI [rev]

CBETT p49, WAR ALL THE TIME & HORSES DON'T BET ON PEOPLE & NEITHER DO I by BUKOWSKI [rev]

CBETT p55, BEAUTI–FUL & OTHER ROOMS/THE ROOMINGHOUSE MADRIGALS: EARLY SELECTED POEMS, 1946–1966 by BUKOWSKI [rev]

CBETT p61, DIE LINKE HAKEN VON ROURKE IST NICHT SO BESONDERS... [prose]

CBETT p87, DAS BEGRÄBNIS VON CHARLES BUKOWSKI [prose], EIN GROBER KOMODIANT WENIGER FRUHJAHR 1994, "ich wubte, er hatte gerade einen zweijahrigen"

CBJ #4 1999 p23, CHARLES BUKOWSKI: A SURE BET by LOCKLIN [art]

CB:L p113 & 207, LOCKLIN, GERALD [about]

CBPA p101, PEANUTS, "Someday Snoopy will be dead."

CB:T p5 & 45, SETTING FREE THE BUK [excerpt]

CB:T p126 & 127, DANGLING IN THE TOURNEFORTIA by BUKOWSKI [rev] [excerpt]

CB:T p130-31, untitled prose

CB:T p131, BUKOWSKI'S WAR ALL THE TIME & HORSES DON'T BET ON PEOPLE AND NEITHER DO I [excerpt]

CB:T p174, IN THE PRESENCE OF GREATNESS: THE BUKOWSKI/BARFLY NARRATIVE [excerpt]

Cerberus #22 1996 Mar/May p3, BIG MAN, "the chinese built a skyscraper temple,", "the pudgy kid in the book store," THE XINGIAO TEMPLE: A POSTCARD FROM MY DAUGHTER, BLAKE

Cerberus #23 1996 June/Aug p1, "i need a country where one takes," ORCHARD SURROUNDED BY CYPRESSES, "the picture on the postcard," VINCENT VAN GOGH: THE NOONDAY NAP

Cerberus #24 1996 Mar/May p9, "an article in today's paper says," DICKENS DICKINSON MELVILLE HARDY HUGO, "i need a country where one takes," "i read a reviewer who says, 'a case of," POLITICAL POEMS, SABBATICAL, VINCENT VAN GOGH: THE NOONDAY NAP, "why not just write"

Cerberus #30 1998 p5, GEORGES DE LA TOUR: THE EDUCATION OF THE VIRGIN, "mothers need daughters."

Cerberus #31 1998 p18, "a couple, almost indistinguishable," EDVARD MUNCH: INTO THE WOODS, 1915, "it was a more spacious world.", VERMEER: THE MUSIC LESSON

Cerberus #32 1998 p19, BEYOND B. F. SKINNER, "i'm watching a rented video of 'round midnight"

Cerberus #33 1999 p48, A LIGHT AFTERNOON, "we were sitting around the tavern"

Cerberus #33 1999 p49, ON THE DEATH OF LOUIS L'AMOUR, "you're right: i have never read him."

Cerberus #35 1999 July p3, BUKOWSKI AT HIS BEST, "he was sitting in the forty–niners tavern"

Cerberus #35 1999 July p5, "the lady on the bench," NEW DELPHI, CALIFORNIA

Cerberus #36 1999 p19, "i read in kurt vonnegut the conclusion:", MEN ARE FROM MARS; WOMEN ARE FROM BELLEVUE

Cerberus #37 2000 Jan p20, "i knew he had just gotten over a," ON THE DEATH OF A GREAT COMEDIAN, SPRING 1994

Cerberus #39? 2000 July p29, "hasn't she been told that roses," LUCIEN FREUD: GIRL WITH ROSES, 1947–48

Cerberus #40 2000 Nov p4, OSCAR SCHLEMNER: BAUHAUS STAIRWAY, 1932, "these stairs will take the children to no stars."

Cerberus #41 2001 Spr p3, PABLO PICASSO: INTERIOR WITH A GIRL PAINTING, 1935, "two faces are better than one."

Cerberus #42 2001 p23, LYNN DAVIS: PYRAMID, PHOTOGRAPH, "play no background music."

Cerberus #43 2001 p4, BERTHE MORISOT: THE SISTERS, 1869, "nearly identical,"

Cerberus #44 2001 Nov p26, THE BIG EASY, "he always made it look so easy."

Cerberus #46 2002 p18, "in rituals, by cees notebloom,", "now we return to that house which," PAUL CÉZANNE: THE ALLE AT CHANTILLY, 1888, THE SILENCE

Cerberus #47 2002 p26, "in the showers the talk," RED–ORANGE RELIEF FOR DELPHINE SEVRIG (ELLSWORTH KELLY), TOAD TRIES TO NEVER LET THEM DOWN, "we see shadows also."

Cerberus #48 2002 p24, ERIC FISCHL: A VISIT TO/A VISIT FROM/THE ISLAND, 1983, "the visitors–to are white and are" [sic]

Cerberus #49 2003? p39, ALEXANDER CALDER: BIG RED, ROXBURY FLURRY, AND THE ARCHES, "i used to be impressed by"

CFAD p192, NO OFFENSE INTENDED, "Sorry, but if i awoke one morning"

Chance #11 1998 p11, "I return to the table with a plate," THE SOCIAL SCIENTISTS

Chance #15 2002 p25, GEORGIA O'KEEFE: EAST RIVER FROM THE SHELTON, 1928, "her vulvic skulls and flowers"

Changing p23, A BIT OF A READ IN THE BOOK OF NIGHT, "Pips the boy and Pips the evil one."

Chase p3, IN THE HARBOR [prose]

Chase p4, IN THE TUNNEL [prose]

Chase p5, WHAT IF ALL YOUR CHICKENS SHOULD COME HOME TO ROOST ON WEDNESDAY AFTERNOON [prose]

Chase p6, MARGARET, ARE YOU GRIEVING? [prose]

Chase p7, SOME PEOPLE SAY A PICTURE IS WORTH A THOUSAND WORDS [prose]

Chase p8, MARGARET, I LOVE YOU BUT [prose]

Chase p9, A NOVEL IS AS A NOVEL DOES [prose]

Chase p10, I LOOKED UP INTO THE SKY [prose]

Chase p11, SOME PEOPLE FEEL THAT A NOVEL SHOULD HAVE [prose]

Chase p12, SOME PEOPLE FEEL THAT THE PROPER LENGTH [prose]

Chase p13, UP AGAINST THE WALL, WALLFLOWER [prose]

Chase p14, LET ME DRAW YOU A PICTURE OF WHAT HAPPENED NEXT [prose]

Chase p15, AFTER THAT [prose]

Chase p16, STRIKE UP THE BAND [prose]

Chase p17, DANNY DEEVER [prose]

Chase p18, EARTH–CRATERS [prose]

Chase p19, BRITONS WILL NEVER BE SLAVES [prose]

Chase p20, TOADS NEED LOVE TOO [prose]

Chase p21, SOME PEOPLE WOULD CALL THIS WHOLE THING [prose]

Chase p22, UNCLE TOM'S CABANA [prose]

Chase p23, FIT AS A FIDDLE [prose]

Chase p24, WILL YOU STILL NEED ME WHEN I'M SIXTY–FOUR? [prose]

Chase p25, IN THE BUILDING [prose]

Chase p26, YOU'RE ONLY AS YOUNG AS YOU FEEL [prose]

Chase p27, THE HIPPOCRATIC OAF [prose]

Chase p28, YANKEE DOODLE DANDRUFF [prose]

Chase p29, AND THIS IS ME BELOVED [prose]

Chase p30, LIFE IS A TERMINAL DISEASE [prose]

Chase p31, THE MAN OF LA MANCHA [prose]

Chase p32 & 64, THE GIRL IN THE GREEN DRESS [prose]

Chase p33, ABOUT THREE HOURS LATER [prose]

Chase p34, MERCURY [prose]

Chase p35, THE YOUNG MEN'S CHRISTIAN ASSOCIATION [prose]

Chase p36, OUR NOTIONS OF CAUSALITY ARE STILL NEWTONIAN [prose]

Chase p37, IN THE HALL OF THE MOUNTAIN KING [prose]

Chase p38, I SAW THE BEST MINDS OF MY GENERATION [prose]

Chase p39, SUDDENLY I WAS TAKEN BY A CRAVING FOR A STRANGE PIECE OF ASS [prose]

Chase p40, THE LAST ROMANTIC [prose]

Chase p41 & 79, THE INFORMER [prose]

Chase p42, INTRODUCING THE HUNT BOYS [prose]

Chase p43, THE CHILD IS FATHER OF THE MAN [prose]

Chase p44, WHERE IS BERTHA BIG–FOOT? [prose]

Chase p45, ASPECTS OF THE NOVEL [prose]

Chase p46, THE FOX–TROT [prose]

Chase p47, THE TUNNEL OF LOVE [prose]

Chase p48, WOMAN IS THE SUPREME FICTION [prose]

Chase p49, THE FUTURE OF THE NOVEL [prose]

Chase p50, MY PULITZER PRIZE ACCEPTANCE SPEECH [prose]

Chase p51, IN THE HARBOR AGAIN [prose]

Chase p52, BUT MY RUDDER RAN AGROUND [prose]

Chase p53, I LOVE A PARADE [prose]

Chase p57, THE STRANGER [prose]

Chase p59, A PLAYMATE [prose]

Chase p60, MATINEE [prose]

Chase p61, REQUIEM [prose]

Chase p62, THE ETERNAL TRIANGLE [prose]

Chase p63, THE ETERNAL RECTANGLE [prose]

Chase p65, YOU KNOW IF EVERYONE WOULD WRITE GOOD BOOKS LIKE THIS [prose]

Chase p66, OKAY, IF YOU THINK YOU'RE SO SMART [prose]

Chase p67, THE ETERNAL POLYGON [prose]

Chase p72, A FINE KETTLE OF FISH [prose]

Chase p73, HE'S TRYING TO DESTROY THE NOVEL (AND) (WHAT'S MORE HE DOESN'T EVEN KNOW THE TITLE GOES ON TOP!) [prose]

Chase p74, THEY SAY IT'S HARD TO HIT A HAPPY MEDIUM [prose]

Chase p75, A QUESTION OF SEMANTICS [prose]

Chase p76, I COULD HARDLY BELIEVE MY EARS [prose]

Chase p77, TO THE RESCUE [prose]

Chase p78, THE MAP [prose]

Chase p80, UNDER THE BLEACHERS [prose]

Chase p81, YOU CAN IMAGINE [prose]

Chase p82, A FATE WORSE THAN DEATH? [prose]

Chase p83, A FATE WORSE THAN LIFE? [prose]

Chase p84, A CODICIL [prose], LOOK, I DON'T WANT TO HURT ANYONE'S FEELINGS [prose]

Chase p86, MY NEW YEAR'S RESOLUTIONS [prose]

Chase p87, THE STRAW THAT THREATENED TO BREAK MY HUMP [prose]

Chase p88, SOME SAY THAT THE NOVEL AS A FORM [prose]

Children p41, CHILDREN OF A LESSER DEMAGOGUE

Children p42, LEARNING TO SEE CROOKED, MORE STATELY TOWNHOUSES

Children p43, AMBIVALENCE OF VALENCE, ANSWER MAN

Children p45, HELLER OF A MESS, KINESTHETIC SCULPTURE OF JOHN STUART MILL BANGING HIS HEAD AGAINST THE ROCK

Children p46, I'VE HAD MY UPS AND DOWNS WITH WOMEN

Children p48, ABRAHAM LINCOLN–LOG BRIGADE, IN THE REIGN OF THE GOOD SHOGUN BONAPARTE

Children p49, THERE MAY BE SCOTTISH BLOOD ON MY FATHER'S SIDE

Children p50, IT TAKES, IT TAKES A BUSY MAN

Children p51, ONE OF THE ONES WHO HASN'T WOKEN UP, PHILIPPE NOIRET

Children p52, CASUALTY OF THE RECENT WARS

Children p53, ADULT TRAUMATA, I WOULD HAVE TO SAY

Children p54, A DEAR GERALD NOTE, UNIVERSAL TROPHY IS ARTHRITIS

Children p55, CHOP–CHOP, HOW THE LITTLE PRINCE SOLVED THE NUMBERS' GAMES

Children p56, ANGELS OF RETRIBUTION ALWAYS RING AS MANY TIMES AS IT TAKES, IT TAKES ALL KINDS

Children p57, ANIMAL QUEENDOM, TAMING THE WOULD–BE WILDE–MAN

Children p58, IT GETS DONE, THINKER

Children p59, THE AGE BEFORE ANTIBIOTICS

Children p60, OLD MACDONALD HAD A MADONNA, OPEN RELATIONSHIP

Children p61, KUDOS, MAYBE SHE'S THE POET

Children p62, MAKE IT EASY ON YOURSELF, ONE MAN'S POISON, THE WALDEN/WOODSTOCK APARTMENTS

Children p63, NO RESTITUTION, OBJECTIONABLE CORRELATIVE, TEACHER

Children p64, HE WAS ALSO MODEST, INTELLIGENT, GENEROUS AND, WORST OF ALL, LIKABLE

Children p65, HENRIETTA JAMES

Children p66, MAYBE ITS TIME FOR THE FAT FARM, UNDER ROBIN'S HOOD

Children p67, EITHER DECIDEDLY A GENIUS OR DECIDEDLY NOT, FIRST DATE, SOL Y SOMBRA

Children p68, S. O. P.

Children p69, PIG'S PEN, TWO GENERATIONS OF ITALIAN FRIENDS

Children p70, DO PEOPLE PAY TO VISIT GRACELAND?

Children p71, GIRLS' NIGHT OUT

Children p72, BEACH APPRECIATION 101, BIT CLOSE TO HOME, TEST

Children p73, PRIORITIZING, PROBABLY NOT

Children p74, EVEN JAMES BOND MUST HAVE HAD A MOTHER, TRIPLE HOMAGE

Children p75, FEAST OR FAMINE: MULTIPLE GUESS, IT DOESN'T QUACK LIKE A DUCK, VOICE CRYING IN THE WILDERNESS

Children p76, LOST DECADE, MY NEW SHOES

Children p77, AREN'T WE FUN?, ATHLETICISM IN AMERICA

Children p78, ENVIRONMENTAL INFLUENCE, INTERMISSION, TIRELESS RESEARCHERS

Children p79, PLEASURE OF THE TEXT, PRESCRIPTION OF KRYPTONITE

Chiron 8(3) 1989 p7, IT'S WHAT MAKES OUR TUITION SUCH A BARGAIN

Chiron 8(3) 1989 p8, AND NEITHER DO I

Chiron 8(3) 1989 p14, FOR THE FUN OF IT, AN INTERVIEW WITH CHARLES WEBB

Chiron 9(1) 1990 Spr

Haslam, Gerald W., REFLECTIONS OF A LITERARY MAVERICK: AN INTERVIEW WITH GERALD LOCKLIN

Chiron 9(3) 1990 p11, BLUE/YELLOW/RED, 1970, COLORED PAPER IMAGE VII (YELLOW CURVE WITH GRAY), 1970, THE MORE THINGS CHANGE, MORRIS MELTZER: BRIDGETWON, 1923 BERLIN, "the ragged edges matter.", TWO FROM ELLSWORTH KELLY, "that these blocks are not," "this bridge leads from hart crane"

Chiron 10(1) 1991 Spr p17, PHOTOGRAPHS OF THE JUNGLE by GLADE [rev]

Chiron 10(4) 1991 Win p21, AN INTERVIEW WITH MARTIN BAX

Chiron 11(2) 1992 p6, COLOR IS NOT PURPLE, IN THE FREE BLUE – WASSILY KANDINSKY, YOU SAY YOU'VE ALWAYS BEEN ABOVE SUCH THINKING

Chiron 12(1) 1993 Win p19

Rielly, Edward J., OUTTAKES by LOCKLIN [rev], YANK AT BANGOR by LOCKLIN [rev]

Chiron 12(2) 1993 p13

Johnson, Peter, A NEW GEOGRAPHY OF POETS ed by FIELD, LOCKLIN & STETLER [rev]

Chiron 12(2) 1993 Win p13

Bach, Glenn, THE FIREBIRD POEMS by LOCKLIN [rev], IN/WORD/OUT: THOUGHTS ON POETRY & PERFORMANCE by LOCKLIN [rev]

Chiron 13(2) 1994 cover, GERALD LOCKLIN [art]

Chiron 13(2) 1994 p2, BUT IT DIDN'T STOP ME OR THE DOG, LUCIEN FREUD: NAKED MAN, BACKVIEW, 1991–92, PICASSO: SEATED WOMAN, APRIL 27, 1938, PICASSO: THE STUDIO, 1934, PICASSO: WOMAN RECLINING ON A COUCH, 1939

Chiron 13(2) 1994 p3, "I read in USA Today that,", MAYBE IF I'D WORN IT ON MY WRIST?, THE NEW MALE, OH WELL, HUMANS EAT TRIPE, PSYCHOPATHOLOGY OF THE AFTER–DINNER NAP, WILL MY CHIRONS COME HOME TO ROOST?

Chiron 13(2) 1994 p4

Weber, Mark, GERALD LOCKLIN [interview]

Chiron 13(3) 1994 p25

Headley, Robert, THE DURANGO POEMS by ZEPEDA & LOCKLIN [rev], WOMEN TROUBLE by LOCKLIN [rev]

Chiron 23(4) 1994 Win p17

Smith, Joan Jobe, BIG MAN ON CANVAS by LOCKLIN [rev]

Chiron 23(4) 1994 Win p31

Smith, Joan Jobe, THE OLD MONGOOSE & OTHER POEMS by LOCKLIN [rev]

Chiron #42 1995 Spr p21

Headley, Robert, BIG MAN ON CANVAS by LOCKLIN [rev], THE OLD MONGOOSE & OTHER POEMS by LOCKLIN [rev]

Chiron #46/47 1996 Spr/Sum p3

Smith, Joan Jobe, RAY ZEPEDA, MARK WEBER, GERALD LOCKLIN, D. H. LLOYD & FRED VOSS, JULY 12, 1991 [art]

Chiron #46/47 1996 Spr/Sum p18, NOT TO WORRY [prose]

Chiron #51 1997 Sum p41

Newman, David, TWO JAZZ SEQUENCES by LOCKLIN [rev]

Chiron #51 1997 Sum p42, FOR SOME REASON, "his favorite t.v. program turns out to be"

Headley, Robert, THE MACAO/HONG KONG TRIP by LOCKLIN [rev], THE NEW MALE by LOCKLIN [rev], THE PITTSBURGH POEMS by LOCKLIN [rev]

Chiron #52 1997 Win p14, "and nobody seems to give a fuck.", "an excellent young female student," "how interesting that even as we clamor," I WORE KHAKIS TOO, "in the last row at the opera,", MAYBE WE NEED AN AFFECT–CONFUSION HOTLINE TO TELL US WHAT WE'RE REALLY FEELING, NONE TOO SOON, ON THE ROAD TO THE RECYCLING BIN, "on the art calendar for the met," RETRIBUTION, HERE AND THERE, "reading it in a story by joyce carol oates,", WHOSE DOUBLE STANDARD IS IT ANYHOW?

Weber, Mark, GERALD LOCKLIN [art]

Chiron #53 1998 Spr p30, CANDY BARS [prose], GERALD LOCKLIN [art]

Chiron #58 1999 Sum p9, AGAINST INTERPRETATION, ALMOST TOO SIMPLE FOR WORDS, BETRAYED BY BILL, "the cast–iron sculpture, decoy,", FISHING POLES, "i am sitting at a table of young ladies," "i like to write poems about (or from) paintings,", "i'm getting sick of hearing god referred to," "in the dentist's waiting room," WHAT FOOLS THESE MORTALS BE

Weber, Mark, GERALD LOCKLIN & DONNA HILBERT [art]

Chiron #60 1999 Win p24

Headley, Robert, HEMINGWAY COLLOQUIUM: THE POET GOES TO CUBA by LOCKLIN [rev]

Chiron #63 2000 Win p10, GERALD LOCKLIN [art], THE SUPERMAN OF THE SUPPORT HOSE [prose]

Chiron #64 2001 Spr 6, "are there mountains at the north pole?, BRUCE NAUMAN: RAW–WAR, 1971, "does this word–analysis," GERALD LOCKLIN [art], JEAN BAPTISTE GREUZE: THE BROKEN EGGS, JOHN SINGLETON COPLEY: MARY AND ELIZABETH ROYALL, MARSDEN HARTLEY: MOUNTAIN OF THE NORTH, 1932, "satin, filigree, and paleness.", "a woman past her prime"

Chiron #67 2001 Win p10, FAT MEN AT PIANOS, "i'm reading the liner notes,", THE TECHNIQUE OF CHET BAKER, "what is it about these hefty guys"

Chiron #67 2001 Win p11, CHUCK CLOSE: ROY II (1994), HYDROTHERAPY, "i love the democratic realism," "i was going to write a poem," "is the world reducible to rectangles?", OSCURO SANS CHIARA, THE REAL, THE REEL, "thoreau bathed every morning, the"

Chiron #68 2002 Spr p31, IN OUR BLOOD, "over the phone, gerry haslam and i"

Chiron #68 2002 Spr p44

Metzger, Joyce, FAMILIARITIES by CHERIN & LOCKLIN [rev]

Choosing p183, LEARNING TO SEE CROOKED, "'mommie,' she says, 'i've never seen you and daddy kiss.'"

