vol. 22: Postcolonialism: The Dislocation of Culture
2001
Editorial Staff:
Ralph Clare, Daniel Downey, Goli Erami,
Kathryn Formosa, Martin Hasso, Raige Pierson,
Cindy Stanphill Contributing Editor: Jimmie Jaimes Layout
Design: Daniel Downey & Cindy Stanphill
Faculty Advisor: Carl Fisher
From the Introduction
_______________________________________________________
If Criticism is reducible neither to a doctrine nor to a
political position on a particular question, and if it is
to be in the world and self-aware simultaneously, then its
identity is its difference from other cultural activities
and from systems of thought or of method. In its suspicion
of totalizing concepts, in its discontent with reified objects,
in its impatience with guilds, special interest, imperialized
fifedoms, and orthodox habits of mind, criticism is most
itself and, if the paradox
can be tolerated, most unlike itself at the moment it starts
turning into organized dogma.
Edward Said, The World, the Text, and the Critic
Table of Contents
Promising "Post-colonialism": Deleuze-Guattari's
"Minor Literature" and the Poetry of Arthur Yap
Irving Goh, National University of Singapore, Singapore
..
...
.
....13
Writing from Below: Ironic Distance
and the Location of Translation
Christi Ann Merrill, University of Michigan
....32
Jessica Hagedorn's Dogeaters: Rhetoricizing Hegemony
and Violence in the Postcolonial Philippines
Rachel C. Riedner, George Washington University
.
....55
Wide-Open Spaces: Locating the Hybrid Identities of the
Southwest in the Works of Powell, Lummis, Cather and Silko
Jean Arnold, Pitzer College
..
....84
The Persistence of the Flower World: The Yaqui Deer Dancer
Peter T. Markman, California State University, Long Beach...
.
.104
Download the Yaqui Deer Dancer Music referenced in this
article.
Azteca Dancer
Daniel Downey, California State University, Long Beach..
.
..122
Photograph: Azteca Dancer, Mexico City (2001)
Raige Pierson, California State University, Long Beach
..
123
Photographs of Vietnam
David H. Goetz, California State University, Long Beach..
.
..124
I, Tituba, Black Witch of Salem: A Rejection of Western
Ideology
Cassandra Ward, California State University, Long Beach..
....84
Rootless
Kathryn Formosa, California State University, Long Beach...
.
..138
Critical Agendas: Postcolonial Critics and the Rewriting
of Solomon Plaatje's Mhudi
Shannon Young & Tom Henthorne, Pace University..
...
.
...139
Trinity -After an Arabic Myth
Aaron Bradford, California State University, Long Beach
..150
Cracking India: Cultural and Religious Representations
In Indo-Anglian Literature (1947 to Present)
Nadia Ahmed, University of California, Berkeley..
.
...151
Girish Karnad's Hayavadana: A Postcolonial Reading
Virginie Magnat, University of California, San Diego/Irvine..
..169
The Dying Around the Holy Power
-After a Brahmanist Prayer Cycle
Aaron Bradford, California State University, Long Beach...
.
.178
Genus - English, Species - Other: Liminal Hybridity
in The Satanic Verses
Andrew Howe, University of California, Riverside..
.
..
..179
Beyond the Hybrid: Notes Against Heterophilic Authoritarianism
Paul Allatson, Institute for International Studies, University
Of Technology, Syndney, Australia
.
.
.
190
Summer of 1904 (The Other Side of the World Fair)
Derrick A. Engoy, California State University, Long Beach..
..
..207
Exile or Opportunity?: The Plight of the Transported Felon
In Daniel Defoe's Moll Flanders and Colonel Jack
Brett C. McInelly, Brigham Young University
....
...209
Suburban Foundry
Daniel Downey, California State University, Long Beach...
.
.217
Dinh Q. Lê: Playing God
David H. Goetz, California State University, Long Beach..
.
..
218
Stretching Postcolonialism: Barbara Kingsolver's
The Poisonwood Bible and the Politics of Authenticity
Ronit Fainman-Frenkel, University of Arizona, Tucson
...
.237
The Networks
Harold Fisher II, California State University, Long Beach
252
Photographs of Vietnam
David H. Goetz, California State University, Long Beach..
.
..255
Cover Art
Interconfined (1994) by Dinh Q. Lê, from the series,
Portraying a White God. |