Donato, Clorinda with Bob Maniquis. The Encyclopedie
in the Age of Revolution (G.K. Hall, 1992).
Fleck, Stephen. “From Personnages to Personæ:
On the Evolution of Molière’s Late Dramaturgy.” Le
Nouveau Moliériste 7 (2008): 59-81.
---. “L’imaginaire du Malade : Musique, voix, et masque dans la fête ultime de Molière.” Actes of the
Biennales Molière, Molière et la Fête. Ed. Jean Emelina. Pézenas: Ville de
Pézenas, 2003. 307-28.
---. “Modernité de la Comédie-Ballet.” Theatre,
Fiction, and Poetry in
the French Long Seventeenth Century/Le Théâtre, le
roman, et la poésie à l’âge
classique. Ed. William Brooks and Rainer Zaiser.
---. Music,
Dance, and Laughter: Comic Creation in Molière’s
Comedy-Ballets. Tübingen: PFSCL-Biblio 17 (88), 1995.
---. “Représentation et
spectacle dans les comédies-ballets : De la représentation du
monde à la création du spectacle total.” L'âge de la représentation:
L'art du spectacle au XVIIe
siècle (Actes du IXe Colloque du Centre International de Rencontres
sur le XVIIe siècle,
---. “Rustic Games: George Dandin
at the Limits of Genre.” Actes du 32e congrès annuel de la North
American Society for Seventeenth French Literature, Tulane University, 13-15 avril 2000. Tübingen:
Biblio-17/Gunter Narr, 2001. 179-89.
---. “The Mirror and the Looking-Glass: Vraisemblance and Invraisemblances
in Later Molière.” Formes
et formations au dix-septième
siècle. Actes du 37e congrès annuel de la North
American Society for Seventeenth Century French Literature, University
of South Carolina, Columbia, 14-16 avril 2005. Ed. Buford Norman. Tübingen, G. Narr, 2006. 273-282.
Forney, Kristine. “’Nympes
en abry du Laurier’: Music Instruction for the
Bourgeois Woman,” Musica Disciplina 49 (1998): 231-67. The Enjoyment of Music,
9th ed. (Norton, 2003) with print and electronic ancillaries (www.wwnorton.com/enjoy).
---. “A Gift of Madrigal and Chansons: The Courtship
of Elizabeth I by Erik XIV of
---. Entries in The New Grove Dictionary of Music
and Musicians (Macmillan, 2001)
---. The Norton Scores, 9th ed (Norton, 2003), 2 vols.
Gasior, Bonnie, with Mindy Badía,
eds. Crosscurrents: Transatlantic Perspectives on Early Modern Hispanic
Drama (Lewisburg:
---. “Erasing the (Monstrous) Feminine: Juan Pérez de Montalván’s La monja alférez,” “Beyond the
Convent: Colonial Women’s Voices and Daily Challengings
in
---. “Transatlantic Changes and Exchanges: The
Permeability of Culture, Identity, and Discourse in Early Modern Spanish and
Spanish-American Theater,” Introduction, Crosscurrents, 13-24.
---. Theater review of Don Quijote:
La última aventura
(Bilingual Foundation of the Arts,
---. Theater review of Los empeños
de una casa (Bilingual Foundation of the Arts,
Jones, Stanley with S. Mimouni,
ed. and introd. Le judéo-christianisme
dans tous ses états: Actes
du Colloque de Jérusalem
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Jones, Stanley. “Eros and Astrology in the Periodoi Petrou The Sense of the
Pseudo-Clementine Novel,” Apocrypha: Revue internationale
des littératures apocryphes
12 (2001): 53-78.
---, ed. and introd. Which
Mary? The Marys of Early Christian Tradition
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---. “An Ancient Jewish Christian Source on the History
of Christianity: Pseudo-Clementine “Recognitions” 1.27-71, Texts and
Translations 37 (Scholars, 1995).
---. “Jewish Christianity of the Pseudo-Clementines,” A Companion to Second-Century Christian
“Heretics,” ed. Antti Marjanen
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76 (Brill, 2005).
---. “The Book of Elchasai
in Its Relevance for Manichaean Institutions with a Supplement: The Book of Elchasai Reconstructed and Translated,”
Kelleher, Marie. “‘Like Man and Wife’: Clerics’
Concubines in the Diocese of
---. “Boundaries of Law: Code and Custom in the Legal
Practice of Early Medieval
---. “Feudalism,” “Reconquista,”
and 30+ additional entries for Peter C. Mancall, ed.,
Three Worlds Meet (
---. Review of Adam Kosto, Making
Agreements in Medieval
Kermode, Lloyd, with Jason Scott Warren and Martine
van Elk, eds. Tudor Drama Before Shakespeare, 1485-1590: New Directions for
Research, Criticism, and Pedagogy (Palgrave, 2004).