Chowder #5 1975/76 Fall/Win p61, "I was crossing the Pacific Coast Highway," LES PARFUMS

Chowder #7 1976 Fall/Win p88, DEATH OF THE POET IN RESIDENCE, "He lay in the searing clutches of the fever"

Chrion 13(2) 1994 Sum p2, HENRI FANTIN–LATOUR: STILL LIFE WITH PANSIES (A REPRISE), "who can paint the shades of"

Chronicle 1999 July 16 pA10

Monaghan, Peter, IN LONG BEACH, PROFESSOR JOINS PACK OF PERFORMING POETS [prose] [GL cited]

Cider #1 2000 p116, ANDRÉ DERAIN: WINDOW AT VERS, 1912, "the narrow and elongate window,"

Cider #1 2000 p117, DAVID HOCKNEY: GARROWBY HILL, 1998, "yes, art can exist in a vacuum."

Clear p1, THE ENERGY CRISIS, "you hear a lot about the energy crisis these days,"

Clear p2, A CLEAR AND PRESENT DANGER TO SOCIETY, "I am against making guns illegal."

Clear p3, "For centuries the preachers have counseled," RHETORIC

Clear p4, "outside the door, this guy pulled up on a fire–breathing yamaha.", A POEM WITHOUT A POINT

Clear p6, AT TOR HOUSE, "we go to where the rich live;"

Clear p7, "I was crossing the Pacific Coast Highway," LES PARFUMS

Clear p8, "in spite of frequent showerings,", A THERESA TRILOGY

Clear p10, "The effeminate flower vendor passed through the bar on his appointed rounds," THE GREAT WAR

Clear p12, MALCOLM LOWRY, "They placed him in a padded isolation cell."

Clear p13, "my love has not been speaking to me ever," A TIME FOR REAPING

Clear p14, "i take my daughter out to lunch.", MY SIX–YEAR–OLD

Clear p15, GENEROSITY, "i've always been a marlon brando fan,"

Clear p16, "i know a girl who works as a," MA BELL

Cleveland R 1(2) 1992 Win/Spr p11, RICK TOO, "somebody should make a film of the"

Cleveland R 1(2) 1992 Win/Spr p29, THE VICTIM [prose]

Clock #4 1986 Spr p6, ALSO THEY DIDN'T WAIT UNTIL COLLEGE TO LEARN TO READ AND WRITE, "at a picnic today, unexpectedly, someone," "but the ghettoes didn't vote for reagan," THE TRADE, WHITES SEEM TO THINK THAT BLACKS ARE DUMB, "when my students tell me,"

Clock #5 1986 Fall p10, "i look up from my newspaper," MARRIAGE IS AN ECONOMIC INSTITUTION, A SPARE CAT, "we have 2 children"

Clock #5 1986 Fall p11, A MOST DISTINGUISHED COLLEAGUE, "The Philosophy Department advertises:"

Clock #6/7 1987 Spr p25, "i don't think that people past a certain age," "i'm reading in a british book on contemporary," MINIMAL AFFIRMATIVE, STALKING ONESELF

Clock #6/7 1987 Spr p26, "i'm not as concerned about," RAMBO AT THE FINLAND STATION

Clock #8 1987 Fall p28, COULD SARTRE OR W. C. FIELDS HAVE SAID IT BETTER?, "his muscles ripple like varicose veins.", "i discovered this cop series in late–night re–runs," THE NARCISSUS OF NAUTILUS BEACH

Clock #8 1987 Fall p29, A KIND OF LOGIC, "the lifeguards issue a riptide warning:"

Clock #8 1987 Fall p30, BUT I FAIL, "but i'm looking forward to," "i suppose i could have closed my eyes," THE LAST WORDS OF JOHN THE BAPTIST, "on my way to work on registration," PREMATURE DEFLATUS, SOME PEOPLE FEAR OLD AGE, "the student filmmaker"

Cloud #2 1975 May p3

Miller, Scott, LOCKED IN WITH GERALD LOCKLIN by LOCKLIN [rev]

Clove #5 1971 p9, AN XMAS CAROL [prose]

Clove 1970 p43, "and everyone is saying, what's he got," AN ESSAY CONCERNING HUMAN DISINTEGRATION

Club p1, AN ARTIST WHO NEVER GREW YOUNG, DOUBLE THE ZINC, "the day the headlines of the campus newspaper," "drawing back from her lips," I DON'T WANT YOU TO FEEL TRAPPED, "rembrandt's bust of an old man", YELLOW JOURNALISM

Club p2, INTERDISCIPLINARY DIALOGUE, "is a talk–radio program on which a minister," RELIGION ON THE LINE, "while picking up a couple of books"

Club p3, A FINE POINT OF CLASSIFICATION, "i'm drinking beer with two good friends," "i was swimming my daily (well, not always", A LITTLE PROFESSIONAL COURTESY, PLEASE, ONE–UPPED AGAIN, "on election day i attempt to twit kenny,", "the skinny kid asks,", THEY'VE LEARNED NOT TO LET ME BAIT THEM

Club p4, AND ADD A COUPLE OF TWENTIES TO HERS, THE BLUE NUN GOES TO MUSIC CAMP, IN VINO VERITAS, OR IT'S NICE TO KNOW YOUR FRIENDS, "it's election eve," "this friend of mine,", "where they play pachelbel's canon"

Club p5, "i am reading the great hunger,", PATRICK KAVANAGH, MICHAEL HALLORAN, PAUL VANGELISTI, BOBBY SANDS, ET AL.

CNR 33(1/2) 1992 p3 & 243, GERALD LOCKLIN [art]

CNR 33(1/2) 1992 p242, GERALD LOCKLIN [interview]

CNR 33(1/2) 1992 p247, "cézanne painted a single pine tree," FRANCIS PICABIA: MUSIC IS LIKE PAINTING, GREAT PINE IN MONTBRIANT, "of course it is."

CNR 33(1/2) 1992 p248, "the talented young writer orates:", THE UNPARDONABLE CRIME OF BEING YOUNG

CNR 33(1/2) 1992 p249, THIS IS THE END, MY FRIEND [prose]

CNR 33(1/2) 1992 p252, "prefatory to the expensive meal," "the rugged rugby player, richard harris,", THE SURGEON GENERAL VERSUS GERALDUS THE EPICUREAN, THIS SPORTING LIFE

CNR 33(1/2) 1992 p253, WATERFALL [prose]

Coagula #39 1999 May p32, CHUCK CLOSE, EGON SCHIELE: RED BLOUSE AND BLACK–HAIRED GIRL WITH RAISED SKIRT, "i don't even want to look at," "i paint portraits because," MARY CASSATT: WOMAN AND CHILD, "this is not a terribly attractive"

Gleason, Mat, GERALD LOCKLIN [prose]

Coagula #39 1999 May p33

Gleason, Mat, GERALD LOCKLIN [art]

Coagula #40 1999 Sum p38

Callinan, Thomas, DOWN AND OUT: A NOVEL FOR ADULTS by LOCKLIN [rev], THE FIRST TIME HE SAW PARIS by LOCKLIN [rev], GO WEST, YOUNG TOAD by LOCKLIN [rev]

Coagula #41 1999 Sep cover & p52, RICHARD DIEBENKORN: UNTITLED, 1992

Coagula #41 1999 Sep p52, "ah yes, unaddressed also:", "a face as blank and innocent," VLADIMIR TATLIN: SAILOR, 1911

Coagula #42 1999 Nov p34, "elegant legs, gracefully crossed.", GIAMBATTISTA TIEPOPLO: WOMAN WITH A MANDOLIN, "gunning down pre–schoolers," "men are easier to strum," "on the back cover," RICHARD DIEBENKORN: GIRL SMOKING, TARNISHING THEIR REPUTATION, 1999, WHO TOOK THE BITE OUT OF THE APPLE?

Coagula #43 1999 Dec p32, "forget how the mirror dulls," "a great deal of postmodernism glorifies," JEAN–AUGUSTE–DOMINIQUE–INGRES: VICOMTESSE D'HAUSSONVILLE, 1845, LEE KRASNER, SIGMAR POLKE: THE RIDE ON THE EIGHT OF INFINITY, II, "when are they going to"

Coagula #43 1999 Dec p33, AMERICAN ART AT THE END OF THE MILLENNIUM, BRADLEY WALKER TOMLIN: NO. 2, 1956, "elvis presley pulled out his six–shooter,", "the importance of a window," RICHARD DIEBENKORN: MAN AND WINDOW, 1958, SIGMAR POLKE: NIXON AND KRUSCHEV AS POTATO HEADS, "the satirists had a field day," "there are many ways of intersecting lines"

Coagula #45 2000 May p32, DOUGLAS GORDON: THE SEARCHERS, VIDEO INSTALLATION, 1999–2004, "i like it.", "i'm naive enough," "the monolithic marble building,", PAUL STRAND: WALL STREET, 1915, WILLEM DE KOONING: MONTAUK HIGHWAY, 1958

Coagula #46 2000 Sum p48, BIG MOMMA AT MOMA, "i can't respect an artist," JEFF KOONS: LOOPY, 1999, RICHARD SERRA: SWITCH, "will we build within buildings?", "the woman who represents the river"

Coagula #48 2000 Nov p18, "it occupies the three–foot canvas," JACOB VON RUISDAEL: THE GREAT OAK, 1652, "the many–masted, canvas–bosomed warships," SIMON DE VLIEGER: VIEW OF A BEACH

Coagula #49 2001 Jan p32, AELBERT CUYP: THE FLIGHT INTO EGYPT, "i couldn't begin to identify," "it doesn't matter that the terrain," JAN VAN HUYSEM: BOUQUET OF FLOWERS IN AN URN

Coagula #50 2001 Mar p40, ROBERT THERRIEN: NO TITLE (BLUE PLASTIC PLATES), "a stack of blue plates, saucers, bowls,"

Coagula #50 2001 Mar p41, BERGAMOT STATION: 10–28–00, "what a joke:"

Coagula #52 2001 Sum p58, JEAN–BAPTISTE OUDRAY: EAGLES ATTACKING SWANS, "man is an uneven parallelogram,", ROBERT POLIDORI: PHOTO OF THE L.V.M.H. BUILDING, SALVADOR DALI: SOFT CONSTRUCTION WITH BOILED BEANS: PREMONITION OF CIVIL WAR, 1936, "we need buildings whose planes," "within the lushly vegetated"

Coagula #53 2001 Sep p51, DIANA AND HER COMPANIONS, GIRL WITH RED HAT, "her lips are too red,", "a string of pearls,", THREE VERMEERS, WOMAN WITH A BALANCE, "we are never more naked"

Coagula #54 2001 Nov p40, THE ANTI–EXPERT, "borough of continuous town houses," CHRISTIAN HEEB: SOUTH KENSINGTON, PHOTO, 2000, "delft was blue or white," "i've written hundreds of art poems," PRIMARY COLORS

Coagula #57 2002 June p34, BUT PLEASE: NO THOMAS KINKADES, "because i write a lot of jazz poems,", CONSTANTIN BRANCUSI: SLEEPING MUSE, 1909–10, "an egghead.", LOUISE BOURGEOISE: SELF PORTRAIT, 2001, "mainly a matter of holes"

Coagula #60 2002 Dec p43, KAREL TIEGE: THE LETTER 'H,' FROM ALPHABET, 1926, "the letter 'H' is a flapper"

Coagula #60 2002 Dec p44, THE ANTI–EXPERT, CLAES OLDENBURG, "french fries and ketchup,", "i've written hundreds of art poems," JEFF KOONS: THE NEW, 1981–87, "somehow i don't think my wife would want"

Coagula #60 2002 Dec p45, DE KOONING IN DEMENTIA, "we love who we were."

Coagula #60 2002 Dec p46, "man is an uneven parallelogram,", ROBERT POLIDORI: PHOTO OF THE L.V.M.H. BUILDING, SALVADOR DALI: SOFT CONSTRUCTION WITH BOILED BEANS: PREMONITION OF CIVIL WAR, 1936, "we need buildings whose planes"

Coagula #60 2002 Dec p47, JACKSON POLLOCK: BLUE POLES, NUMBER 11, 1952, "winter, i think, at first;"

Coagula #61 2003 Mar p8, DAVID HAMMONS: CONCERTO IN BLACK AND BLUE, 2002, JOHN SINGER SARGENT: SCUOLA DI SAN ROCO, 1903, "the mediterranean skeleton," "the new yorker says the installation celebrates"

Coastline 1(6) 1974 Nov p20, SIX BLACKBIRDS [prose]

CoastM 16(4) 1975 Apr p50

Koertge, Ronald B. & GL, LITERARY WRISTWRESTLING: TWO POETS WITH MUSCLE [prose]

CoastM 17(9) 1976 Sep p29

GL & Stetler, Charles, THE HEMINGWAY PRIMER (OR: WHY YOU CAN'T BOOK A ROOM IN PAMPLONA THE SECOND WEEK IN JULY) [prose]

CoastM 17(12) 1976 Dec p25

Koertge, Ronald B. & GL, YOUR COAST GUIDE TO THE RACES [prose]

COD (a) cover, GERALD LOCKLIN [art]

COD (a) side 1, "ABC's press release describes out on a limb,", AMPHIBIANS HAVE FEELINGS TOO, "as the sun sets on st. patrick's day,", BEST SELLERS, THE BEST YEAR OF HER LIFE, "because we had a problem," COMING OF AGE IN SAN CLEMENTE, CONSTITUENCY OF DUNCES, A CONSTITUENCY OF DUNCES, THE FREEDOM FIGHTERS, "first we reduced our vehicles to scrap.", A GREAT PEOPLE MOBILIZES, THE GREAT SEXUAL EXPERIMENT OF THE 1960's, HALLOWEEN, "halloween was the least cruel holiday.", "he is watching wimbledon with a roomful," "her mother ranks cleanliness," "how right we were for each other just then,", "I have an entry scrawled," I'M IRISH ON THE ONE SIDE, SCOTTISH ON THE OTHER, AND MY WALLET WAS MADE IN TAIWAN, THE IMPORTANCE OF POOR PENMANSHIP, IZZUMS, "i notice that," "i pick up my 16–year–old son," "i really appreciate those small presses," "i see a young friend," "i watch with my kids the classic animations," "it's always hard to tell in seal beach," "it's no doubt self–flattery even to," A KIND OF LOGIC, "the lifeguards issue a riptide warning:", "a lot of people seem to think," MISGUIDED METAPHORS, "my colleague, john williams,", "'my husband works nights,' she says.", NO RUSH, "no night classes.", A PERFECT COUPLE, THE POLITICS OF THE EXCRETORY SYSTEM, A SCIENTIFIC DIET, SMOKING CIGARETTES AND WATCHING CAPTAIN KANGAROO, SPOUSAL SUPPORT, "There was this fine guy named Steve Odin," TO THE RESCUE, AN UNCOOL YUL, WHY I DON'T TEACH KINDERGARTEN, WHY OUR SPECIES HAS SURVIVED, "When my two–year–old daughter," "when i bring the beautiful german edition," YOU GIVE GOOD JOURNEY, "'you know,' lara says,"

COD (a) side 2, BILLY JACK, "billy jack is a much maligned film.", "boxers, presidential candidates, pool–players," GETTING INVOLVED, HARSH REALITY, "his muscles ripple like varicose veins.", "i'm leaving my girlfriend's place," THE NARCISSUS OF NAUTILUS BEACH, WHERE HAVE ALL THE GREAT SANDBAGGERS GONE?, "watching two or more women"

COD (a) side 24, "i'm reading in a british book on contemporary"

COD p1, THE BEST YEAR OF HER LIFE, "When my two–year–old daughter"

COD p2, THE GREAT SEXUAL EXPERIMENT OF THE 1960's, "it's no doubt self–flattery even to"

COD p4, IZZUMS, "i see a young friend"

COD p5, YOU GIVE GOOD JOURNEY

COD p6, "first we reduced our vehicles to scrap.", A GREAT PEOPLE MOBILIZES

COD p7, "he is watching wimbledon with a roomful," MISGUIDED METAPHORS

COD p8, "I have an entry scrawled," THE IMPORTANCE OF POOR PENMANSHIP, "i notice that," WHY OUR SPECIES HAS SURVIVED

COD p9, "my colleague, john williams,", SMOKING CIGARETTES AND WATCHING CAPTAIN KANGAROO

COD p10, THE FREEDOM FIGHTERS, "her mother ranks cleanliness," "it's always hard to tell in seal beach," TO THE RESCUE

COD p15, "a lot of people seem to think," AN UNCOOL YUL

COD p16, "'my husband works nights,' she says.", NO RUSH

COD p17, A KIND OF LOGIC, "the lifeguards issue a riptide warning:", "no night classes.", WHY I DON'T TEACH KINDERGARTEN

COD p18, A CONSTITUENCY OF DUNCES, "'you know,' lara says,"

COD p19, SPOUSAL SUPPORT, "when i bring the beautiful german edition"

COD p20, "as the sun sets on st. patrick's day,", I'M IRISH ON THE ONE SIDE, SCOTTISH ON THE OTHER, AND MY WALLET WAS MADE IN TAIWAN

COD p21, COMING OF AGE IN SAN CLEMENTE, "i pick up my 16–year–old son"

COD p22, "because we had a problem," A SCIENTIFIC DIET

COD p23, BEST SELLERS, "i really appreciate those small presses"

COD p24, "i'm reading in a british book on contemporary," MINIMAL AFFIRMATIVE

COD p25, BACK FROM VACATION, "sergeant roger hotspur goes back to work"

COD p26, "i watch with my kids the classic animations," THE POLITICS OF THE EXCRETORY SYSTEM

COD p28, "how right we were for each other just then,", A PERFECT COUPLE

COD p30, AMPHIBIANS HAVE FEELINGS TOO, "There was this fine guy named Steve Odin"

COD p31, HALLOWEEN, "was the least cruel holiday."

COD p32, GETTING INVOLVED, "i'm leaving my girlfriend's place"

COD p34, "his muscles ripple like varicose veins.", THE NARCISSUS OF NAUTILUS BEACH

COD p36, "boxers, presidential candidates, pool–players," WHERE HAVE ALL THE GREAT SANDBAGGERS GONE?

COD p37, HARSH REALITY, "watching two or more women"

COD p38, BILLY JACK, "is a much maligned film."

Coffee p140, "it isn't because the originals are always," WHY I GO TO ART EXHIBITS

Coffee p141, BREAKING THE SILENCE, "even though watching it at home"

Cokefish 1991 Sep/Oct p1, "both crazy horse and sitting bull," SO WHAT'S NEW

Cokefish 1992 Apr p1, THE LAST WISH OF THE CONDEMNED MAN, "'listen,' he said, 'when i'm dead and gone,"

Cokefish 1996 May np, THE GIRL IS PRESENT IN THE WOMAN, "how old is she? late"

Coll 14(1) 1987 Win p17-31

Klug, M. A., NATHANAEL WEST: PROPHET OF FAILURE [prose] [GL cited]

Comet #1 1984 Sep/Oct p13, COMPASSION, "lynn shackelford,"

Comet #1 1984 Sep/Oct p15, "frank lane was a general manager," TRADER FRANK'S UNMADE TRADE

Comet #2 1985 Jan p28, "all my life i've been hearing about," FRILLS

Comet #2 1985 Jan p42

Hemmingson, Michael A., FEAR AND PATERNITY IN THE PAUMA VALLEY by LOCKLIN [rev]

Comet #2.178 1985 June? p9, THE CASE OF THE MISSING BLUE VOLKSWAGEN by LOCKLIN [rev]

Comet 1985 Oct, AT THE LAPIN AGILE, "the art critic hans l. c. jaffe asks,", "the guitar is brown, not blue.", IT TAKES ITS COURSE, "i saw last tango in paris tonight," OKTOBER OCTOBER OCTOBRE OKTOBER, PIERROT MEETS DANIEL–HENRY KAHNWEILER, POP PSYCHOLOGY VERSUS THE NAKED TRUTH, "the recent vietnamese families,", "she says, 'i don't know why people," A TANGO FOR ONE, "the tree in the foreground is without apples."

Comic p80, ALL THE DAYS OF OUR LIVES [prose]

Conflict #1 1995 Apr p52, "have you noticed how many," "having inherited a small piece of cash,", ID AIN'T WHAT ID USED TO BE, IT JUST TURNED OUT THAT WAY, "occasionally someone will ask me,", 'WOOF, WOOF,' WENT MR. TOAD

Contents #12/13 1995 p18, "before minimalism,", EDGAR DÉGAS, PLACE DE LA CONCORDE, 1975, "god, i love the legs of women.", R. B. KITAJ: HE AND SHE (THE SPIRIT OF THE BED WATCHING), 1991–94, THOMAS COLE: VIEW FROM MOUNT HOLYOAK...AFTER A THUNDERSTORM, "the young nation loved thunder and"

Cord #6 1974 p13, BILLY KEED, AND OTHER FOPPERIES, "just around the shampoo corner from the shit–house of the"

Cord #9/10 1976 p34, BLACKBOARD GOLGOTHA, "I had made my resolutions for the new semester:"

Cord #9/10 1976 p35, THE ACTIVE LIFE, "He grew up in El Paso."

