"The story of Balboa chronicles not only part of the untold story of Movieland but also that of the city of Long Beach. Above all, if motion pictures of the world represent the greatest chroniclers and storytellers of our century, movies help mark our development as a people on the move. We who love movies are all indebted to our predecessors in cinema. The Magic Lantern can instruct, amuse and keep us spellbound. In the universal language of pictures, the movies gather the congregation in a darkened hall to celebrate a poignant service, a flickering testimonial to the dynamic facets of our human condition. The magic of these “living” pictures, though fragile in their chemical composition, has the power to transport us across spatio-temporal barriers and beyond the usual dimensions of the performing arts on stage. As an art form, the Magic Lantern projects a wonderfully mnemonic quality, casting remembrances against the screen, something like a phenomenal memory bank on display, for all to explore at the same time, bringing us in the hall to view them together, though we might never agree on what we saw in those same pictures" (3).
Publicity from Press Clippings, vol. 1: St Elmo (1914), "the Greatest American Feature" (courtesy of Marc Wanamaker).
Glassed-in studio from inner studio grounds, circa 1917.
Major Balboa actors circa 1916, including in the front row, left to right, Daniel Gilfether, Mollie McConnell, Jackie Saunders, Roland Bottomley, and second from the right, Myrtle Reeves (courtesy of Marc Wanamaker).
More studio folk, including in the middle Myrtle Reeves, future wife of Oliver Hardy of Oliver and Hardy fame, in front of Balboa office buildings (courtesy of Marie Osborne).