Kermode, Lloyd. “‘Marlowe’s
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---. “Destination Doomsday: Desires for Change and
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---. “Tempo/Tempest: The Timeliness of Shakespeare in
the Diverse Classroom.” Shakespeare Yearbook 12 (2001).
---. “The Playwright’s Prophecy: Robert Wilson’s The
Three Ladies of London and the ‘Alienation’ of the English.” Medieval
and Renaissance Drama in
---. “To the Shores of Life: Textual Recovery in Lycidas.” Milton Quarterly 31.1 (March 1997).
Miller, Julia. “The Ognissanti
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Nolan, Lawrence. “Descartes on Self-Knowledge: A
Defense Against Malebranche’s Critique,” Journal of the History of
Philosophy.
---. “Descartes’s
Ontological Argument,” Stanford Encyclopedia of Philosophy (Internet
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Serrano, Nhora Lucia. “Don
Quixote,” “Michelangelo,” and “Dante,” Men & Masculinities: A Social,
Cultural, and Historical Encyclopedia (ABC-CLIO, 2003).
---. “Madame de Lafayette (1634-1693),” The Age of
Milton: An Encyclopedia of Major 17th Century British and American Authors
(Greenwood Press, 2004).
---. “Marilyn Desmond and Pamela Sheingorn,
Myth, Montage, and Visuality in Late Medieval
Manuscript Culture: Christine de Pizan’s Epistre Othéa,” The Comparatist 29 (2005).
---. Under consideration: Co-editor of Curious
Collectors, Collected Curiosities: An Interdisciplinary Study. “Leonardo da Vinci’s Workshop and Notebooks: The Early Modern Cabinetmaker,”Curious Collectors, Collected
Curiosities: An Interdisciplinary Study.
Steigerwald, Diana. “Faith (îmân) and
Intellect (`aql) in Shî`ite
Tradition,” Religious Studies and Theology 19.1 (2000): 26-39.
---. “La mystique de Jalâl
al-dîn Rûmî (m. 672/1273)
par la danse cosmique des derviches tourneurs,” Folia Orientalia 35 (1999): 147-156.
---. “La pensée d’al-Fârâbî (259/872-339/950) son rapport avec la pensée ismaélienne,”
---. “Le Logos: clef de l’ascension
spirituelle dans l’ismaélisme,” Studies in Religion/Sciences religieuses 28.2 (1999): 175-196.
---. La pensée philosophique et théologique de Shahrastânî (m. 548/1153) (Laval University Press,
1997).
---. L’islâm: les
valeurs communes au judéo-christianisme
(Médiaspaul, 1999).
---. Majlis discours sur l’Ordre
et la création de Shahrastânî
(m. 548/1153) (Laval University Press, 1998).
Van Elk, Martine, with Lloyd Edward Kermode and Jason
Scott Warren, eds. Tudor Drama Before Shakespeare, 1485-1590: New Directions
for Research, Criticism, and Pedagogy (Palgrave, 2004).
Van Elk, Martine. “‘Determined to prove a villain’:
Criticism, Pedagogy, and Richard III,”
College Literature 34 (Fall 2007).
---. “‘Our praises are our wages’: Courtly Exchange,
Social Mobility, and the Female Body in The Winter’s Tale,” Philological
Quarterly 79 (Fall 2000), rpt. in Shakespearean Criticism vol. 81
(Gale, 2004).
---. “‘When female weakness triumphs’: Torture and
Perversion in Four Plays by Hrotsvit of Gandersheim,” Gender Reconstructions: Pornography and
Perversions in Literature and Culture, eds. Cindy L. Carlson, Robert L. Mazzola, and Susan M. Bernardo (Ashgate,
2001).
---. “Lady Mary Wroth’s Love’s
Victory,” Reading Early Women: An Anthology of Printed Texts and
Manuscripts, 1500-1700, eds. Helen Ostovich and
Elizabeth Sauer. (Routledge, 2003).
---. “The Counterfeit Vagrant: The Dynamic of
Deviance in the
---. “Urban Misidentification in The Comedy of
Errors and the Cony-Catching Pamphlets,” Studies
in English Literature 43.2 (Spring 2003), rpt. in Shakespearean
Criticism vol. 87 (Gale, 2005).
Vollendorf, Lisa, ed. Recovering
---. “A Different Kind of Wonder: Women’s Writing in
Early Modern Spain,” Culture and Sovereignty in the Baroque, ed. Patrick
Coleman and Massimo Ciavolella (
---. “Cervantes and His Women Readers,” Romance
Quarterly (2006). Literatura y Feminismo en España (s. XV-XXI) (Icaria
Press, 2006).
---. María de Zayas’s Early Modern Feminism (UNC Press, 2001).
---. The Lives of Women: A New History of
Inquisitional