CQ 1(1) 1976 Win p38, A GIRL THAT I DON'T LOVE BUT SOMEONE OUGHT TO, "i only take her to the park"

CQ 1(1) 1976 Win p40, THE LIBBERS, "they're all pissed off at me,"

CQ 1(2) 1976 Spr p22, AT TOR HOUSE, "we go to where the rich live;"

CQ 1(2) 1976 Spr p23, A MAN OF ACTION, "our landlord is a nice guy, but a fuckup."

CQ 1(2) 1976 Spr p24, "a confession: i like french's mustard.", MEDITATION OCCASIONED BY A MIDNIGHT SNACK

CQ 1(3) 1976 Sum p53, "Contrary to what the media would have you believe," THE WAY WE WEREN'T

CQ 1(4) 1976/77 Aut/Win p28, "in 1964 I was sitting in the L.A. State cafeteria," START THE REVOLUTION

CQ 2(1) 1977 Spr p35, "He was so ugly that a famous mortuary," HOW UGLY WAS HE?, RASPUTIN THE INDESTRUCTIBLE, "they poisoned his ass"

CQ 2(2) 1977 Sum p17, THE COMEDIAN AS THE LETTER G, "The other day the bank wasn't going to give me"

CQ 2(2) 1977 Sum p18, ELIZA DOOLITTLE REVISITED, "Jerry Patch, who is as thoughtful a person"

CQ 2(2) 1977 Sum p19, GETTING HER SHIT TOGETHER, "When we used to fight"

CQ 2(3) 1977 p65, "One of the first things you said to me was,", TO THE MUSE OF POETRY

CQ #10 1980 p16, ASTEROIDS, "Didn't they stick one of them"

CQ #10 1980 p17, AND MOST OF THEM AREN'T EVEN HAPPY LET ALONE GAY, "On Thursday night the guy sitting next to me"

CQ 14(2) 1987 p3, EROSION

CQ 14(3) 1987/88 p66, "her face is one of the few," "i had purchased in amsterdam," THE TURNING POINT, VITTGENSTEIN VINS THE VINTER GAMES

Crawl #1 1980 Fall p10, "i hear her in the clothescloset," REVENANT BALLAD

Created p1, "i get my daughter to her ballet class," NO LOVE, PLEASE; WE'RE AMERICANS

Created p100, LATE REGISTRATION, THE MORE THINGS CHANGE, "She asks me for an admission card," "when the payroll office announced"

Criminal p1, "in sixth grade they gave us a belgian nun.", PEDAGOGY

Criminal p2, SON OF TOAD, "someone recently asked my kid,"

Criminal p3, "It was the morning after the Christmas party," THE SORT OF THING YOU JUST DON'T NEED TO FACE

Criminal p4, HIS MOTHER WAS A BRONTOPHOBIAC, "She was deathly afraid of thunderstorms,"

Criminal p5, THE END OF THE AFFAIR, "when i arrived at my office"

Criminal p6, SANTANA, "the wind walks off the desert"

Criminal p8, EXTENDED LIABILITY, "last night i dreamed that i was drafted."

Criminal p10, THE GOOD LIFE, "my girlfriend is talking about finding a new apartment."

Criminal p12, "back on hawley street, connor's drugstore," SNOW–SHOVELING

Criminal p14, RAZDAN, "razdan, how's it back in india?"

Criminal p16, "twice a week i meet my friend," WEIGHTLIFTING

Criminal p17, "he knew he was in serious trouble," A LOSER

Criminal p18, COMMISERATION, "when i called ron tonight,"

Criminal p20, A LETTER TO MIKE AND LYN, "my friends, do you remember how obese"

Criminal p21, BELLY LAUGHS, "bill jaquith and his girl, jan, and lou boyles and tony–nice (as"

Criminal p23, "Karl's teaching has been going much better this year.", SUFFER THE LITTLE ONES

Criminal p24, AN ANTI–SEMITE FOR A SATURDAY, "i was getting a little work done for once on a saturday"

Criminal p26, "'Little Lady,' he said,", YOU SEE WHAT YOU'VE STARTED, KRIS KRISTOFFERSON?

Criminal p27, I'M STILL TRYING TO FIGURE THIS ONE OUT, "'I was married,' she said, 'to a retired colonel,"

Criminal p28, "Thirteen, the unlucky number. Well,", #13

Criminal p31, THE BELLS WERE RINGING FOR ME AND MY GAL, "i was reading a book yesterday"

Criminal p34, "i had just enjoyed my ritual," OLD FUCKS

Criminal p36, HAPPY HOUR, "i like to call my girl at five on thursdays"

Criminal p38, HE IS THE KIND OF PERSON WHO

Crit Nat p1, THE MAN BEHIND THE NOVELS [prose]

Crit Nat p24, THE JOURNEY INTO THE MICROCOSM [prose]

Crit Nat p83, THE SECOND COMING [prose]

Crit Nat p151, THE DISMANTLING OF THE AMERICAN MYTH [prose]

Crit Nat p200, THE DAY OF THE PAINTER [prose]

Crit Nat p273, CONCLUSIONS [prose]

Critique 13(2) 1974? p72

Stetler, Charles & GL, SOME OBSERVATIONS ON A CONFEDERATE GENERAL FROM BIG SUR [prose]

CSPQ 3(4) 1975 Fall p23, LOVE STORY, "my uncle jack met this pretty girl."

CSPQ 3(4) 1975 Fall p24, THE KING'S ROAD, "there was this little lady at the markham arms,"

CSPQ 12(2) 1985 Sum p27, "my father would take me with him," SCOURGE OF THE INFIDELS

CSPQ 12(3) 1985 Aug p52, "a friend of mine," A MINOR ADJUSTMENT

CSPQ 12(4) 1985 Win p4, "nobody thinks it is a good likeness,", PICASSO SAID OF HIS PORTRAIT OF GERTRUDE STEIN

CSPQ 13(3) 1986 Aut p32, CAVEMAN AND RENAISSANCE MAN, "this young guy in our department"

CSPQ 13(4) 1986/87 Win p69, THIS IS HOW OLD I'M GETTING, "when i emerge from the berkeley rapid transit station"

CSPQ 14(1) 1987 Spr/Sum p25, "the first time he went out with her,", SPILLAGE

CSPQ 14(2) 1987 Aut p3, EROSION, "i was on my way to bed tonight"

CSPQ 15(2) 1988 p21, AUBADE AND NOT SO BAD

CSPQ 15(2) 1988 p30, NEVER SAY DIE

CSPQ 15(2) 1988 Sum/Aut p20, "i get my daughter to her ballet class," NO LOVE, PLEASE; WE'RE AMERICANS

CSPQ 15(2) 1988 Sum/Aut p21, "julian smith of hull, england, sends me"

CSPQ 15(2) 1988 Sum/Aut p30, "a week after my 43^rd birthday"

CSPQ 15(3) 1988/89 Win p56, DOES NATURE SHAPE CHARACTER?, "if you wish a romantic, edifying, aesthetic,"

CSSF p2689, LOCKLIN, GERALD [about]

 

D  top of page 

D49er 1967 Oct 24 p6, LOCKLIN LOCALIZES POEM COLLECTION [prose]

D49er 1969 Feb 19 p5, LOCKLIN PUBLISHING EXPERIMENTAL POETRY [prose]

D49er 1980 Jan 31 p3

Holcomb, Gary, POET'S BOOK CANADA COULD BE HIS BEST YET [prose]

D49er 1982 Mar 30 p3

Littman, William, POET LOCKLIN'S WORKS ACCEPTED INTO LIBRARY SPECIAL COLLECTIONS [prose]

Shalygin, Olga, GERALD LOCKLIN READS HIS POEMS TO AN AUDIENCE OF 40 STUDENTS AND FACULTY [art]

D49er 1983 Sept 29 p4

Dixon, Gitta & Wert, David, PROFESSOR LEADS DOUBLE LIFE AS AUTHOR AND POET [prose] [re: GL]

Ramsess, Akilli-Casundria, POETIC MESS –– GERALD LOCKLIN [art]

D49er 1984 Mar 27 p3

Becker, David, PENSIVE MOMENT –– GERALD LOCKLIN [art]

D'Oro, Rachel, TEACHING HAS RHYME AND REASON FOR POET [prose] [re: GL]

D49er 1985 Sept 26 p7

Noel, Coco, LOCKLIN HAS FUN FOR BETTER OR VERSE [prose]

Williams, Kelly, POPULAR POET –– GERALD LOCKLIN [art]

D49er 1989 Feb 24 p5

Yeh, Chou Ching, EX–STUDENT BUYS RIGHTS TO CSULB PROFESSOR'S BOOK [prose] [re: GL]

D49er 1997 Sept 18 p9

Lopez, Jose, SHORT STORIES AND POETRY COLLIDE AT L.B.'S MUM'S [prose] [re: GL]

Daesin 9(1/2) 1969 p1, INSTEAD OF THE WATERBIRD POEM, "instead of discussing the waterbird poem,"

Daesin 9(1/2) 1969 p90, PETER SILVERMAN COLLAGE, "peter silverman"

Daily 1997 Mar 23 pL21

Hughes, John, STILL DISCOVERING BUKOWSKI: INTEREST GROWS IN WORKS, LIFE OF LATE AUTHOR [prose] [cites GL]

DAPFW 1998 p39, LOCKLIN, GERALD [about]

DAPFW 2001 p46, LOCKLIN, GERALD [about]

DAPFW p20, LOCKLIN, GERALD [about]

Das p16, CHARLES BUKOWSKI: A REMEMBRANCE [prose]

Das p18, "i knew he had just gotten over a," ON THE DEATH OF A GREAT COMEDIAN, SPRING 1994

Death back cover, GERALD LOCKLIN [art]

Death p7, "in the campus parking lot," MINDLESSNESS OVER MATTER

Death p9, THE DEATH OF JEAN–PAUL SARTRE, "of all people, he must have been"

Death p12, DUST, "it protects from oxidation,"

Death p14, "alexander haig says there are things," "coming out of the movie, yanks,", D–DAY, 1980, PATRIOTIC POEM

Death p16, "they leave their men for weeks at a time," THE WOMEN HAVE WON

Death p18, HOW TO GET ALONG WITH YOUR PUBLISHER, "he brings me copies"

Death p19, THINK TINY AND CARRY A BIG STICK, "tiny tim was on the johnny carson show the other night."

Death p20, CATCHING DIOGENES NAPPING, "the press is a bit too prone to pat itself on the back,"

Death p21, THE CULMINATION, "they have awarded him"

Death p22, "I thought of her last night,", MY AUNT BEA

Death p24, I DO BELONG TO THE AMERICAN FEDERATION OF LABOR!, "i'm sitting in the tavern"

Death p25, THE DEATH OF THE CHAMELEON, "one saturday as a kid,"

Death p26, HORSE SENSE, "'I saw Bart today,' she tells me."

Death p27, JOAN OF LORRAINE, "only in these meadows is there light"

Death p28, A LETTER FROM SAUDI, "laurie writes me"

Death p29, "a large, plain, sagging woman," MARIE

Death p31, A BUDDING CRITIC OF LITERATURE AND TAUROMACHIA, "i take my visiting daughters, fourteen and"

Death p32, BRADDOCK'S BAY, "To fish it properly required"

Defined 1(2) 1993 Spr/Sum p17, "is the atmosphere blue?", MAGRITTE: THE DOMAIN OF ARNHEIM

Desca 26(1) 1971 Fall p35, THE LAGOON, "the plane is rocked, manacled,"

Desca 26(1) 1971 Fall p36, THE MADONNA OF SEAL BEACH, "you see her everywhere. she is at the edge"

Desire p.i, FOREWORD [to DESIRE by CADDY]

Disench p151, THE DWARF, "She went away from us upon a snow–white"

DLB v212 p101, GERALD HASLAM (18 MARCH 1937 – ) [prose]

DNLDIM back cover, BLURB [to DO NOT LOOK DIRECTLY INTO ME by CROCKER]

DOAS 6th p380, LOCKLIN, GERALD [about]

DOAS 7th p412, LOCKLIN, GERALD [about]

DOAS 8^th v2 p428, LOCKLIN, GERALD [about]

DOAS 9^th v2 p192, LOCKLIN, GERALD [about]

Dockernet #22 1999 Sum p1, BLURRY MORNING VISION, "i glance at the editorial page"

Dockernet #24 1999 Oct p2, MAKING THE SAME OLD MISTAKES, "this little kid at the pool"

Dockernet #31 2000 May p1, THE CLOCK DOES NOT GO CLICKETY–CLACK, "the clock on the wall"

Dockernet #33/34 2000 July/Aug p2, LOW–TIDE FLOODTIME, "we are silhouettes upon the"

Dog 2(2) 1983 Aut p11, TORAH, TORAH, TORAH: A SELF–INFLICTED BLITZKRIEG, "you don't mind so much"

Dog 2(2) 1983 Aut p12, FORGIVE ME, MAESTRO, I CAN'T HELP MYSELF, "she heard its sylvan resonance,", WAX/WANE, "When the famous conductor fell ill,"

Dog 2(2) 1983 Aut p13, "i call home from the office at seven as usual,", TRYING AT LAST AT FORTY TO BE A GOOD FATHER

Dog 3(1) 1984 Spr p13, DR. ROGET, THE AUTOBIOGRAPHICAL NOVELIST [prose]

Dog 3(2) 1984 Aut p46, THE HOLOCAUST COMES HOME, "he is watching wimbledon with a roomful," MISGUIDED METAPHORS, "you are reading in joan didion's salvador"

Dog 4(2) 1985 Aut p7, THE PENULTIMATE NIGHT BEFORE CHRISTMAS [prose]

Dog 5(1) 1986 Spr p35, "driving past the circle drive–in theatre,", "i might have felt better," KNIVES CUT BOTH WAYS, "no man can serve two masters,", THE POSSIBILITIES ARE ENDLESS, STRESS TABS WITH ZINC

Dog 7(2) 1988 Aut p36, "the excitable molly van swoon," FOUR LIMERICKS, "'i say,' said the parson mcwhey,", "mrs. madeleine mcshrimpton mondieu," "the unflappable mr. mctaver"

Dog 9(1) 1990 Spr p52, THE GOLD RUSH AND OTHER STORIES by LOCKLIN [rev]

Dolphin p13, THE DOLPHIN MARKET, "The Dolphin Market is one of the last"

Dolphin p14, "i go to the bank because," RECIPROCAL SOLIDARITY

Dolphin p15, "the first memo i read," I THINK IT WAS '72, A NO–LOSE PROPOSITION, "we went to interview"

Dolphin p16, "i read in bukowski, 'it was true," "it's one of those twenty–four hours," "my daughter, who is taking high school biology,", ONE ASKS ONESELF IF ONE IS LOSING ONE'S MIND, PATTERNS, REVERSING FIELDS

Dolphin p17, BEA AND ORV, ORV AND BEA, OVERACHIEVERS; OR, A SLOW NEWS DAY, "on page nineteen," "when my uncle orv died"

Dolphin p18, COCKATIEL, "the kid from the other college tells me,", "on those rare occasions," RESPECTING OUR BETTERS, WILL YOU PLEASE TURN OFF THAT OTHER GUY'S POEM AND LISTEN TO MINE!, "we'd only had the bird a week"

Dolphin p19, IT'S PROBABLY WHAT BUKOWSKI LIKES ABOUT BEETHOVEN, "if there's an opera on t.v.", "this doctor who drinks in one of the bars," THE WILD BUNCH

Dolphin p20, "amo amas amat...", IT SHOULD HAVE BEEN A GREAT WEEK FOR A YANKEE FAN, MY DAUGHTER IS STUDYING LATIN, "when they swept oakland in three,"

Dolphin p21, THE CHRISTIAN MINISTRY TO THE VARIOUSLY COLORED PEOPLES, "he was interviewing some southern moral majority senator," "in 1728, william byrd of virginia, wrote:", THE NIGHT TOM SNYDER SAID SOMETHING INTELLIGENT

Dolphin p22, CHINATOWN, HAND–IN–HAND IN THE L.A. ARTS VANGUARD, "millie herr, who doesn't look like a punk rocker,", "the winning poem in a recent contest"

Dolphin p23, ANOTHER ONE THAT GOT AWAY, FATHER DAMIEN, "from kindergarten to the middle grades," "when the kid got up and left the bar"

Dolphin p24, "boxers, presidential candidates, pool–players," THE EVENING'S GRADING WAS NOT A LOSS, "i wasn't sure whether it was a freudian slip," WHERE HAVE ALL THE GREAT SANDBAGGERS GONE?

Dolphin p25, A CLOSET DRAMA IS NOT ONE IN WHICH, "he marries her because," "the hero kills his mother," SHIT, SOCIAL SECURITY, "this poem is entitled 'shit.'"

Dolphin p26, THE GOOD KID GETS FIVE MINUTES AT THE MICROPHONE, "i got all As,", "i ran into this girl in a bar last night.", SO FEW OF US CONTINUE TO GROW

Dolphin p27, MEETING THE PRESS, TURKEY DAY INDEED, "there should be a companion holiday to thanksgiving,", "young writers, if you ever wonder"

Dolphin p28, "how right we were for each other just then,", A PERFECT COUPLE

Door p9, THE EFFECT OF VITAMIN E ON MAN–OF–THE–WORLD MARIGOLDS [prose]

DOPP 4th p.i, LOCKLIN, GERALD [cited]

DOPP 13th p.i, LOCKLIN, GERALD [cited]

DOW&R p.vi

Zepeda, Rafael, FRED VOSS'S NOSE, JOAN JOBE SMITH, MARK WEBER, GERALD LOCKLIN & MARILYN JOHNSON [art]

Dreamworks 4(2) 1984/85 p123, COMMENTARY [prose]

Dreamworks 4(2) 1984/85 p124, DEATH AND TRANSFIGURATION ON THE ISLE OF MAN [prose]

Driver's #17 1994 p25, HELEN FRANKENTHALER: BUDDHA'S COURT, 1964, "sure, i can buy the blob as buddha."

Driver's #17 1994 p27, WEIGHT WATCHERS, "when my stomach was so bad"

Driver's #17 1994 p37, BIG MAN ON CANVAS by LOCKLIN [rev], THE FIREBIRD POEMS by LOCKLIN [rev], WOMEN TROUBLE by LOCKLIN [rev]

Driver's #17 1994 p39, THE DURANGO POEMS by ZEPEDA & LOCKLIN [rev]

Driver's #18 1995 p9, "i get a call in the middle of the night:", OREGON CRISIS HOTLINE

Driver's #18 1995 p47, THE OLD MONGOOSE & OTHER POEMS by LOCKLIN [rev], RETURN OF THE HIPPIE SHIRT by LOCKLIN [rev]

Driver's #19 1995 p18, "the memo from the elementary school," A RED RIBBON WEEK

Duet, DUET: JUNE CHRISTY AND STAN KENTON, "look at her on the cover of this album"

Dufus p24, AFTER WATCHING THE MOVIE HEAT, "'it's about,' she says, 'the inability," ROBERT MOTHERWELL: ELEGY TO THE SPANISH REPUBLIC, NO. 100, "why? all my favorite shirts are"

Duke p1, BLUE LESTER, LESTER YOUNG: BLUE LESTER, "mark burns me this CD"

Duke p4, DUKE ELLINGTON: MONEY JUNGLE, FLUEURETTE AFRICAINE, "i've never been to africa,"

Duke p8, MONEY JUNGLE, "money is the root of dissonance."

Duke p10, "the loneliest of instruments," SWITCH BLADE

Duke p11, CARAVAN, "jazz is a journey;"

Duke p12, CHARLES MINGUS: MINGUS AH UM, MINGUS AH UM, "the masculine, feminine, and neuter endings"

Duke p14, HEARING MINGUS, "why couldn't i hear it at first,"

Duke p17, "all music is religious,", BETTER GIT IT IN YOUR SOUL, SELF–PORTRAIT IN THREE COLORS, "written for the cassavetes' film"

Duke p18, FACES: THREE AND COUNTING, "the losers' club is on la cienega,"

Duke p19, THE STEPS, "yes, we all owe an open"

Duke p20, FABLES OF FAUBUS, "i don't hear the famous anger here."

Duke p21, "the anima must,", GOODBYE, PORK PIE HAT

Dumars #15 1992 Sum p1, THE FIREBIRD POEMS by LOCKLIN [rev]

Durango p1

Zepeda, Rafael & GL, "on the way to the airport," TO EACH ACCORDING TO HIS NEED

Durango p2

Zepeda, Rafael & GL, THE COLLECTED WORDS, "on the leg of the flight from grand junction"

Durango p3

Zepeda, Rafael & GL, "at the airport counter," WE'LL LET YOU FILL IN HER REPLY

Durango p4

Zepeda, Rafael & GL, ALMOST THE BLUE HOTEL, "the train stops in silverton for"

Durango p6

Zepeda, Rafael & GL, "as the train chugs back down the canyon from," THE TRANS–COLORADO EXPRESS

Durango p8

Zepeda, Rafael & GL, "at the door to the la cucharacha saloon,", IN LA CUCHARACHA SALOON

Durango p11

Zepeda, Rafael & GL, R.S.V.P., "w.e. is with barbara, his fine lady friend,"

Durango p12

Zepeda, Rafael & GL, ANY QUESTIONS?, "tony h. is well known out here because"

Durango p14

Zepeda, Rafael & GL, THE MAN WHO KNEW WILLIAM FAULKNER, "w.e. and mrs. e. and the toad and ray"

Durango p15

Zepeda, Rafael & GL, DICK IS NOT GIVEN TO FAINT PRAISE, "when toad suggests a drink"

Durango p16

Zepeda, Rafael & GL, SON OF THE MAN WHO KNEW WILLIAM FAULKNER, "w.e. says 'i was in majorca"

Durango p17

Zepeda, Rafael & GL, C'MON, FELLA, GIVE US A BREAK, "he's a talented writer,"

Durango p18

Zepeda, Rafael & GL, "because ray has to run off," MUSICAL MASTER CHARGE

Durango p19

Zepeda, Rafael & GL, A CHANGE IN THE WEATHER, "e.a. has hiked through more deserts"

Durango p20

Zepeda, Rafael & GL, "bars and restaurants are up and down," IN FATHER MURPHY'S BAR AND GRILL

Durango p21

Zepeda, Rafael & GL, THE SAME INDIAN, "they leave the apaches at la cucharacha saloon"

Durango p23

Zepeda, Rafael & GL, MY GREENY MESA, "through some insanity of scheduling"

Durango p25

Zepeda, Rafael & GL, THE BIG CRITIC FROM FRISCO, "the stationwagon–limousine heads into"

DWB p1, HOW TO GET ALONG WITH CHARLES BUKOWSKI [prose]

DWB p180, THE FUNERAL OF CHARLES BUKOWSKI [prose]

Dying p3

Zepeda, Rafael & GL, DYING FOR A BARGAIN, "we'd heard for years"

Dying p4

Zepeda, Rafael & GL, "considering how few freeways one finds," THE RIGHT TO A SPEEDY TRIAL

Dying p6

Zepeda, Rafael & GL, RICH STIFFS, "we needed firewood"

Dying p7

Zepeda, Rafael & GL, "the green santo tomas valley,", INTO THE VALLEY RODE THE TWO

Dying p9

Zepeda, Rafael & GL, "at the natural wonder," LA BUFADORA

Dying p10

Zepeda, Rafael & GL, A FRIENDSHIP RITUAL, "whenever a good–looking woman walked by,"

Dying p11

Zepeda, Rafael & GL, "because the toad had never been," MR. ELECTRICITY

Dying p12

Zepeda, Rafael & GL, IT AIN'T AS SIMPLE AS MASA ANYMORE, "ray pulled over"

Dying p13

Zepeda, Rafael & GL, "no one seemed to mind gringos.", A RETIREMENT COMMUNITY

Dying p14

Zepeda, Rafael & GL, APOCALYPSE POSTPONED, "just before dawn"

Dying p15

Zepeda, Rafael & GL, "outside the tent," WHAT MIGHT HAVE BEEN

Dying p17

Zepeda, Rafael & GL, MORE ON THE DANISH INVASION, "when the sun rose over the hills"

Dying p18

Zepeda, Rafael & GL, "it had been a cold night in the tent, but in the morning," THE OUTDOORSMEN

Dying p19

Zepeda, Rafael & GL, LES IMAGISTES, "in the mona lisa bar"

Dying p20

Zepeda, Rafael & GL, PLAYING IT SAFE, "while walking down the main street of ensenada,"

Dying p22

Zepeda, Rafael & GL, A SPANISH LESSON, "twenty years before, ray told the toad,"

Dying p23

Zepeda, Rafael & GL, DUKE'S BRAND, "we stood in the tienda de licores"

Dying p24

Zepeda, Rafael & GL, SALESPERSONSHIP, "we both had kids and wives at home"

Dying p26

Zepeda, Rafael & GL, LAST YEAR IN CORONADOBAD, "neither of us had ever been"

 

E  top of page 

Earthwords #6 1971 June p14, "ann, you're such a good ol' girl that i want," THE PERDURABLE ANNA BANANAS

Earthwords #6 1971 June p16, A DISTURBING ASPECT OF THE TRUTH, "he tried to start out with"

Earthwords #6 1971 June p17, MADAME MARGARINE, "she lives among her opera recordings,"

Earthwords #6 1971 June p18, "he dreamed he was taking this piss," THE LONG AND WINDING URINATION

Egg 1(1) 1972/73 Win p19, HOW LONG CAN THIS GO ON?, "i dreamed again last night about my daughter."

Egg #3 1973 Sum p11, THE DEATH OF SIMON BOLIVAR, "he felt no pain, bedraggled"

Egg #4 1973 Fall p27, HOW LONG HAVE YOU BEEN A VOYEUR, MELVIN? [prose]

EH p7, FOREWORD [to EXISTENTIAL HUM by WEBER]

Eighty #1 2001 Dec p83, "a man with his arm around," WILLIAM KLEIN: CONTACT, NEW YORKER, PHOTO

Eighty #1 2001 Dec p84, "for father's day my son picked up for me," YOUNG CHET

El Dor #1 1997 Nov p20, "it's a little lebanese place,", MY FAVORITE PLACE TO EAT THESE DAYS

El Dor #1 1997 Nov p22, I DON'T THINK SO, "i'm thinking about the accent over," MAYBE A MISPRINT EARLY IN HIS CAREER, "would bach have been more productive"

El Dor #1 1997 Nov p23, DAVID HOCKNEY: SHELL GARAGE, LUXOR, 1974, "i'm glad he decided to draw"

El Dor #2 1998 May p15, ALTAR WINE, "i didn't drink it when i was an altar boy."

El Dor #2 1998 May p16, DAVID HOCKNEY: CELIA IN BLACK DRESS WITH WHITE FLOWERS, 1974, "she is more attractive here"

Elec V #1 1999 Win p5, DECISIONS, DECISIONS, LES GRANDS BOULEVARDS, "it's not a good idea," "the newly reformed toad," REFLECTIONS ON ROBERT DUVALL'S APOSTLE, ST. PATRICK'S DAY, "this week's issue of esquire", "the traffic is only as loud"

Elec V #1 1999 Win p6, HE'S PROBABLY OF A PHLEGMATIC NATURE, "the original music for hillary and jackie"

Electrum #29 1983 Spr p13, "i'm listening to kabc sporttalk," UPON THE COMPARATIVE HANG TIMES OF BARYSHNIKOV AND ELGIN BAYLOR

Electrum #29 1983 Spr p27, GERALD LOCKLIN [art]

Electrum #30 1983 Sum p22, DISTRIBUTIONAL ANALYSIS, "the students were asked to select"

Electrum #30 1983 Sum p39, GERALD LOCKLIN [art]

Electrum #31 1983 Fall/Win p20, "first he gave up cigarettes,", TWO MORE FACES OF DOCTOR LAO

Electrum #31 1983 Fall/Win p44, GERALD LOCKLIN [art]

Electrum #33 1984 Sum p36, "at the time of the vietnam war," THE POET ABOVE POLITICS

Electrum #33 1984 Sum p42

Yoder, Bart, FEAR AND PATERNITY IN THE PAUMA VALLEY by LOCKLIN [rev]

Electrum #33 1984 Sum p45, GERALD LOCKLIN [art]

Electrum #36 1985 Spr/Sum p20, A BREATH OF FRESH AIRWAVES, "i turn on the car radio"

Electrum #36 1985 Spr/Sum p56, GERALD LOCKLIN [art]

Electrum #39 1987 Fall/Win p48, "one of my daughters just returned," PARDON ME A LITTLE PARENTAL PRIDE

Electrum #39 1987 Fall/Win p61, GERALD LOCKLIN [art]

Embryonic 1(1) 2003 Mar p14, "the doctor who swims at the same pool," A PRACTICAL AND PRUDENT FATHER, WLADYSLAW STRZEMINSKI: ARCHITECTURAL COMPOSITION 13C, 1929, "we never outgrow the tactile pleasure"

Embryonic 1(1) 2003 Mar p15, "every time i see a david mamet film,", A MAJOR FLAW IN MY NARRATIVE ARSENAL

Embryonic 1(1) 2003 Mar p16, BUT PLEASE, NO THOMAS KINKADES, "because i write a lot of jazz poems,", "his paris has the gaul/gall,", KLEIN'S PARIS

Embryonic 1(1) 2003 Mar p17, KONSTANTIN HATZISARROS: PHOTO, "my friend and former student,"

Embryonic 1(1) 2003 Mar p18, DIMENSIONS, "i go to a piano duet concert"

Embryonic 1(1) 2003 Mar p20, EIJA–LISSA AHTILA: THE HOUSE, VIDEO INSTALLATION, "i think if i go nuts"

Embryonic 1(1) 2003 Mar p21, THE BETTER PART OF VALOR, "when i was going back to new jersey and"

Endan #18 1975 Nov p32, "I'm not talking about the pleasingly plump,", NEVER KISS A FAT GIRL

English p4, "but there is nary a one in sight," THE HOTEL IS CALLED THE BEAVER, THE JOURNEY BEGINS, "the pilot does not announce," A SUBTLE HINT OF THINGS TO COME, "whenever i have to say goodbye to my kids"

English p5, ADVICE TO CHERISH, A MAN WITH A MAC IN HIS NAME

English p6, "the garrulous young salesman," REPRISE

English p7, "the english cold, as anyone will tell you,", NO OXFORD COMPANION, "on this mini–tour i'll read twice in hull," A TOUCH OF WATER

English p8, BERTIE, "bertie was not his name, but he did have"

English p9, ALL THAT JAZZ, "and two days later," "my host offers my services to address," THE TROUBLES REVISITED

English p10, DYLAN WEPT, "my reception party at the castle station"

English p11, "i had always assumed the entertainer has been filmed at brighton,", "manda and vivian tell me," PILGRIMAGES, SO WE HIT THEM WITH THE BIOGRAPHIA LITERARIA

English p12, BRUSH UP YOUR SHAKESPEARE, "each year the universities of lancaster and york," GO WEST, YOUNG BLOKE, "i mean to gently tease him," "i tell the audience," MY FIRST YORKSHIREMAN

English p13, A LOVE POEM, "the young poet/professor and i"

English p14, BUT I HAD NO DESIRE TO FIND OUT FOR MYSELF, "on a teachers' union picket line"

English p15, "a pinto, observing the train transversing," WHITBY AND ROBIN HOOD'S BAY, WORK–PONY ON A HILL, "a woman still walks on the cobb."

English p16, "my hostess, of the raven hair and snow white bosom,", THE TROUBLE WITH HAMLETS

Erratica 1(1) 1971 p15, CATHY, CHILD OF LOVE, "cathy, child of love will linger"

Erratica 1(3) 1972 p7, THE FOOD TRIP [prose]

Etc 1(2) 1976 p5, "I'm neither very brave nor much of a fighter," SCENES FROM A SECOND ADOLESCENCE

Etc 1(2) 1976 p7, BON VOYAGE, "On Tuesday I came into class and said,"

Etc 1(2) 1976 p8, "I wasn't really that taken with her," INNOCENCE

Etc 1(2) 1976 p9, THE CLOUDS, "it was winter, and the wind was high"

Etc 1(2) 1976 p10, LETTER FROM MY AUNT, "we saw diane and her husband. she looked very nice –– but"

Etc 1(2) 1976 p12, ANOTHER CAT POEM, "i have been taking good care of your cats"

Etc 1(2) 1976 p25, JUDY GARLAND, "Look, i want it known that i am not"

Yamrus, John, POOP AND OTHER POEMS by LOCKLIN [rev]

Etc 1(4)/2(1) 1977 p18, FEATHERING THE NEST; CRYOGENETICS; OR THE LEGS GO FIRST, "I only caught the tail end of it on the elevator.", "It was a couple of nights after," A PAUSE THAT REFRESHED

Etc 1(4)/2(1) 1977 p19, TEQUILA, "We used to drink a lot of it"

Etc 1(4)/2(1) 1977 p20, GENEROSITY, "i've always been a marlon brando fan,", "i was in the department office," SLIPPAGE

Etc 1(4)/2(1) 1977 p21, HYMN TO THE CREATOR, "V–8 juice is the greatest joke that God has played on me."

Etc 1(4)/2(1) 1977 p22, CONDITIONAL SURRENDER, "Everytime that I run into her she has a new disease."

Etc 1(4)/2(1) 1977 p23, LA CREME DE LA CREME, "I had to leave my car at a garage in""I had years ago conceded to him the title"

Etc 1(4)/2(1) 1977 p24, "My wife," WHERE ONE WENT WRONG

Etc 1(4)/2(1) 1977 p25, "Although I do not believe in immortality,", THE IMMORTALS

Etc 1(4)/2(1) 1977 p26, "All his life he had been assailed by guilts.", THE BEST OF ALL POSSIBLE WORLDS, MEA CULPA, "she was eighteen when i met her"

Etc 2(2) 1977 p11, "If only," TO A WOMAN THE SAME AGE AS MYSELF

Etc 2(2/3) 1978 p2, FAT CHANCE, "my girl had been out of town,"

Etc #9/10 1978 p15, AUSSIES, "Everyone who isn't happy with America"

Etc #9/10 1978 p16, THE CHILD IS FATHER OF THE MAN [prose], THE EFFECT OF BOOZE ON THE BRAIN OF THE ARTIST, "a friend of mine," "In the restaurant at Malibu," A MAN FOR ALL SEASONINGS, "Sure I knew X. back when I was"

Etc #11 1979 p6, MUTATIS NON MUTANDIS, "When I suggested, 'Anyone for a beer?'"

Etc #12/13 1979 p11, HEADACHE, "I've always said I don't mind killing a few braincells,"

Etc #12/13 1979 p16, "A few years ago, George Allen, a football coach," PERFECTIONISTS

Etc #12/13 1979 p18, "His left hand almost always knew," NO BUREAUCRAT, HE, A WEIGHTY OPINION, "We are discussing education"

Etc #14 1979 p25, A BUDDING CRITIC OF LITERATURE AND TAUROMACHIA, "i take my visiting daughters, fourteen and"

Etc #15/16 1980 p10, "I'm at the table with," SCORE ONE FOR HER

Etc #15/16 1980 p11

Lloyd, D. H., LOCKLIN'S NEW BOOK, "Locklin's publisher delivered"

Etc #15/16 1980 p14, THE DAY OF THE RESTAURANTS, "i drop my kids off"

Etc #15/16 1980 p20, MACHO PICCHU, MAYBE THE BUILDUP WAS JUST TOO MUCH, "'machismo' had a meaning once," "'you know,' she says, 'the earthquake"

Etc #15/16 1980 p21, "i receive a note from an editor:", READY OR NOT, THEY'RE COMING

Eureka #10 1975 Aut p49, "I've been having a little trouble with my eyes of late;", TRAVELS WITH SOMEBODY'S AUNT, "We all ended up at George and Yehudi's place," WYNKEN, BLYNKEN

Eureka #10 1975 Aut p50, AFTER THE FACT, "A friend of mine once told me," HE SWEARS IT HAPPENED, "The morning after his bartending shift,"

Everyman 1974 Sum p19, "bobbie, what possessed you to make," SUNDAY ON THE TELLY

Everyman 1974 Sum p20, RAZDAN, "razdan, how's it back in india?"

Everyman 1974 Sum p21, "just a note to say i took another," "my love has not been speaking to me ever," A TIME FOR REAPING, TO MY OFFICEMATE

Everyman 1979 p21, THE TOMORROW SHOW, "When Tom Snyder asked the marriage counselor"

Everyman 1979 p22, FAT CHANCE, "my girl had been out of town,"

Everyman 1979 p23, A MAN OF ACTION, "our landlord is a nice guy, but a fuckup."

Everyman 2001 p14, "My neighbor from the office next door," POETIC DICTION

Everywhere p12, "cow spelled backward is woc," LANGUAGE POEM: COW

Exper #11 1991? np, "the bar–snack display," NO WONDER THEY'RE NEARLY EXTINCT

Exper #52 1992? np, "it may very well be,", THE MONEYCHANGERS IN THE TEMPLE WERE A GOOD START

Exquisite 9(1/4) 1991 Jan/Apr p39, CAT LOVERS, BEWARE, HE SHOULD HAVE LOOKED UPON IT AS A CHALLENGE, "i read in a poetry review, 'there," "if your cat dies, a part of you"

Exquisite #51 1995 p32, CHRISTIAN DIOR: BALL GOWN: JUNON, "on the tundra peacocks"

Exquisite #55 1995 p22, THE COLD GATES, "i hear the young manager of the ymca," "i, herodotus of haricarnassus, set forth," "i see they're finally doing a book,", REVELATIONS, THEY ASK SO LITTLE OF ONE

Exquisite #58 1996 p35, CONSTANTIN BRANCUSI: FISH, 1930, "fish is singular.", GEORG BASELITZ: SISTER DARLING, 1992, "this is not the sister that I never had,"

Eyes p39, BUD POWELL ON VERVE, "i always had trouble with the fast guys"

 

F   top of page 

Faber p236, JUDY GARLAND IS DEAD, "judy garland is dead and everyone"

Face p1, "at the end of a photo by bruce weber, 1987:", THE FACE OF CHET BAKER

Face p2, A HUMBLE LOAF OF WHOLE–GRAIN SOUL, "i started driving up to the jazz bakery"

Face p3, "a friend of thirty–five years,", LES McCANN

Face p5, MARK MURPHY AT THE JAZZ BAKERY, "scat, bopping, improv."

Face p7, "i'm not going to dwell here," WHEN THE DRINKING WAS GOOD

Face p10, FORGIVENESS, "the 7:00 p.m. performance"

Face p11, THE HEATH BROTHERS, "their double–set at the bakery,"

Face p13, TERENCE BLANCHARD: JAZZ IN FILM, "when the circuits are overloaded"

Face p16, PAYTON'S PLACE, "what nicholas payton learned"

Fairfax #4 1982 p10, HEAT, "it's a hot day in seal beach,"

Familiarities p22, "i enjoy the vengeance motif," WE HAVE ALL OF US BEEN SERVING LIFE SENTENCES WITHOUT BENEFIT OF PAROLE

Familiarities p23, "four of my best graduate students this year,", NEITHER RAIN NOR WHATEVER...

Familiarities p25, "i don't believe in astrology, but," REJECTION SLIPS AND SLIP–UPS, TIME AND WESTERN MAN, "this is just the briefest of pep–talks"

Familiarities p27, THE GOSPEL ACCORDING TO STRUNK AND WHITE, "i decide for a change to read"

Familiarities p28, "a bunch of us ex–jocks," COFFEE–LESS BREAK, "i watched my little girl take off," SPORTS CAMP

Familiarities p30, JAZZ AS ATHLETICISM, "two of the great loves of my life"

Familiarities p31, NIGHTMARE, "your team is one point up on the lakers."

Familiarities p32, "i know this guy who is," YOU MAY BE WHAT YOU EAT BUT YOU ARE NOT WHAT YOU WRITE

Familiarities p34, "my fall booklist for english 390: fiction now", YOU CAN LEARN SO MUCH FROM HISTORICAL FICTION

Familiarities p35, "at death valley you encounter visitors," "he says, 'i know that so–and–so can't write but i," IT'S READERS. NOT WRITERS, WHO ARE IN SHORT SUPPLY, THEY ARE A WISE AND ANCIENT PEOPLE

Familiarities p36, THE JOHNNY APPLESEED OF POETRY, PREFERRED BORROWER, "staring at the mortgage application,"', "this talented, spontaneous poet i correspond"

Familiarities p38, AKHNATEN'S TOWN, TEMPUS NON FUGIT, "thirty–five hundred years ago," "walt whitman referred to alfred"

Fantastic p63, THE ACID FOG [prose]

Fat Ch p5, "i am becoming a fat slob.", THE SLOB

Fat Tu 1991 p5, SIMPLE SUGARS, "years ago i wrote"

Fat Tu 1991 p42, FOR GENE DINIELLI, DICK DAY, CLARK BROWN, ET AL., "on coffee breaks the smokers are banished"

Fat Tu 1991 p44, SPRING CLEANING, "the sexy older woman"

Fat Tu 1991 p49, BUT SOONER OR LATER, "when i asked my beloved nearly teenage daughter"

Fat Tu 1995 p4, LIFE GOES ON, L.A.–STYLE, "the northridge quake sure"

Fear p2, "'i'll be right back,' i say,", THREE KIDS

Fear p4, CONCERNING CERTAIN ATTACKS ON JOHN IRVING, "one thing you can say for the women's movement"

Fear p5, "i submit three short stories to a magazine," UP AND DOWN THE CONSCIOUSNESS–ELEVATOR

Fear p6, "at gandhi, in orange county,", WE ALMOST HAD TWINS

Fear p8, THE ACTIVE LIFE, "a friend of mine"

Fear p9, "i'm always hearing about," THE STUDENT BODIES

Fear p10, THE BEST AND BRIGHTEST, "the first year i taught at long beach state"

Fear p12, "the bars we drink in do not differ,", SIC TRANSIT GLORIA: HUGH MacDIARMID

Fear p14, "before leaving work," SERGEANT ROGER HOTSPUR, ENGLISH MAJOR

Fear p16, THE GREAT GRETSKY, "he's the kid who brought figure–skating"

Fear p17, GET OFF MY ASS, "she to whom my body was"

Fear p18, I LOVE THE HOLLYWOOD BOWL, "purists hate it. they blame their hatred"

Fear p20, FEAR AND PATERNITY IN THE PAUMA VALLEY, "when i pull up to the place"

Fiction W 1(2) 1976 p102, PROLEGOMENA TO ANY FUTURE REFLECTIONS ON VIOLENCE IN AMERICAN SOCIETY [prose]

Fingerprints #2 1997 Sum p3, "my ex–wives got rid of my name," WHAT MATTERS

Fingerprints #2 1997 Sum p8, "i've been working on," JAZZ FOR JESUS

Fingerprints #2 1997 Sum p15, RAIN FOREST RELOCATED, "when the toad notices his wife reading"

Fingerprints #2 1997 Sum p24, "almost two years after having given up alcohol,", NOSTALGIE DE LA BOUE

Fingerprints #3 1997 Fall p26, "I'm re–reading the sun also rises", JAKE'S TOWN

Fire! #4 p12, "although he loves movies,", CONSTANT CONVERT

Fire! #4 p28, 1984 OLYMPICS, "orwell takes the torch,", SCALES OF AESTHETIC JUSTICE, "to my great pleasure,"

Fire! #4 p36, THEY ALL LAUGHED, "there were four guys around the pool table"

Fire! #4 p57, TRUCK STOPS HERE, "the twenty–four hour vinyl coffee shop"

Firebird back cover

Freligh, Robert J., GERALD LOCKLIN [art]

Firebird Ex p3, MY SIX–MONTH OLD DAUGHTER

Firebird Ex p4, EL AMOR BRUJO, "love turns gold to GOLD and"

Firebird Ex p5, "the first naked woman," MANNEQUIN

Firebird Ex p6, GIRL WITH COCK, "the girl, who some say resembles picasso,"

Firebird Ex p7, MY SON WANTS TO RIDE THE CHAIRLIFT

Firebird Ex p9, CROSSING THE CREEK, "crossing the creek, i extend a hand"

Firebird Ex p10, DEATH BEFORE DISHONOR, "out too far from shore"

Firebird Ex p11, MUSSING THE MATRIARCHY, "you never smooth out the wrinkles"

Firebird Ex p12, A TYRANT FOR OUR TIMES

Firebird Ex p13, "after an evening of glowering at my daughter," MAYBE THE WOMEN ARE RIGHT ABOUT US

Firebird Ex p14, IT'S ALL THAT MATTERS TO ME ALSO, "i'm carrying my laundry"

Firebird Ex p15, "the moon puts its chill upon the waters.", SHOULD THEY HAVE STAYED TOGETHER FOR THE SAKE OF THE CHILDREN?

Firebird Ex p16, THE EXHIBITION SEASON, "this afternoon i taught my third grade daughter"

Firebird Ex p17, "always, it seems, i am in a river.", TAX DEFERRED TITLE

Firebird Ex p19, "according to norman holland,", PENAL/PENILE

Firebird Ex p20, "she has no man in her life," WOMAN IN BLUE

Firebird Ex p21, DÉGAS: THE BELLELLI FAMILY, 1858–67, "the mother is in black."

Firebird Ex p25, IN MEMORIAM, "the last few living men in america"

Firebird Ex p26, "i learn from a tony hillerman novel," THE NATIONAL HEALTH

Firebird Ex p27, "hanging from the rafters," VESTIGIAL ORGAN

Firebird Ex p28, THE FISH MAN, "he dreams of a fish feast; in the morning,"

Firebird Ex p30, "i get a call in the middle of the night:", OREGON CRISIS HOTLINE

Firebird Ex p31, BUT HE LOVES IT, "life is a boat."

Firebird Ex p32, "she may be the first woman i've gone out with," THE WOMAN I'M GOING OUT WITH BELIEVES IN GOD

Firebird Ex p33, WEIGHT WATCHERS, "when my stomach was so bad"

Firebird Ex p34, "i've been two hundred fifty pounds before," MY FAT IS SICK

Firebird Ex p35, "ernest hemingway used to say, 'there are people," REQUIEM FOR THREE BAR GUYS

Firebird Ex p38, "for two weeks i've had a terrible back.", SPINAL DEVOLUTION

Firebird Ex p39, REVERSE PSYCHOLOGY RULES ALL, "watching that great john updike"

Firebird Ex p41, LET'S OPEN OUR EYES, "when they ask john updike"

Firebird Ex p42, "fifteen years ago i was a real asshole,", WE ARE DEVO

Firebird Ex p43, FORTY IS THE AGE OF INVOLUTION, "i never realized the telephone directory"

Firebird Ex p44, "'haven't you ever been number one in anything?'", THEY DON'T LEAVE YOU MUCH

Firebird Ex p45, MADAME BUTTERFLY, "what a great tearjerker!"

Firebird Ex p46, "already she knows all my stories,", CABERNET NOSTALGIA

Firebird Ex p47, "i used to live above a garage right on the sand.", LES OISEAUX

Firebird Ex p49, "i don't think that people past a certain age," STALKING ONESELF

Firebird Ex p50, LOCKLIN VERSUS LOCKLIN, "what kept me from going crazy"

Firebird Ex p52, "leaving the downtown bar at closing,", MY KINDA GUY

Firebird Ex p53, "a lot of tough guys," NOBODY KICKS IN A DOOR LIKE GERARD DEPARDIEU

Firebird Ex p54, "the first time they served karl's chili at the bar," KARL'S CHILI

Firebird Ex p55, "a cafeteria is not," ISAAC SOYER: CAFETERIA, 1930

Firebird Ex p59, THE JUVENILE AUTHOR, "someone gave my five–year–old a bunch of books."

Firebird Ex p60, THE BOTTOM LINE, "my little boy picked up a copy of"

Firebird Ex p61, "because i was kept home sick a lot as a child," PHILIP TAAFFE: YELLOW PAINTING, 1985

Firebird Ex p62, "in the american heritage history", THE THIRD VERSION

Firebird Ex p63, PALEFACE SECRET WEAPON, "yeah, i know the indians also"

Firebird Ex p64, "everyone writes of him, myself included,", GUNFIGHTER

Firebird Ex p66, ON THE DEATH OF LOUIS L'AMOUR, "you're right: i have never read him."

Firebird Ex p67, "edward field,", I SURE AS FUCK HOPE HE'S NOT RIGHT

Firebird Ex p68, "it's one of my favorite quotations,", Y'KNOW WHAT I MEAN

Firebird Ex p69, BLUE/YELLOW/RED, 1970, COLORED PAPER IMAGE VII (YELLOW CURVE WITH GRAY), 1970, "the ragged edges matter.", TWO FROM ELLSWORTH KELLY, "that these blocks are not"

Firebird Ex p71, AT LOGGERHEADS, "she has been the mistress of a famous poet."

Firebird Ex p72, "in the morning mail a magazine arrives," A MAN WHO SERVED TWO MASTERS, AND THEN SOME

Firebird Ex p73, BLIND LEADING BLIND, "i was handing back some freshman papers"

Firebird Ex p74, "there are petroglyphs and sand paintings," THE VANDALS

Firebird Ex p75, "never position yourself behind a door,", WHAT I LEARNED FROM WATCHING THE PINK PANTHER CARTOON FESTIVAL

Firebird Ex p76, THE ARTICLE DOESN'T MENTION HIS FIRST FORTY YEARS, "a review of a hemingway biography"

Firebird Ex p77, A LIGHT AFTERNOON, "we were sitting around the tavern"

Firebird Ex p78, THE HORSE OF TALENT AND THE CART OF MENTAL ILLNESS, "if you ask one hundred poets"

Firebird Ex p79, "do you remember how bartleby the scrivener," QUO VADIS, M.F.A.?

Firebird Ex p80, I'M A LOT MORE APT TO BREAK, "i just received something"

Firebird Ex p81, THE OTHER–DIRECTED POETS, "they get together every evening"

Firebird Ex p83, LITTLE THINGS MEAN A LOT, "while trying to open a bottle of chardonnay,"

Firebird Ex p84, "it's all that's left," MY WASTELAND

Firebird Ex p87, "the other night i was proofreading a book of mine," RETRACTED TRACTION

Firebird Ex p88, LET'S CUT THE HORSESHIT, GUYS AND GIRLS, "a poet writes to the los angeles times"

Firebird Ex p91, ERIK SATIE AT THE ERWIN RANCH, SUMMER–FALL–WINTER, 1987, "the trees sleep beneath the"

Firebird Ex p92, ARGENTEUIL: KIND OF BLUE, "there are no horse guards"

Firebird Ex p94, "i wanted to be a sculptor," KICKING THE STONE

Firebird Ex p97, "it does not matter where you break your lines," TOWARDS A METRICS OF THE ABSOLUTE

Firebird Ex p98, "the cats are sleeping in the meadow.", THE PARK

Firebird Ex p99, DAVID HOCKNEY: TWO DECK CHAIRS, CALVI, 1972 (DETAIL), "even in your dreams,"

Firebird Ex p100, "every spermatozoon has a mouth.", JACK GOLDSTEIN: UNTITLED, ACRYLIC ON CANVAS, 1986

Firebird Ex p101, SHADOWS, "these candles never cast a shadow."

Firebird Ex p102, THE DISAPPEARANCE OF THE GREENWOOD, "the question is, 'where is the forest?'"

Firebird Ex p103, MINNESOTA, "why dream of minnesota? the pro football draft?"

Firebird Ex p104, FALLING ASLEEP, "fear of hallucination is"

Firebird Ex p105, SUCCUBUS, "you say she is a myth?"

Firebird Ex p106, FRANZ KLINE MEETS TIME MAGAZINE, "he lived in a world of rectangles."

Firebird Ex p107, CHARLES BAUDELAIRE: AUGUST 31, 1867, "he could not move. he could not"

Firebird Ex p111, WHAT WE TALK ABOUT WHEN WE TALK ABOUT DEATH, "we sure do love to refer to ourselves"

Firebird Ex p113, AT MIDNIGHT, "at midnight, i look up"

Firebird Ex p114, "i taught my daughter solitaire today.", SOLITAIRE

Firebird Ex p115, AMONG OTHER THINGS THEY DON'T WANT TO MURDER YOU AND MARRY YOUR WIFE, "it takes a certain amount of diplomacy,"

Firebird Ex p116, "did you know that claude monet lived," WOMAN SEATED UNDER WILLOWS

Firebird Ex p117, "her face is one of the few," THE TURNING POINT

Firebird Ex p119, MORRIS MELTZER: BRIDGETWON, 1923 BERLIN, "this bridge leads from hart crane"

Firebird Ex p120, "at last, the grail is made in hong kong.", ROSS BLECKNER: MEMORIAM, 1985

Firebird Ex p121, "a confession: i like french's mustard.", MEDITATION OCCASIONED BY A MIDNIGHT SNACK

Firebird Ex p123, MY UNCLE HANK, "was not my favorite uncle."

Firebird Ex p124, SISLEY'S MEADOW, "who can count this many trees"

Firebird Ex p125, BLUE BOY, "everyone makes fun of him, his"

Firebird Ex p126, "as a child he was only once invited to," THE PLAYBOY OF THE EASTERN WORLD

Firebird Ex p127, "god is a shade of pink.", MONET WILL DIE BLIND

Firebird Ex p128, PUBLIC GARDEN WITH WEEPING TREE, "the sky in the background"

Firebird Ex p129, "the firebird broods like yeasty dough," MY DAUGHTER AND THE FIREBIRD

Firebird Ex p131, "his vision slices toward the," VINCENT IN AUGUST, 1888

Firebird Ex p133, HE NEED REGRET NOTHING, "when my father was informed"

Firebird Ex p137, "our youngest cat,", A SINGLE MOTHER

Firebird Ex p139, A PHYSICAL IMPOSSIBILITY, "yeah, it's a big dog,"

Firebird Ex p140, "by 1859 he had matured beyond," HAWTHORNE (1804–64) IN ITALY

Firebird Ex p141, COMBAT TRAINING, "i used to have a theory about soap operas,"

Firebird Ex p142, THE SHOWER LADY, "she is sent out by the home health service"

Firebird Ex p143, "at a 1950's–style dance," THE MOMENTARY TANGIBILITY OF TRANQUILITY

Firebird Ex p144, PABLO O'HIGGINS: THE MARKET, 1946, "peppers."

Firebird Ex p145, SIGMAR POLKE: ANGELS, 1962, "so it's the same girl"

Firebird Ex p146, EDWARD HOPPER: HOTEL BY A RAILROAD, "the gray–haired woman in the slip"

Firebird Ex p147, THE DOG TALKED MORE THAN HE DID, "in the bars you learned:"

Firebird Ex p149, THE ALMOST PERFECT FOOD, "i was idly perusing today"

Firebird Ex p151, HE LEADS BY EXAMPLE, "my friend has been fighting cancer."

Firebird Ex p153, DOES THIS QUALIFY AS COMPULSIVE?, "when i make my 'tomorrow list,'"

Firebird Ex p154, "the exhibit of japanese photography," SOMETIMES I THINK WE THINK TOO MUCH

Firebird Ex p156, "dwight gooden, daryl strawberry,", ROLE MODELS FOR REAL LIFE

Firebird Ex p158, "i used to consider sinead o'connor," MAYBE I WAS THE ASSHOLE?

Firebird Ex p160, "roy hargrove has all the talent," YOUNG MAN WITH A HORN

Firebird Ex p161, THE BIRTH OF TRAGEDY FROM THE SPIRIT OF MUSIC, "a student paper reminded me what"

Firebird Ex p162, SIBELIUS, "there is, i believe,"

Firebird Ex p164, I'M VERY PROUD OF HER, "i am deeply touched when,"

Firebird Ex p166, "because i recently said some nice things," CALL ME A COCKEYED OPTIMIST

Firebird Ex p.iii

Cowles, Joseph, SOME MUSINGS OF THE PUBLISHER ON THE OCCASION OF THIS REISSUANCE [of FIREBIRD POEMS by LOCKLIN]

Firebird Ex p.v

Hilbert, Donna Bruster, EDITOR'S NOTE [to FIREBIRD POEMS, 1992 ed.]

Firebird Ex p.viii

Field, Edward, FOREWORD [to FIREBIRD POEMS, 1999 ed. by LOCKLIN]

Firebird p3, MY SIX–MONTH OLD DAUGHTER

Firebird p4, EL AMOR BRUJO, "love turns gold to GOLD and"

Firebird p5, "the first naked woman," MANNEQUIN

Firebird p6, GIRL WITH COCK, "the girl, who some say resembles picasso,"

Firebird p7, MY SON WANTS TO RIDE THE CHAIRLIFT

Firebird p9, CROSSING THE CREEK, "crossing the creek, i extend a hand"

Firebird p10, DEATH BEFORE DISHONOR, "out too far from shore"

Firebird p11, MUSSING THE MATRIARCHY, "you never smooth out the wrinkles"

Firebird p12, A TYRANT FOR OUR TIMES

Firebird p13, "after an evening of glowering at my daughter," MAYBE THE WOMEN ARE RIGHT ABOUT US

Firebird p14, IT'S ALL THAT MATTERS TO ME ALSO, "i'm carrying my laundry"

Firebird p15, "the moon puts its chill upon the waters.", SHOULD THEY HAVE STAYED TOGETHER FOR THE SAKE OF THE CHILDREN?

Firebird p16, THE EXHIBITION SEASON, "this afternoon i taught my third grade daughter"

Firebird p17, "always, it seems, i am in a river.", TAX DEFERRED TITLE

Firebird p19, "according to norman holland,", PENAL/PENILE

Firebird p20, "she has no man in her life," WOMAN IN BLUE

Firebird p21, DÉGAS: THE BELLELLI FAMILY, 1858–67, "the mother is in black."

Firebird p25, IN MEMORIAM, "the last few living men in america"

Firebird p26, "i learn from a tony hillerman novel," THE NATIONAL HEALTH

Firebird p27, "hanging from the rafters," VESTIGIAL ORGAN

Firebird p28, THE FISH MAN, "he dreams of a fish feast; in the morning,"

Firebird p30, "i get a call in the middle of the night:", OREGON CRISIS HOTLINE

Firebird p31, BUT HE LOVES IT, "life is a boat."

Firebird p32, "she may be the first woman i've gone out with," THE WOMAN I'M GOING OUT WITH BELIEVES IN GOD

Firebird p33, WEIGHT WATCHERS, "when my stomach was so bad"

Firebird p34, "i've been two hundred fifty pounds before," MY FAT IS SICK

Firebird p35, "ernest hemingway used to say, 'there are people," REQUIEM FOR THREE BAR GUYS

Firebird p38, "for two weeks i've had a terrible back.", SPINAL DEVOLUTION

Firebird p39, REVERSE PSYCHOLOGY RULES ALL, "watching that great john updike"

Firebird p41, LET'S OPEN OUR EYES, "when they ask john updike"

Firebird p42, "fifteen years ago i was a real asshole,", WE ARE DEVO

Firebird p43, FORTY IS THE AGE OF INVOLUTION, "i never realized the telephone directory"

Firebird p44, "'haven't you ever been number one in anything?'", THEY DON'T LEAVE YOU MUCH

Firebird p45, MADAME BUTTERFLY, "what a great tearjerker!"

Firebird p46, "already she knows all my stories,", CABERNET NOSTALGIA

Firebird p47, "i used to live above a garage right on the sand.", LES OISEAUX

Firebird p49, "i don't think that people past a certain age," STALKING ONESELF

Firebird p50, LOCKLIN VERSUS LOCKLIN, "what kept me from going crazy"

Firebird p52, "leaving the downtown bar at closing,", MY KINDA GUY

Firebird p53, "a lot of tough guys," NOBODY KICKS IN A DOOR LIKE GERARD DEPARDIEU

Firebird p54, "the first time they served karl's chili at the bar," KARL'S CHILI

Firebird p55, "a cafeteria is not," ISAAC SOYER: CAFETERIA, 1930

Firebird p59, THE JUVENILE AUTHOR, "someone gave my five–year–old a bunch of books."

Firebird p60, THE BOTTOM LINE, "my little boy picked up a copy of"

Firebird p61, "because i was kept home sick a lot as a child," PHILIP TAAFFE: YELLOW PAINTING, 1985

Firebird p62, "in the american heritage history", THE THIRD VERSION

Firebird p63, PALEFACE SECRET WEAPON, "yeah, i know the indians also"

Firebird p64, "everyone writes of him, myself included,", GUNFIGHTER

Firebird p66, ON THE DEATH OF LOUIS L'AMOUR, "you're right: i have never read him."

Firebird p67, "edward field,", I SURE AS FUCK HOPE HE'S NOT RIGHT

Firebird p68, "it's one of my favorite quotations,", Y'KNOW WHAT I MEAN

Firebird p69, BLUE/YELLOW/RED, 1970, COLORED PAPER IMAGE VII (YELLOW CURVE WITH GRAY), 1970, "the ragged edges matter.", TWO FROM ELLSWORTH KELLY, "that these blocks are not"

Firebird p71, AT LOGGERHEADS, "she has been the mistress of a famous poet."

Firebird p72, "in the morning mail a magazine arrives," A MAN WHO SERVED TWO MASTERS, AND THEN SOME

Firebird p73, BLIND LEADING BLIND, "i was handing back some freshman papers"

Firebird p74, "there are petroglyphs and sand paintings," THE VANDALS

Firebird p75, "never position yourself behind a door,", WHAT I LEARNED FROM WATCHING THE PINK PANTHER CARTOON FESTIVAL

Firebird p76, THE ARTICLE DOESN'T MENTION HIS FIRST FORTY YEARS, "a review of a hemingway biography"

Firebird p77, A LIGHT AFTERNOON, "we were sitting around the tavern"

Firebird p78, THE HORSE OF TALENT AND THE CART OF MENTAL ILLNESS, "if you ask one hundred poets"

Firebird p79, "do you remember how bartleby the scrivener," QUO VADIS, M.F.A.?

Firebird p80, I'M A LOT MORE APT TO BREAK, "i just received something"

Firebird p81, THE OTHER–DIRECTED POETS, "they get together every evening"

Firebird p83, LITTLE THINGS MEAN A LOT, "while trying to open a bottle of chardonnay,"

Firebird p84, "it's all that's left," MY WASTELAND

Firebird p87, LET'S CUT THE HORSESHIT, GUYS AND GIRLS, "the other night i was proofreading a book of mine," RETRACTED TRACTION

Firebird p88, "a poet writes to the los angeles times"

Firebird p91, ERIK SATIE AT THE ERWIN RANCH, SUMMER–FALL–WINTER, 1987, "the trees sleep beneath the"

Firebird p92, ARGENTEUIL: KIND OF BLUE, "there are no horse guards"

Firebird p94, "i wanted to be a sculptor," KICKING THE STONE

Firebird p97, "it does not matter where you break your lines," TOWARDS A METRICS OF THE ABSOLUTE

Firebird p98, "the cats are sleeping in the meadow.", THE PARK

Firebird p99, DAVID HOCKNEY: TWO DECK CHAIRS, CALVI, 1972 (DETAIL), "even in your dreams,"

Firebird p100, "every spermatozoon has a mouth.", JACK GOLDSTEIN: UNTITLED, ACRYLIC ON CANVAS, 1986

Firebird p101, SHADOWS, "these candles never cast a shadow."

Firebird p102, THE DISAPPEARANCE OF THE GREENWOOD, "the question is, 'where is the forest?'"

Firebird p103, MINNESOTA, "why dream of minnesota? the pro football draft?"

Firebird p104, FALLING ASLEEP, "fear of hallucination is"

Firebird p105, SUCCUBUS, "you say she is a myth?"

Firebird p106, FRANZ KLINE MEETS TIME MAGAZINE, "he lived in a world of rectangles."

Firebird p107, CHARLES BAUDELAIRE: AUGUST 31, 1867, "he could not move. he could not"

Firebird p111, WHAT WE TALK ABOUT WHEN WE TALK ABOUT DEATH, "we sure do love to refer to ourselves"

Firebird p113, AT MIDNIGHT, "at midnight, i look up"

Firebird p114, "i taught my daughter solitaire today.", SOLITAIRE

Firebird p115, AMONG OTHER THINGS THEY DON'T WANT TO MURDER YOU AND MARRY YOUR WIFE, "it takes a certain amount of diplomacy,"

Firebird p116, "did you know that claude monet lived," WOMAN SEATED UNDER WILLOWS

Firebird p117, "her face is one of the few," THE TURNING POINT

Firebird p119, MORRIS MELTZER: BRIDGETWON, 1923 BERLIN, "this bridge leads from hart crane"

Firebird p120, "at last, the grail is made in hong kong.", ROSS BLECKNER: MEMORIAM, 1985

Firebird p121, "a confession: i like french's mustard.", MEDITATION OCCASIONED BY A MIDNIGHT SNACK

Firebird p123, MY UNCLE HANK, "was not my favorite uncle."

Firebird p124, SISLEY'S MEADOW, "who can count this many trees"

Firebird p125, BLUE BOY, "everyone makes fun of him, his"

Firebird p126, "as a child he was only once invited to," THE PLAYBOY OF THE EASTERN WORLD

Firebird p127, "god is a shade of pink.", MONET WILL DIE BLIND

Firebird p128, PUBLIC GARDEN WITH WEEPING TREE, "the sky in the background"

Firebird p129, "the firebird broods like yeasty dough," MY DAUGHTER AND THE FIREBIRD

Firebird p131, "his vision slices toward the," VINCENT IN AUGUST, 1888

Firebird p133, HE NEED REGRET NOTHING, "when my father was informed"

Firebird p.iii

Field, Edward, FOREWORD [to FIREBIRD POEMS, 1992 ed. by LOCKLIN]

Firebird p.v

Hilbert, Donna Bruster, EDITOR'S NOTE [to FIREBIRD POEMS, 1992 ed.]

Fireweed (Columbus) #2 1976 Win p34, "the house is still, the two of us," SORROWS OF OLD WERTHER

Fireweed (Columbus) #5 1976 Fall unpaged postcard, THE TOMORROW SHOW, "When Tom Snyder asked the marriage counselor"

Fireweed (Lorane) #1 1982 Win p35, "I simply couldn't visit you this fall.", JUDY

Fireweed (Lorane) #1 1982 Win p36, COME SUMMER, "'Do you like whales?' my son asks me."

Fireweed (Lorane) #1 1982 Win p37, FALLING ASLEEP, "fear of hallucination is"

Fireweed (Lorane) #1 1982 Win p38, THE HORSE OF TALENT AND THE CART OF MENTAL ILLNESS, "if you ask one hundred poets"

Fireweed (Lorane) #1 1982 Win p39, "The dude came in the liquor store,", FAMOUS LAST WORDS (ASSIST TO BRUCE LINDSAY)

Fireweed (Lorane) #1 1982 Win p40, "i used to live above a garage right on the sand.", LES OISEAUX

Fireweed (Lorane) #2 1983 Spr p22, MAGNANIMOUS SENTIMENTS

Fireweed (Lorane) #2 Spr 1983 p20, "prominent among southern arizona's many spectacles"

Fireweed (Lorane) #2 Spr 1983 p21, "everytime i see the white rocks"

Fireweed (Lorane) #2 Spr 1983 p22, "it's hard to believe how awful," "tonight I dream the cubans have invaded"

Fireweed (Lorane) #2 Spr 1983 p23, "my son shows signs of becoming a writer"

First #4 1997 p25, DID MORALITY EVOLVE FROM SALT?, "there's this place at the northeast end"

First #4 1997 p26, I'M AFRAID TO LOOK IN THE MIRROR, "lately i've been shocked at the faces," "marcia clark is trying to convince the jury," THE REAL INSPECTOR HOUND

First #5 1997 p20, CHRISTIAN SCHAD: SELF–PORTRAIT WITH MODEL, 1927, "her nose is as pointy as her nipples,"

First #5 1997 p21, "although i've been on my own," TRIPLE DIPPING

First #6 1997 p27, "paul delvaux like to juxtapose naked women," WHY PEOPLE OF MY GENERATION MARRIED

First #7 1998 p19, CHRISTIAN SCHAD: COUNT ST. GENOIS D'ANNEAUCOURT, 1927, "the viennese aristocrat"

First #7 1998 p20, "the father has rolled out of bed," HONORÉ DAUMIER: RUE TRANSNONAIN, 15 APRIL 1834

First #8 1998 p24, GUSTAVE CAILLEBOTTE: BANKS OF A CANAL IN ITALY, 1872, "no one walks the banks of this canal."

First #8 1998 p25, COROT: MEMORY OF MORTEFONTAINE, "the pastoral mode has always depressed me."

First #8 1998 p52, PEOPLE EVERYDAY AND OTHER POEMS by CROCKER [forward by GL] [rev]

First #9 1998 Fall p33, PERHAPS IT'S WHY WE STILL READ EDGAR ALLAN POE, "there is a theory now called 'hypersea'"

First #9 1998 Fall p56, PEOPLE EVERYDAY AND OTHER POEMS by CROCKER [forward by GL] [rev]

First #12 1999 p27, "the importance of a window," RICHARD DIEBENKORN: MAN AND WINDOW, 1958

First #12 1999 p28, EDGAR DÉGAS: COTTON MERCHANTS OF NEW ORLEANS, 1873, "sink your hands into"

First #13 2000 p16, JOHN SINGER SARGENT: THE DAUGHTERS OF DARLEYBOIT, 1882, "variously bemused"

First #13 2000 p17, JEAN ANTOINE WATTEAU: L'ACCORD PARFAIT, "perfect accord? perfect harmony?"

First #14 2000 p25, "children should not smoke cigars.", PAUL KLEE: SCHOOLGIRLS, OUTDOORS, 1939

First #16 2001 p26, EDGAR DÉGAS: FOUR DANCERS, 1899, "why are these dancers"

First #16 2001 p27, EDOUARD VUILLARD: WOMAN IN A STRIPED DRESS, "what did the woman in the background do"

First #17 2001 p25, JOHN SINGER SARGENT: STREET IN VENICE, 1882, "venice the sinister, where"

First #18 2001 p35, DOUBLES, "they seemed to come in pairs,"

First #20 2002 Nov p31, PICASSO: WOMAN WITH A MANDOLIN, 1925, "the wooden guitar,"

First #20 2002 Nov p32, JOHANN MARTIN VON ROHDEN: THE GROTTO OF NEPTUNE IN TIVOLI, "outside the obloid portal"

FiveA #4 1990 p21, LEARNING TO SEE CROOKED, "'mommie,' she says, 'i've never seen you and daddy"

FiveA #5 1991 p10, THEY'RE GOING TO LAUNCH IT AT THE SUPER BOWL, "'we're sick and tired,' they ladies tell me,"

FiveA #5 1991 p15, "before you enter into a platonic relationship," DAVID HOCKNEY: THREE CHAIRS WITH A SECTION OF A PICASSO MURAL, 1970, "the former president of the federal," "i like hockney's stuff,", PIG, READ IT IN THE ORIGINAL, "when i play monopoly," YOU'RE TELLING ME???

FiveA #10 1998 p6, THE BIRTH OF TRAGEDY FROM THE SPIRIT OF MUSIC, COMBAT TRAINING, "i used to have a theory about soap operas,"

FiveA #10 1998 p6, PABLO O'HIGGINS: THE MARKET, 1946

FiveA #10 1998 p6, "peppers.", "a student paper reminded me what"

FiveA #11 1999 p26, "common images of common," EDWARD HOPPER: COMPARTMENT C. CAR 293, 1938, "green is easy on the eyes.", STUART DAVIS: APPLE AND JUG, 1923

FiveA #11 1999 p27, ALFRED STEIGLITZ: THE FLATIRON BUILDING, 1902, "it was still a landmark in the 1940s," "it was the opening night," TOAD GOES TO MRS. DALLOWAY

FiveA #12 2000 p24, "a former student writes to say," I HOPE HE DIDN'T LEARN HIS TACT FROM ME

FiveA #16 2002 p10, HENRY'S GIFT, "my Swedish friend,"

FiveA #17 2002 p21, CONSTANTIN BRANCUSI: SLEEPING MUSE, 1909–10, "an egghead."

FiveA #18 2003 p22, ANDY AT THE TATE, "they won't stop bullying the pasty kid."

Fl Q 2(1) 1969 Jan p49, CORIOLANUS SMITH, "Coriolanus T. (Bad Charlie) Smith"

Fl Q 2(1) 1969 Jan p51, "the day they ganged," TOAD AGONISTES

Fl Q 2(2) 1969 Apr p28, THE CHIFFAROBE, "The yellow chiffarobe has seven drawers,"

Flam #1 1993 p4, "i have seen the future,", THE PROPHET

Flam #3 1993 p9, "had a face that," JOCASTA

Flip #84 1993 May/June p5, "all the characters in our dreams," SIGMUND FREUD SAYS THAT

Flip #89 1994 Apr/May p?, A TIGHT FIT, "this is my home address,"

Flip #118 1999 May/June p165, THE HOSPITAL POEMS by LOCKLIN [rev]

Follies 1979 July p5, EMPYREAN AFFAIR, "I was really proud of the progress I was making," UPS AND DOWNS

Foreign p56, EAGLETON, "it was a mistake to dump him."

Format 3(2) 1980 Oct p9, FORTY IS THE AGE OF INVOLUTION, "i never realized the telephone directory"

Format 3(7) 1981 Sum p24, AFTER THE SMALL TALK, "i must have paraphrased john hawkes"

Format 3(8) 1981 Win p24, THE STORY OF 'T' [prose]

Four 1990 Win p30, FORTUNATELY OR UNFORTUNATELY IT'S CHRONIC NOT ACUTE, "when i call for an appointment"

Four Day p4, THE TUESDAY STORY [prose]

Four Day p16, THE STORY STORY [prose]

Four Day p24, EQUINOX [prose]

Four Day p36, TURKEY DAY [prose]

Four Day p56, THE SLUMP [prose]

Four Day p66, THE FOUR–DAY WORK WEEK [prose]

Four I #1 1989 p5, "it's one of my favorite quotations,", "since i've been getting to the y," TRADE–OFF, Y'KNOW WHAT I MEAN

Four I #1 1989 p6, WE KEPT INSISTING THAT SHE LEARN THE VALUE OF A DOLLAR, "when i ask my daughter whether"

Four I #1 1989 p28, BARBECUE SAUCE, "when we were kids, the older guys"

Four I #2 1991 May p25, AND ME 'N AHAB ARE GETTING JUST A LITTLE TIRED OF ALL THESE DEATH–OF–THE–PATRIARCH FLICKS, "i take my daughter, home from college,"

Four I #2 1991 May p26, HIROHITO'S REVENGE, "up until now the most bizarre culinary advice"

Four Jazz p1, "i first heard of her at the hickory house," TOSHIKO AKIYOSHI AT THE JAZZ BAKERY, 2000

Four Jazz p8, CLAUDIA ACUÑA, "the chilean jazz ingenue"

Four Jazz p10, DUET: JUNE CHRISTY AND STAN KENTON, "look at her on the cover of this album"

Four Jazz p13, "the little kid on congas,", THE SPIRITS OF HAVANA

4X4 1 min 25 sec., "a lot of people seem to think," AN UNCOOL YUL

Free L #2 1989 Sum p21, THE VALLEY, "we lived on the southern edge"

Free L #2 1989 Sum p26, "in this diminutive, almost meaningless," RENOIR: ALPHONSINE FOURNAISE, "she has dark eyes, a wasp waist, a," WINSLOW HOMER: CHILDREN ON A FENCE 1874

Free L #2 1989 Sum p27, MONET: IMPRESSION, SUNRISE, "since when are france and england"

Free L #5 1990 Sum p4, "always, it seems, i am in a river.", TAX DEFERRED TITLE

Free L #20 1998 Spr p22, "frankly all stigmata i can do without.", GIAMBATTISTA TIEPOLO: ST. FRANCIS RECEIVING THE STIGMATA

Free L #20 1998 Spr p23, GUSTAVE CAILLEBOTTE: A BALCONY, BOULEVARD HAUSSMAN, 1880, "two men observe"

Freedom #7 1998 p18, "by 1859 he had matured beyond," HAWTHORNE (1804–64) IN ITALY

Freedom #8 1999 p2, ENZO CUCCHI: I, UNO, "push the envelope."

Freedom #8 1999 p6, "i think i'll write an article," SWEET AND DOUR

FreeT 2(2) 2000 Fall p9, "between sets at a jazz club," CHINESE CHECKMATE, DUET: JUNE CHRISTY AND STAN KENTON, "in the waiting room of the lab," "it's the first time in years," JAZZ AND THEORY, "look at her on the cover of this album," STRENUOUS EXERCISE

Friendly p41, THE ANIMAL QUEENDOM, COCKATIEL, "we'd only had the bird a week," "when the mother cat had kittens"

Friendly p43, ALBERT YORK: RECLINING FEMALE NUDE WITH CAT, 1978, "the cat"

Frisco p3, AT UC SANTA CRUZ, "i overheard a seminar"

Frisco p5, "and people started looking over,", YOU TOOK A SHIT!!!

Frisco p7, THIS IS WHAT IT MUST HAVE BEEN LIKE AT BLACK MOUNTAIN!!!!!!, "This is what accounts for"

Fubar 1992 p7, "if this is a mid–life crisis," OVERHEARD AT THE RORSCHACH BAR–AND–GRILL

Fuck! 2(6) 1999 June p2, ARTHUR BOYD: MID–DAY, PULPIT ROCK, 1983, EFFICIENT USE OF TIME TOGETHER, "the first breathable color was," "i read in the paper that women," TOAD INTERPRETS THE FINDINGS, "when the lottery jackpot"

Fuel #19 1997 p6, THE GIFT OF THE MAGUS [prose]

Fuel #19 1997 p39

Oberc, Lawrence, CHIRON REVIEW ed by HATHAWAY & LOCKLIN [rev]

Fuel #26 1998? p13, "i had on my list for today," THE WAY I'VE ALWAYS BEEN WHEN SOBER

 

G  top of page 

GAC back cover, INTRODUCTION [to GOODSTONE AIRCRAFT COMPANY by VOSS]

Gallimaufry #4 1975 Spr p12, THE SHORT STORY [prose]

Genre #9 1986 p122, THE ONLY CHILD [prose]

Genre #11 1989 p60, "as a child he was only once invited to," THE PLAYBOY OF THE EASTERN WORLD

Genre #14 1992 p63, "a cone is never an ice cream cone,", LIUBOV POPOVA: PAINTERLY CONSTRUCTION, 1920

Genre #14 1992 p69, "from now on all my odalisques," HENRI MATISSE: ODALISQUE WITH GRAY TROUSERS

Genre #21 2000 p81, "the little kid on congas,", THE SPIRITS OF HAVANA

Geography p129, THE DWARF, "She went away from us upon a snow–white"

Geography p130, "'Do you love me?' I asked.", THE TOAD

Geography p131, BOBBIE'S CAT, "is chasing its tail again."

Geography p132, "in the sixth grade they gave us a belgian nun.", PEDAGOGY

Geography p133, DON'T ANSWER THE PHONE FOR ME THE SAME

Gleam 1961/62 p23, "River–waters speak poems against the wood and stone," TWO

Gluestick #5 2000 Win np, RAVE, "reading alan warner's powerful novel,"

Goblets 1981 Aut p25, "i wake up coughing, choking,", WHEEZE, PERISHING REPUBLIC

Goblets 1981 Sum p14, "home from hawking his unreal estate,", JOGGER

Goblets 1982 Spr p5, "She asks me a question about," THIS IS YOUR LIFE

Goblets 1982 Spr p32, SWAY BACK, "The voice of Louis Simpson's poem says,"

Goblets 1982 Spr p37, SCENES FROM A SECOND ADOLESCENCE AND OTHER POEMS by LOCKLIN [rev]

Gold p7, IN THE PRESENCE OF GREATNESS: THE BUKOWSKI/BARFLY NARRATIVE [prose]

Gold p34, THE EFFECT OF VITAMIN E ON MAN–OF–THE–WORLD MARIGOLDS [prose]

Gold p40, THE ENGLISH GIRL [prose]

Gold p100, THE GOLD RUSH [prose]

Gold p111, I AM, AM I? [prose]

Gold p126, I DO NOT HAVE HERPES [prose]

Gold p136, JONATHAN BILLINGSLEY'S CAR WON'T START [prose]

Gold p151, A SOBER READING OF DR. SIGMUND FREUD [prose]

Gold p164, A DREAM OF INCEST [prose]

Goliards #7 1969 June p8, "my son," POEM FROM LOS ANGELES

Goliards #7 1969 June p94, MALCOLM X, "Murder is the human game and yet"

Goliards #7 1969 June p116, "Believe me, Mr. Olson,", PARANOIA IN LONG BEACH

Gone 1(2) 1973 Fall p18, 4 WOMEN [prose]

Gone 1(2) 1973 Fall p48, MY AUNT CLAIRE, "was kind of sexy for an old gal"

Gone 1(2) 1973 Fall p49, "john meets mary. john falls in love with mary. john woos mary.", MALE CHAUVINISM IN AMERICA

Gone 1(2) 1973 Fall p50, INFORMATION OPERATOR, "i always get the same young lady"

Gone 1(2) 1973 Fall p51, "i attended this poetry reading friday night. i don't often," NIGHT ON THE TOWN

GoodF p338, LOCKLIN, GERALD [about]

Goodstone p.i, PREFACE [to GOODSTONE by VOSS]

GOTYP p92, SINCE YOU SEEM INTENT, "Since you seem intent on going away"

Grand p124, THE BEST YEAR OF HER LIFE, "When my two–year–old daughter"

Grand p125, #14, "she has small breasts. when she comes"

Grandad throughout, LOCKLIN, GERALD [about]

Grasslands #5 1991 p28, "at devil's tower,", A FAMILY TRADITION DISCONTINUED

Grasslands #5 1991 p29, "i'm not quite as rabid," MINIMAL ACCULTURATION

Grasslands #5 1991 p30, A MATTER OF TIMING, "when the drinks begin to rattle"

Grasslands #7 1991 Fall p58, MY SAFEST AND SANEST FOURTH [prose]

Grasslands #14 1996 Win p22, "but some days i'm happy.", ELIE NADELMAN: HORSE, 1914, "a hairless horse?", PICASSO: WOMAN WITH BERET AND COLLAR, 1937

Gridlock p107, "And here upon this brazen hill," THE LONG BEACH FREEWAY

Grimoire #4 1983 Spr p39, "a crutch is erect against the pay phone.", MADAME BUTTERFLY, STRANGER IN THE NIGHT, "what a great tearjerker!"

Gringo 2d p3, GRINGO, "he survives where the sun shines"

Gringo 2d p4, ACHILLES WAS A HEEL, "my wife has decided it is useful"

Gringo 2d p5, THE DEATH OF WILLIAM HOLDEN, OR PARDON ME WHILE I PUKE, "his first was a complicated one," "the newscasters say he must have had," THE STAND–UP TRAGEDIAN

Gringo 2d p6, HOMESICKNESS, I DON'T EVEN WANT TO GIVE THIS POEM A NAME, "my daughter has taken to doing only those things," "sure i still get homesick,"

Gringo 2d p7, "the california angels,", LIVING PROOF, THE UNDER–THE–HILL GANG, "the woman who is as sparkling as her diamonds says,"

Gringo 2d p8, A DIP IN THE BRINY, "the rest of the seaside town is at work."

Gringo 2d p9, "I say, 'What would you like to eat?'", "toad decides that, for once,", WHY SHE CONSIDERS OUR SUMMERS AN ORDEAL, WRITE–IN CANDIDATE

Gringo 2d p10, THE CORRIDORS OF POWER, "50 klansmen were allowed to march in hoods,", "he awaits the audience," MAY DAY 1983

Gringo 2d p11, I'M BEGINNING TO SEE THE LIGHT, "i continue my sculpture with clay.", THE MAKING AND REMAKING OF AN AUDIENCE, "the student raises his hand to ask,"

Gringo 2d p12, AN ANTI–VIETNAM MEMORIAL, "the bank of america money machine," "there's a memorial now," VERSATELITY

Gringo 2d p13, FOR PAM, HE REALLY DID TAKE THE WORDS OUT OF MY MOUTH, "the kid says, 'my father's a professor," "when winter came"

Gringo 2d p14, HOW TO GET ALONG WITH CHARLES BUKOWSKI [prose]

Gringo 2d p15, "the boyfriend of the young hostess," "the child reaches for the mother's mouth.", MOTHER AND CHILD (PICASSO – 1921), NATURE IS A MORAL TEACHER

Gringo 2d p16, "bukowski has always said he prefers," C'MON KID, BE REASONABLE

Gringo 2d p17, "Reporting on a Gay Rights march," WHAT AMERICA MAKES WELL, WHY I READ THE NEWSPAPER, "we make bad cars"

Gringo 2d p18, ALOOF, HEAD START, "my daughter tells me her dream of darth vader,", "the paper reports that a sampling was studied"

Gringo 2d p19, GERALD WHO WILL BE FIFTY–NINE IN THE YEAR 2000, "i run into her by the food machine."

Gringo 2d p20, AT THE EAST–OF–EDEN ADULT GARDEN APARTMENTS, "i do not eat," OUTWARD BOUND, OR WHY THE BASIC SURVIVAL KIT SHOULD CONTAIN A WELL STOCKED LIQUOR CABINET, "the young man says, 'as usual,"

Gringo back cover

Pierce, Jon, GERALD LOCKLIN [art]

Gringo p3, GRINGO, "he survives where the sun shines"

Gringo p4, ACHILLES WAS A HEEL, "my wife has decided it is useful"

Gringo p5, THE DEATH OF WILLIAM HOLDEN, OR PARDON ME WHILE I PUKE, "his first was a complicated one," "the newscasters say he must have had," THE STAND–UP TRAGEDIAN

Gringo p6, HOMESICKNESS, I DON'T EVEN WANT TO GIVE THIS POEM A NAME, "my daughter has taken to doing only those things," "sure i still get homesick,"

Gringo p7, "the california angels,", LIVING PROOF, THE UNDER–THE–HILL GANG, "the woman who is as sparkling as her diamonds says,"

Gringo p8, A DIP IN THE BRINY, "the rest of the seaside town is at work."

Gringo p9, "toad decides that, for once,", WRITE–IN CANDIDATE, "(why she considers our summers an ordeal.)"

Gringo p10, THE CORRIDORS OF POWER, "50 klansmen were allowed to march in hoods,", "he awaits the audience," MAY DAY 1983

Gringo p11, I'M BEGINNING TO SEE THE LIGHT, "i start my sculpture with clay.", THE MAKING AND REMAKING OF AN AUDIENCE, "the student raises his hand to ask,"

Gringo p12, AN ANTI–VIETNAM MEMORIAL, "the bank of america money machine," "there's a memorial now," VERSATELITY

Gringo p13, FOR PAM, HE REALLY DID TAKE THE WORDS OUT OF MY MOUTH, "the kid says, 'my father's a professor," "when winter came"

Gringo p14, HOW TO GET ALONG WITH CHARLES BUKOWSKI [prose]

Gringo p15, "the boyfriend of the young hostess," "the child reaches for the mother's mouth.", MOTHER AND CHILD (PICASSO – 1921), NATURE IS A MORAL TEACHER

Gringo p16, "bukowski has always said he prefers," C'MON KID, BE REASONABLE

Gringo p17, "Reporting on a Gay Rights march," WHAT AMERICA MAKES WELL, WHY I READ THE NEWSPAPER, "we make bad cars"

Gringo p18, ALOOF, HEAD START, "my daughter tells me her dream of darth vader,", "the paper reports that a sampling was studied"

Gringo p19, GERALD WHO WILL BE FIFTY–NINE IN THE YEAR 2000, "i run into her by the food machine."

Gringo p20, AT THE EAST–OF–EDEN ADULT GARDEN APARTMENTS, "i do not eat," OUTWARD BOUND, OR WHY THE BASIC SURVIVAL KIT SHOULD CONTAIN A WELL STOCKED LIQUOR CABINET, "the young man says, 'as usual,"

Gros #30 2001 Sept p34, "l'air, l'oxygène, et la lumière coexistaient encore," "air, oxygen, and light still co–existed," BONNARD: LA FENÊTRE OUVERTE, 1921, BONNARD: THE OPEN WINDOW, 1921

Gros #30 2001 Sept p35, "he looked like a russian,", PAUL CÉZANNE: SELF–PORTRAIT, 1878–80

Gros #30 2001 Sept p36, "il ressemblait à un russe,", PAUL CÉZANNE: AUTO–PORTRAIT, 1878–80

Gulfstream #3 1973 p41

Scearce, Michael, POOP AND OTHER POEMS by LOCKLIN [rev]

Gulfstream #3 1973 p42, "All I wanted was to drink some beer," LAMENT, "my daughter, blake, is in kindergarten. they are," POOP

Gypsy #1 1984 p4, CARPE THE PER DIEM, IN DEFENSE OF HYPERBOLE, "it's january 18, which means," "the latin logicians said,"

Gypsy #1 1984 p66

Androla, Ron, FEAR AND PATERNITY IN THE PAUMA VALLEY by LOCKLIN [rev]

Gypsy #2 1985 p27, HUM–UNKIND, "it's a nearly empty bar"

Gypsy #2 1985 p52

Subraman, Belinda, SCENES FROM A SECOND ADOLESCENCE AND OTHER POEMS by LOCKLIN [rev]

Gypsy #2 1985 p56, LETTER

Gypsy #3 1985 p24, "his first was a complicated one," THE STAND–UP TRAGEDIAN

Gypsy #3 1985 p43

Ramnath, S., THE CASE OF THE MISSING BLUE VOLKSWAGEN by LOCKLIN [rev]

Gypsy #4 1986 p54

Stetler, Charles & GL, NOTES TOWARD FUTURE HEMINGWAY CRITICISM [prose]

Gypsy #6/7 1987 p17, IT'S ALL THAT MATTERS TO ME ALSO, "i'm carrying my laundry"

Gypsy #9 1988 p16, "ken shanks is walking with a cane these days," ONE OF THOSE WHO HAS KEPT THE HUMANITIES BUILDING THE HUMANITIES BUILDING

Gypsy #12/13 1989 p55, "at the airport," WE'LL LET YOU FILL IN THE REPLY

Gypsy #12/13 1989 p61, THE ARTICLE DOESN'T MENTION HIS FIRST FORTY YEARS, "a review of a hemingway biography"

Gypsy #15 1990 p26, PUBLIC GARDEN WITH WEEPING TREE, "the sky in the background"

Gypsy spec. 1986 p5, CLOTHES MAKE THE WOMAN, "i read in roland barthes: 'striptease"

 

H  top of page 

Happy #5 1996 Spr p25, "at the y.m.c.a. pool," THE UNSINKABLE TARZAN LOCKLIN

Harbor 1980 Spr p30, "i was telling my appreciation of literature class," THE TREASURE OF THE SIERRA FAULKNER

Harbor 1980 Spr p31, L'APRES–MIDI DU TOAD, "the door is closed against the elements."

Harpoon 2(2) 1980 Fall p25, "of course it doesn't work,", PAY PHONE

Harpoon 2(2) 1980 Fall p26, "jogging one, two, three, four, then five miles a day,", THE ROAD TO FITNESS

Harpoon 2(2) 1980 Fall p27, DOG DAYS: A CANINE PHANTASY, "it rained cats and dogs."

Harpoon 2(2) 1980 Fall p34, TWO WEEKS ON MR. STANFORD'S FARM by LOCKLIN [rev]

Harpoon 1981 Sum/Fall p26, TALKING OF MICHELANGELO, "the women sit around discussing"

Harpoon 1981 Sum/Fall p27, "i read in the morte d'arthur,", MORTE D'ENGLISH

Hate, AFTER THE FACT, BEER, "A friend of mine once told me," "It takes a lot to get you there, but it won't kill you either.", "Let me teach you, my townspeople,", "my daughter, blake, is in kindergarten. they are teaching," POOP, TRACT, TRIVIA, "who did play sky king on the radio?"

Koertge, Ronald B., ON THE HORN [re: GL], "you know the kind of day"

HD p1, INTRODUCTION [to HISTORICAL DOCUMENT by MANNING] [prose]

Heel #4 1998 Sum/Fall p10, AT THE ROOFTOP LITERARY EVENT, "even frogs start out," FRANCIS PICABIA: MACHINE TOURNEZ VITE (WITH A NOD TO ROBERT HUGHES), "I buy a couple of drinks," MARCEL DUCHAMP: THE BRIDE STRIPPED BARE BY HER BACHELORS, EVEN, "now undress the nude."

Heel #4 1998 Sum/Fall p11, IT MAKES SENSE TO ME, "i was thinking the other day about," "let the young enjoy," "marius the epicurean ages into," TIME IS A CIRCLE, YOUNG EPICURIUS/ OLD AURELIUS

Heel #5 1999 Win/Spr 19, GEORGIA O'KEEFE: NEW YORK, STREET, NO 1, 1926, "thank god, for once, no lilies, cacti, skulls."

Heel #5 1999 Win/Spr 20, CEÇI N'EST PAS UNE PIPE, EDWARD HOPPER: CAPE COD MORNING, 1950, I.H.O.O.Q., "i think that magritte should have named," "in 1964 marcel duchamp," "should be retitled"

Heel #5 1999 Win/Spr 21, HEAD OF HAYAVARMAN VIII, 12^th–13^th CENTURY, "long ago and far away."

Heel #6 1999 Sum/Fall p14, "after reading a couple of thousand," THE BEST YEAR OF MY LIFE, DON'T WE TEACH RICHARD CORY ANYMORE?, "many years ago"

Heel #6 1999 Sum/Fall p15, "the day he came home from swimming," "no, i wouldn't care to return to," STOLEN MOMENTS, TOAD ALMOST DROWNED

Heel #6 1999 Sum/Fall p16, GUSTAVE CAILLEBOTTE: FLOOR–SCRAPERS, 1875, "like sprinters in their starting blocks."

Heel #7 2000 p33, "desert dome bio–", HAIKU: 1–11–98, MARIKO MORI: ENTROPY OF LOVE, 1996, PEDIMENT: KHMER, CIRCA 967, "war, intrigue, contending angels.", "well–tempered clavichord:"

Heel #7 2000 p34, "dancer, crowned and silk–", "i tread the gobi," MARIKO MORI: BURNING DESIRE, 1996–98, MARIKO MORI: PURE LAND, 1996–98

Heel #8 2001 p20, THE SAVVIEST WORDSMITH, "writing well is not enough:"

Heel #8 2001 p21, GIVING BACK, "is a 'classic' car," THE TEAGUES: MARMON 16, 1930, "they never say what exactly it is"

Heel #8 2001 p22, "lips and eyes like ours,", RICHARD PHILLIPS: ALIEN

Hell p19, AT THE OPERA, "the don juan story"

Hell p20, "it was always a great–tasting fish,", THE RISE AND FALL OF SHARK

Hell p21, GLASS OF ABSINTHE AND A CARAFE, "that's a very large glass of"

Hell p22, "desire is its many meanings;", PICASSO 2000

Hell p24, MICHAEL SERRA: TORQUED ELLIPSE, "the universe is not square."

Hem Col flyleaves, "we are allowed to return to the finca"

Hem Col p2, "a few days after the conference director," "i'm updating my research," SOUL BROTHERS, TRIANGULATION

Hem Col p3, ALREADY THEY'RE STARTING, A BAD SIGN, "later, over dinner,", MATERIAL, RUM TIMES, "too bad you won't be able to," "the weekend before the trip," "when i go to the discount store"

Hem Col p4, "as the days wind down," "the current law allows me," LEGACY, "my health has been good of late,", PREVENTIVE DYSENTERY, "sometimes i manage to," THEY DON'T MAKE IT EASY, WHAT MATTERS

Hem Col p8, CATHEDRAL SQUARE [art]

Hem Col p9, FIRST MORNING, "i quickly learn the only essential phrase:", "it is my first hour in," MY SPANISH PROFICIENCY, "to overcome the jet lag and caffeine,", WESTERN VICE RETURNS TO THE SOCIALIST STATE

Hem Col p10, LA BODEQUITA, "just off cathedral square"

Hem Col p11, THE GALA AT THE FINCA VIGIA, "the grand opening of the," HIS LOCAL PUB, "we are bussed in for"

Hem Col p14, "hemingway must have touched something," A PROPHET WITH HONOR

Hem Col p15, "a few years ago," GHOST, GIVE ME A BREAK, "in the shopping district of la habana"

Hem Col p16, THE BANQUET AT LA TERRAZA [prose]

Hem Col p18, AESTHETIC APPREHENSION, "among academics visiting foreign countries," "a debate occurs,", "the least competent," OUR NATIONAL PASTIME IS NOT BASEBALL BUT PIGGING–OUT, OUR SPECIES HAS A GENIUS FOR ACCOMMODATION, "on the plaza a midget beggar," PAYING FOR ONE TINY MISTAKE, WOULD HE SETTLE FOR AN OUTRIGHT DONATION?, "we're discussing hemingway's iceberg theory,"

Hem Col p19, DON'T CHEW THE WATER, NO DOUBT IT'S 'MEAN–SPIRITED' OF ME, "a new york feminist," "when a couple of days into the conference"

Hem Col p20, "finally i allow myself," I THINK SHE LIKES ME TOO, "the pretty, pleasingly plump woman," A WRITER'S RESPITE

Hem Col p21, "julia explains to us," NOTHING CHANGES, TO EACH NOT NECESSARILY ACCORDING TO HIS NEED, "we are allowed to return to the finca"

Hem Col p22, CUBAN STOGIES, "our guide finds us"

Hem Col p23

GL & Stetler, Charles, HEMINGWAY AS ENVIRONMENTALIST [prose]

Hem Col p30, HASN'T THIS GUY READ DEATH IN THE AFTERNOON?, "i don't give it until the last," MY PAPER, "thrust together as we are"

Hem Col p31, GERALD LOCKLIN [art], "on the plaza de cazadores,", SKETCH ARTIST

Hem Col p32, A LIGHT LUNCH AT THE INGLATERRA [prose]

Hem Col p34, A THREAT OF DEPORTACÍON [prose], YOU GET OUT WHAT YOU PUT IN, "you see a lot of goats,", "you see dogs in cuba,"

Hem Col p35, BETTER LATE THAN NEVER, THE EXISTENTIAL OFFICIAL, "how am i supposed to know," "how many times have i heard the lame excuse," A NOVEL–INTO–FILM PRESENTATION, "near the end of the conference," "a rule of thumb in airports,", SANITY IN AN INSANE WORLD

Hem Col p36, CONSERVING OXYGEN, I'D BEEN ON MY BEST BEHAVIOR, "it must be 200 degrees on the tarmac," "when the passport ladies"

Hem Col p37, "coral reefs enclose the emerald waters.", DESCENDING TO NASSAU, HIGH–ALTITUDE LITERARY FARE, "what kind of flight"

Hem Col p38, AMELIA, "nothing was lost or stolen in cuba," "now, eight months later," QUINTAESCENCIA, RETURN TO CIVILIZATION, "soon after getting home,"

Hem Col p40, GOING ALONE, "roy hargrove comes to town"

Hem Col p42, JUST OFF CATHEDRAL SQUARE [art]

Hem Col p.vi, HEMINGWAY'S OLD HAUNT [art]

Hem Col p.x, THE BODEQUITA [art]

Hem No 5(1) 1979 Fall p2

GL & Stetler, Charles, DE–CODING THE HERO IN HEMINGWAY'S FICTION [prose]

Hem No 6(1) 1980 Fall p2

Morton, Robert; Stetler, Charles & GL, AN INTERVIEW WITH PHILIP YOUNG

Hem No 6(1) 1980 Fall p13

GL & Stetler, Charles, LETTER

Hem No 6(2) 1981 Spr p20

Stetler, Charles & GL, ERNEST HEMINGWAY: 'BEST OF ALL HE LOVED THE FALL' [prose]

Hem Rev 2(1) 1982 Fall p68

Stetler, Charles & GL, BENEATH THE TIP OF THE ICEBERG IN HEMINGWAY'S 'THE MOTHER OF A QUEEN' [prose]

Hem Rev 20(2) 2001 p37

McFarland, Ron, HEMINGWAY AND THE POETS [prose] [GL cited]

Henry's p1, HENRY'S GIFT, "my swedish friend,"

Henry's p3, GIACOMETTI'S WIFE (AFTER PETER SCHJELDAHL/ALEXANDER LIEBERMAN), "with the thinness of the"

Henry's p5, AT THE SCORE, "i'm enjoying the film and"

Henry's p6, "more than their beauty, youth, and health,", SOMETHING I MISSED OUT ON

Henry's p7, CINDY SHERMAN, "i remember a woman"

Henry's p8, LIKING ORNITHOLOGY, "you know, maybe basquiat"

Henry's p10, ANDY WARHOL: TWO MARILYNS, 1962, "he shouldn't have made her face ugly,"

Henry's p11, ROY LICHTENSTEIN: I. . .I'M SORRY, 1965–66, "she means it, she is sorry,"

Henry's p12, "gertrude would have loved it:", JASPER JOHNS: FLAG, 1967

Henry's p13, JASPER JOHNS: FOUR UNTITLED WORKS: 1975, –84, –91, –91–94, "you realize there's more than meets the eye,"

Henry's p14, CHRISTIAN HEEB: NATIONAL GALLERY, TRAFALGAR SQUARE, PHOTO, 2000, "it closed at six in winter but"

Henry's p16, CHRISTIAN HEEB: VIEW FROM ST. PAUL'S CATHEDRAL, PHOTO, 2000, "not the tourists' london"

Henry's p17, CHRISTIAN HEEB: WESTMINSTER ABBEY, PHOTO, 2000, "it was always too cluttered with"

Henry's p19, CHRISTIAN HEEB: TOWER BRIDGE, PHOTO, 2000, "the english and the European bridges"

Henry's p20, CHRISTIAN HEEB: VICTORIA AND ALBERT MUSEUM, PHOTO, 2000, "i like looking at the building,"

Henry's p22, GUY BOURDIN: PHOTO OF TWO FACES TOUCHING, "they face each other."

Henry's p24, CASPAR DAVID FRIEDRICH: TWO MEN CONTEMPLATING THE MOON, 1830, "what did they think was"

Henry's p26, "apparently he had to either," THOMAS EAKINS: PORTRAIT OF MAUD COOK, 1895

Henry's p28, EAGLE HEAD, MANCHESTER, MASSACHUSETTES (HIGH TIDE) [sic], WINSLOW HOMER IN THE 1870s, "we forget how puritan America still was,"

Henry's p29, THE COUNTRY SCHOOL, "he misses his old man, who is," WAITING FOR DAD (LONGING), "where were the lights?"

Henry's p30, "great white–foamed waves.", ON THE BEACH, SNAP THE WHIP, "when you had the time to play,"

Henry's p31, "america was not quite ready for," THE COTTON PICKERS, MILKING TIME, PEACH BLOSSOMS, "what can be added to what," "yes, its about time that"

Hippo 1989 Aut/Win p4, THE HEALING ARTS [prose]

HNSF p247

Stetler, Charles & GL, 'A NATURAL HISTORY OF THE DEAD' AS METAFICTION [prose]

Holy D p7, "i've fathered five, been father to none of them.", KIDS

Holy D p9, "good morning, miss mcguire, how do your," THE POND, "the pond is pink. the pond," SONG OF THE LADIES OF SEAL BEACH

Holy G p85 181-182, LOCKLIN, GERALD [about]

Home 3(1) 1981 p1

GL & Stetler, Charles, WORMWOOD REVIEW COMES OF AGE [prose]

Home 3(1) 1984 Fall Fall p9

Hemingway, Mary, HEMINGWAY ON HEMINGWAY; LETTER/INTERVIEW IN REPLY TO GERALD LOCKLIN & CHARLES STETLER [prose]

Home 3(2) 1982 p18, JUST WHEN YOU THINK YOU'VE HEARD THEM ALL, "she stops me outside my contemporary fiction class"

Home 3(2) 1982 p19

Stetler, Charles & GL, A CONVERSATION WITH RON KOERTGE

Home 3(4) 1982/83 Win p2, EPITAPH: SIDNEY CARTON, "i only did one"

Home 3(4) 1982/83 Win p9, CHARLES BUKOWSKI ON CHARLES BUKOWSKI [interview]

Home 4(1) 1983 Spr p19, "I stopped in Clancy's for a vodka–tonic," THE LIFE OF THE MARIONETTE

Home 4(2) 1983 Sum p12

GL & Stetler, Charles, INTERVIEW WITH KIRK ROBERTSON AND NILA NORTHSUN

Home 4(3) 1983 Fall p19

GL & Stetler, Charles, INTERVIEW WITH GERALD HASLAM

Home 4(3) 1983 Fall p21, "i hear the talk show guest,", WHAT FUND–RAISING DOES TO THE LIBERALLY EDUCATED

Home 4(4) 1984 Spr p19

GL & Stetler, Charles, INTERVIEW WITH SOUTHERN CALIFORNIA POET NICHOLA MANNING

Home 5(2) 1985 Spr p18, GOOD COUNTRY PEOPLE, "my maternal aunts and uncles,"

Bukowski, Charles Henry, BUKOWSKI ON BUKOWSKI; LETTER/INTERVIEW IN REPLY TO GERALD LOCKLIN [prose]

Home 5(3) 1985 Sum p21, GOO'NIGHT, GENTLEMEN, "i never had any great affection for eddie fisher,"

Home 5(3) 1985 Sum p23, "I went to my first chiropractor yesterday.", LOSING MY CHERRY

Home 5(4) 1985 Fall p9

Hemingway, Mary, LETTER [to GL & Charles Stetler]

Home 6(3) 1988 Nov p5, "after another assault," BUT HE DOESN'T SAY WHAT TYPE WILL

Home 6(4) 1989 July p23, "because i sent such a shitload of poems,", THE PERILS OF THE CLASH

Home 7(1) 1989 Dec p11, FLAGSTONES FOR FLAG DAY, "if flags were really stones"

Home 9(3) 1994 p2, PETER HALLEY: YELLOW CELL WITH TRIPLE CONDUIT

Home 9(3) 1994 p3

Oberc, Lawrence, REMINDING US OF HIS WORLD: A TALK WITH GERALD LOCKLIN [interview]

Home 10(1) 1995 Sum p16, "christ, what great costumes!", PICASSO: THREE MUSICIANS

Home 10(4) 1997 Aut p7

McKee, Louis, CHARLES BUKOWSKI: A SURE BET by LOCKLIN [rev]

Home 10(4) 1997 Aut p10, NO BRAINER, "when i ask the postal clerk"

Home 11(1) 1998 Sum p12, EDWARD HOPPER: CAPE COD EVENING, 1938, "i thought i was the only one"

Home #45 1999 Fall/Win p16, GAUGUIN: CLAUDE–ÉMILE SCHUFFENECKER AT HIS EASEL, "a minor artist strives to make art"

Home #45 1999 Fall/Win p17, "at first glance, yes, the ethereal gaze,", DANTE GABRIEL ROSSETTI: PORTRAIT OF MRS. MORRIS

Home #47 2001 Spr p17, "at the fancy saturday night performance," OPERATIC COSTUME

Home #49 2003 Spr p20, "the death of anne morrow lindbergh," TOAD'S SENSE OF HISTORY

Hommage p29, ALTE DRECKSÄCKE UND DIE NEUE DOPPELMORAL, "bukowski hat gut daran getan, sich"

Hoop p38, "at one time basketball was my life.", THE HOOK SHOT

Hoop p47, "As kids, if we arrived at the basketball court," SHOOTING FOR TEAMS

Hoop p104, "It was #1 ranked Indiana," THE NCAA MIDEAST REGIONALS, AND OTHER EXISTENTIAL SETBACKS

Hoop p255, BASKETBALL (WITH AN ASSIST TO CHARLES STETLER), "of course i always wanted to write poems,"

Horsefly p1, "after lunch in newport beach," A GOOD GUESS GOES AWRY, "i just read in time magazine," "i woke up a few mornings ago," A LONG ROW TO HOE, POSITIVE SIDE EFFECT

Horsefly p2, AND IF YOU INSIST ON CRYING TRY NOT TO GET MY SHOULDER WET, FINDING ONE'S AUDIENCE, "gene dinielli and i are kidding about," ONE–UPPED AGAIN, "a psychiatrist–friend tells me," "when I say, 'shit, my eyes are nearly sealed"

Horsefly p3, GERALD'S WAGER, "i went to it expecting the worst," "john says to jeff, 'when i left your," MAKES SENSE, MORON THE BARBITURATE, "pascal said you might as well"

Horsefly p4, BALANCE SHEET, "i received news of a financial setback," "my skinny wife is giving me a tough time," PERSONAL MILESTONE, SUBURBAN AMENITIES, "'the trash,' she says."

Horsefly p5, HORSEFLY DON'T BOTHER ME, "last summer i took my son, jim,"

Hospital p1, "by the time i arrive back from england," THE ONSET

Hospital p11, AND FOR MANY DAYS OF BEDPANS, "i make a point of letting every," "the most grateful moment of my life," THE NEOPHYTE

Hospital p13, "going for tests always," THE SATURDAY OF THE THERAPIES

Hospital p17, OBVIOUSLY NOT A GAMBLER, "the surgeon who is talking me into"

Hospital p25, HELP ME MAKE IT THROUGH THE NIGHT, "i never considered tylenol to be"

Hospital p29, BREATHING DEGREE ZERO, CHOW CHOW CIAO, "they force three meals upon you," "'the trouble is," the pulmonary"

Hospital p30, THE AIR CARE MEN, "they are supposed to be"

Hospital p33, THE NURSES, "the nurses take their breaks"

Hospital p35, "in the intensive care unit,", THE LIFE OF THE PARTY, "on the intensive care floor," YOU DON'T MAKE MANY FRIENDS

Hospital p37, ALMOST LIKE BEING IN JAIL, "you don't dare write anything"

Hospital p38, "a lot of people,", MIND OVER MATTERS; OR MATTER OVER MIND?

Hospital p39, AFFIRMATIVE ACTION IN PRACTICE, "the filipino male nurse sits"

Hospital p41, "i won't forget the nurse," SIMPLE HYGIENE

Hospital p45, "i got on her shit–list by asking," NURSE RACHED

Hospital p49, "on a quiet saturday afternoon," A VISITOR FROM THE AGE OF GOLD

Hospital p51, FALSE ALARM/FALSE HOPE, "the night before i am scheduled"

Hospital p54, "she hasn't been very sympathetic," WIFE

Hospital p57, "his blood pressure is excellent.", IN ALL OTHER WAYS, IT'S A VERY GOOD VISIT

Hospital p59, THE AZTEC TWELVE–STEP, "i haven't had a drink in three weeks"

Hospital p61, "less than a week after being let out," THEY MUST THINK I HAD MY BRAIN REMOVED

Hospital p62, A FRIEND TELLS ME COUMADIN WAS ORIGINALLY A RAT POISON, "the pharmacist accidentally encloses"

Hospital p63, A SUBSTITUTE NURSE COMES TO DRAW MY BLOOD, "she's not very good at it."

Hospital p65, "about a week after my discharge," OF COURSE THE OTHER MIGHT HAVE BEEN EVEN WORSE

Hospital p66, "it's a little sad," RECUPERATION

Hospital p67, "i've had varicose veins," TRY ME

Hospital p69, "everyone assumes my illness," THE SYMPATHIZERS

Hospital p72, "the enormous, gray–concrete medical center," SLEEP DISORDER

Hospital p73, "i notice nowadays i read," L.A. RIVER ANTHOLOGY

Hospital p75, SLEEP TEST, "they will do a sonogram"

Hospital p77, BAROMETER RISING, "i'd come to take it"

Hospital p78, "i've always lived a lot of my," THE WRITER'S WORLD

Hospital p79, ATTITUDE, "i realize that, for the"

Hospital p81, SECRET DIET, "weight loss? it's a cinch."

Hospital p83, "an author i have never even met," PLACING THE BLAME

Hospital p85, "and now, five years later,", A FEW YEARS DOWN THE ROAD

Howling 3(2) 1988 p30, "honesty in show business is so rare," I'VE ALWAYS ENJOYED HER SENSE OF HUMOR, ONIONHEAD

Howling 3(2) 1988 p31, LATE REGISTRATION, "She asks me for an admission card," SWIFT TRAVELS

HPC p73, "Braise one pound of ground beef in skillet.", MY RECIPE

Hung 1(2) 1995 p26, PATIENCE, JACKASS, "remember that old skit,"

 

I   top of page 

IA&WWW 9^th p907, LOCKLIN, GERALD [about]

IA&WWW 12^th p528, LOCKLIN, GERALD [about]

IA&WWW 13th p521, LOCKLIN, GERALD [about]

IB&AB p96, CHRISTOPHER BURKETT: FIR AND SNOW, "nature is imitating jackson pollock this december."

IB&AB p97, "at the fall exhibition," PHYSICIAN, KNOW THY FETISH

Iceberg p2, UN BEL DI, "because my daughter's eighth–grade teachers"

Iceberg p3, "the new state–of–the–art jukebox in 'the interval'", ON THE EVE OF THE SECOND GREAT DEPRESSION

Iceberg p5, ONE TO WHOM IT IS NOT A JOKING MATTER, "owner of a base–model hyundai excel,"

Iceberg p7, A COMMERCIAL FOR DIE–HARD BATTERIES, "this famous serial killer used to drink beer"

Iceberg p9, THE FALSE RHAPSODY OF ART, "a phrase from ondaatje's english patient:"

Iceberg p10, EASIER THAN SWIMMING LAPS, "in the next life,", THIS GUY AND I, "talking behind closed doors"

Iceberg p11, "dr. gachet is pensive. he rests," OR MAYBE HE'S TALKING HIMSELF OUT OF BUYING THE PICTURE

Iceberg p13, "all the food critics hate iceberg lettuce.", THE ICEBERG THEORY

Iceberg p14, CONTACTS, "i watch my daughter learning how"

Iceberg p15, "i watch this pbs special that insists," THEY BROUGHT BACK HOCKEY PUCKS

Iceberg p16, LIKE SON, LIKE FATHER, "near her death, under the influence"

Iceberg p18, NO ONE SINCE ROCKY MARCIANO HAS RETIRED UNDEFEATED, "shortly after my father died"

Iceberg p19, I LIKE CATS THAT CATCH THINGS, "i never discourage a cat's natural instinct"

Iceberg p20, "at sim's coffee shop on the corner," GIMME A BREAK

Iceberg p22, "the cabbie from the oakland airport to," MAYBE SHE WAS JUST AN ASSHOLE, PROBABLY, "when the swat team guns down"

Iceberg p24, A DAB OF PATERNAL SELF–PITY, "for years i used to rush home every night," THE GLASS MONOTONY, "the paper runs a picture"

Iceberg p25, THE CONDEMNED MAN'S LAST SUPPER, "i think i would demand an exact replication"

Iceberg p26, WHY STOP SHORT?, "we've all heard plenty about the"

Iceberg p27, "at the gala poetry reading," THE EVERLASTING 'RIGHT ON!'

Iceberg p28, TWO PASSPORTS, "ten years ago,"

Iceberg p30, I WAS BORN BEFORE HOMOGENIZED MILK, "you used to have to go to paris"

Iceberg p32, "he's away on business at a hotel," SEDATION TIME

Iceberg p33, MAGIC WORDS, "one of my sons, who used"

Iceberg p34, AND SOMEDAY THEY WILL UNDERSTAND, "when i was a teenager my aunt pat drove"

Iceberg p35, HEALTHY FEARS, "people like to pretend"

Iceberg p37, "he remembers such a dawn.", JULES OLITSKI: PINK DAWN, 1996

Iceberg p40, "i envy those," "in the stage directions for," NO, TOTO, WE'RE NOT IN ARIZONA, WHERE WE ARE

Iceberg p41, THE DAYS GO AWRY, "it's a beautiful southern california day:"

Iceberg p43, MARCO POLO BROUGHT BACK SPICES; I GUESS SIR WALTER RALEIGH DIDN'T, "they did this endoscopy and biopsy on me,"

Iceberg p46, "i was swimming at the y the other day," WORDSWORTH, COLERIDGE, AND THE ENDORPHINS

Impet #1 1984 Sep p23, DAYS OF HEAVEN'S GATE CAN'T WAIT, "my daughter blake and i"

Impet #1 1984 Sep p24, "my colleague, john williams,", SMOKING CIGARETTES AND WATCHING CAPTAIN KANGAROO

Impet #2 1984 Dec p48, DINNER AT EIGHT FOR FIVE WITH DAVID BOWIE, "It was my last night in London,"

Impet #2 1984 Dec p49, BIG–DEAL EDITOR, "he used to be one of the editors"

Impet #3 1985 May p29, I DON'T EVEN WANT TO GIVE THIS POEM A NAME, "my daughter has taken to doing only those things"

Impet #6 1985 Dec p50, THE OTHER–DIRECTED POETS, "they get together every evening"

Impet #6 1985 Dec p51, BIOLOGICAL WARFARE, "reagan and weinberger are always talking"

Impet #6 1985 Dec p62, GRINGO AND OTHER POEMS by LOCKLIN [rev]

Impet #17 1989 Sep p46, "back in 1961 i was one hell of a graduate," YOU'VE COME A LONG WAY, BABY

Impet #17 1989 Sep p81, GERALD LOCKLIN [art]

Impet #21 1993 Jan p41, "i view courbet's young ladies of the", NO MUD MOSQUITOES FLASHFLOODS MAD–DOGS COWPIES

Impet #22 1994 May p20

Basinski, Michael, OUTTAKES by LOCKLIN [rev]

Impet #22 1994 May p87, THE E–WORD, "i solemnly swear," A POUND OF FLESH, "when she insisted on"

Impet #22 1994 May p107

Androla, Ron, TOAD WRITES SHORT SHORTS by LOCKLIN [rev]

Impulse #7 1979 Oct p2, A LETTER FROM SAUDI, "laurie writes me"

Impulse #7 1979 Oct p5, HORSE SENSE, "'I saw Bart today,' she tells me."

Impulse #8 1980 Feb p8, "i heard three women cry today.", SOMETHING IN THE AIR

Impulse #9 1980 June p2, CANCELING A PEP TALK, "when i was in fifth grade"

Impulse #11 1981 Mar p4, A MAN WITH A MIND, "one night he dreamed she died."

Impulse #14 1981 Dec p7, BEERBOHM ABOVE RAPALLO, "Volcano sunk into the dunes,"

Impulse #14 1981 Dec p8, "first there is a cube.", THE SPIDER KNOWS

Impulse #15 1982 Mar p3, A LITTLE MORE OF THE LAW OF REVERSE PSYCHOLOGY, "reading sophie's choice i learn"

Impulse #15 1982 Mar p6, MOTHER GOOSESTEP, "The pinker pig is on the shelf,"

Impulse #18 1983 Jan/Feb p9, "a friend of mine is moving,", GO EAST, YOUNG MAN

Indep 1969 June 12 p.A29, NOTEBOOK: 1967–68 by LOWELL [rev]

Indep 1969 May 15 p.A25, THE MAGIC GARDEN OF STANLEY SWEETHEART by WESTBROOK [rev]

Indep 1970 Apr 9 p.P8, CASSANDRA SINGING by MADDEN [rev]

Indep 1970 July 24 p.A13, THIS DAY'S DEATH by RECHIE [rev]

Indep 1970 Mar 13 p.A22, CITY WITHOUT WALLS, AND OTHER POEMS by AUDEN [rev]

Indep 1970 May 1 p.A22, TRAVELS WITH MY AUNT by GREENE [rev]

Indep 1970 Nov 26 p.P12, THE ENDS OF THE EARTH by BROMIGE [rev]

Indep 1970 Nov26 p.P12, THE ENDS OF THE EARTH by BROMIGE [rev]

Indep 1970 Sept 11 p.A21, LITTLE by ZUKOFSKY [rev]

Indep 1971 Apr 8 p.P12, BACK ROADS TO FAR PLACES by FERLINGHETTI [rev], THE SPEED OF DARKNESS by RUKEYSER [rev]

Indep 1971 Apr 9 p.A24, "Like snake–steak on an aztec barbecue"

Wasserzieher, Bill, THE TOAD POEMS by LOCKLIN [rev]

Indep 1971 Apr 16 p.A18, OF A FIRE ON THE MOON by MAILER [rev]

Indep 1971 Dec 9 p.P20, A CATERPILLAR ANTHOLOGY ed by ESHLEMAN [rev]

Indep 1971 Feb 5 p.B8, THE ALEPH AND OTHER STORIES by BORGES [rev]

Indep 1971 June 11 p.A30, BRENDAN by O'CONNOR [rev]

Indep 1971 June 17 p.P14, THE ABORTION by BRAUTIGAN [rev]

Indep 1971 March 18 p.P6, POST OFFICE by BUKOWSKI [rev]

Indep 1971 Nov 19 p.A29, OUR GANG by ROTH [rev]

Indep 1972 June 2 p.A26, EXISTENTIAL ERRANDS by MAILER [rev]

Indep 1972 June 22 p.P8, WALLACE STEVENS: THE PALM AT THE END OF THE MIND ed by STEVENS [rev]

Indep 1972 Mar 10 p.A21, CAR by CREWS [rev]

Indep 1973 Apr 19 p.P12, THE STEPFORD WIVES by LEVIN [rev]

Wasserzieher, Bill, POOP AND OTHER POEMS by LOCKLIN [rev]

Indep 1973 June 8 p.B8, ROGER, KARL, RICK & SHANE ARE FRIENDS OF MINE by STETLER [rev]

Indep 1973 Nov 22 p.P10

Sciborski, Rod, LOCKED IN WITH GERALD LOCKLIN by LOCKLIN [rev]

Indep 1976 Apr 4 p.L7, CONVERSATIONS WITH MARILYN by WEATHERBY [rev]

Indep 1976 Aug 6 p.C9

Snider, Clifton, THE CHASE by LOCKLIN [rev]

Indep 1976 Aug 27 p.B8, RED WORK, BLACK WIDOW; POEMS by RICHMOND [rev], SONS COME AND GO, MOTHERS HANG IN FOREVER by SAROYAN [rev]

Indep 1976 Dec 17 p.A25, BEARD'S ROMAN WOMEN by BURGESS [rev]

Indep 1976 Jan 4 p.L6, MALCOLM LOWRY: PSALMS & SONGS ed by LOWRY [rev]

Indep 1976 Oct 3 p.L7, SLAPSTICK by VONNEGUT [rev]

Indep 1977 Aug 4 p.P11, YARBOROUGH MOUNTAIN by KOPP [rev]

Indep 1977 Aug 5 p.A21, ANDROGYNE, MON AMOUR by WILLIAMS [rev]

Indep 1977 Dec 2 p.A26 & Dec 8 p.P3, THE CITY, THE IMMIGRANT & AMERICAN FICTION by FINE [rev], LOVE IS A DOG FROM HELL by BUKOWSKI [rev]

Indep 1977 Feb 6 p.L10, AMATEURS by BARTHELME [rev]

Indep 1977 Mar 6 p.L6, ELSINOR: A NOVEL by WEBB [rev]

Indep 1977 Oct 28 p.A19, THE PROFESSOR OF DESIRE by ROTH [rev]

Indep 1978 Feb 24 p.A33

Snider, Clifton, THE FOUR–DAY WORK WEEK & OTHER STORIES by LOCKLIN [rev]

Indep 1978 Oct 27 p.C6, HENRY'S FATE by BERRYMAN [rev]

Indep 1980 May 23 p. C1, A GAME MEN PLAY by BOURJAILY [rev]

IndPr 1976 Aug 1 p.L6, LOADING MERCURY WITH A PITCHFORK by BRAUTIGAN [rev]

IndPr 1978 July 2 p.L5, TRIQUARTERLY ed by ANDERSON [rev]

Inkshed #3 1986 Aut p17, THE LOCKLIN PAPERS [interview]

Inkshed #4 1986 Win p14, "'Do you love me?' I asked.", THE TOAD

Inkshed #4 1986 Win p15, EVOLUTION, "There are only two things a man can do"

Inkshed #4 1986 Win p16, "my daughter, blake, is in kindergarten. they are," POOP

Inkshed #4 1986 Win p17, THE EXORCISTS, "sure, i believe in the devil."

Inkshed #10 1988 Sum p6, "i didn't think anyone who'd seen the bronx," THE MIDLANDS

Inkshed #10 1988 Sum p33, "i think the music of dylan thomas," LOW TIDE FROM THE ISLE OF ANGLESEY

Inkshed #18 1990 Sum p40

Smith, Jules, THE GOLD RUSH AND OTHER STORIES by LOCKLIN [rev]

Inkshed #20 1991 Spr p43, "I've been fucking around," PLEASE JUST TELL ME WHAT THE FUCK I HAVE TO DO?

Petch, Tony, THE ILLEGITIMATE SON OF MR. MADMAN by LOCKLIN [rev]

Inkshed #24 1992 Aut/Win p72

Young, Bernard, THE FIREBIRD POEMS by LOCKLIN [rev]

Inky #1/2 1990 Aut p18, IRRIGATION, "now the rivers always run"

Inky #4 1991 Sum p2, CAUSALITY, IMMEDIATE AND REMOTE, "my little boy, watching a program on"

Inky #4 1991 Sum p28

Zepeda, Rafael & GL, "everyone else's university seems to have," THE LINCOLN, NEBRASKA POEMS [excerpt]

Inscape 1971 Mar p6, "He was surprised to find the Maharishi," "They turn in their coats and tails,", TOAD AT CARNEGIE HALL, THE TOAD IN PUNJAB

Inscape 1972? Feb/Mar p3, THE SQUARE ROOT OF 144 CHRISTMAS SYLLABLES, "you will find an american greeting card to"

Interstate #16 1984 p73, "i could be tragically wrong,", A NUCLEAR EVASION?

Invisible #5 1972 May p14, THE HITCHHIKER, "he stands upon the crystal winter solstice"