Exhibitions

It moves forward, always 

February 13–May 9, 2024 

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Sky Hopinka This is you describing what I saw, 2019 Inkjet print, etching 13 x 13 inches / 33.02 x 33.02 cm AP 1, Edition of 3, 2 APs Courtesy of the artist and The Green Gallery, Milwaukee © Sky Hopinka
Sky Hopinka. This is you describing what I saw, 2019. Inkjet print, etching. 13 x 13 inches. AP 1, Edition of 3, 2 APs. Courtesy of the artist and The Green Gallery, Milwaukee. © Sky Hopinka

It moves forward, always explores photography’s ability to connect and reveal multiple timelines: geologic, social, imagined, or historical. The exhibition brings together nine artists including Laura Aguilar, Ilana Harris-Babou, Pao Houa Her, Sky Hopkina, Tom Jones, Hasabie Kidanu, Tarrah Krajnak, Dionne Lee, and Daniel Ramos whose lived experiences and critical perspectives engage themes surrounding land, place, and memory.

Whether excavating historical traces in the natural world, giving architectural shape to latent memory, or performing within the complexities of the landscape, this inter-generational group of artists offers ways for sensorial and embodied engagements with time. We invite you to view the artists’ work with an openness not limited by the lens of curatorial vision, but by the ability of the works to communicate visually and be expanded by other works throughout the exhibition. We encourage museum viewers to experience the unresolved, revel in the poetic, and arrive at multiple possible meanings.  

Organized by Paul Baker Prindle, Carolyn Campagna Kleefeld Contemporary Art Museum Director; Lacey Lennon, Assistant Professor of Photography; and Rebecca Sittler, Professor of Photography, California State University, Long Beach. 

Funding support for this exhibition is graciously provided by the Carolyn Kleefeld Endowment, The Constance W. Glenn Endowment, the Brooks Endowment, Arts Council for Long Beach, and Instructionally Related Activities funding from Associated Students, Inc.

timo fahler

February 13–May 9, 2024 

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timo fahler, Tlaloc, Chalchiuhtlicue and the great flood, 2022. rebar steel, steel, stained glass, lead, aluminum. 38 ½ x 39 x 12 inches. Courtesy of Sebastian Gladstone. © timo fahler. Photo by Sebastian Gladstone Gallery
timo fahler, Tlaloc, Chalchiuhtlicue and the great flood, 2022. rebar steel, steel, stained glass, lead, aluminum. 38 ½ x 39 x 12 inches. Courtesy of Sebastian Gladstone. © timo fahler. Photo by Sebastian Gladstone Gallery.

Blending Christian and Aztec traditions, timo fahler's stained-glass panels speak to his Mexican American heritage. The works, both made in 2022, are titled Tlaloc, Chalchiuhtlicue and the great flood and Tlaltecuhtli and the Creation Myth and depict Aztec gods and creation myths. The artist’s use of glass alludes to the medium’s use in religious settings and places symbols of cultural hybridity in a reverential context. Casting double images upon the wall, these works encourage viewers to contemplate dual identities at work in personal mythology.

Aneesa Shami Zizzo: RECLAMATION

February 13–May 9, 2024 

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Aneesa Shami Zizzo  Hadith, 2019 reclaimed textile industry fabric samples using handstitched applique  24 x 18 x 1 inches Part of Something Sacred series Courtesy of Aneesa Shami Zizzo © Aneesa Shami Zizzo Photo credit: Cecily Brown
Aneesa Shami Zizzo, Hadith, 2019. reclaimed textile industry fabric samples using handstitched applique. 24 x 18 x 1 inches. Part of Something Sacred series. Courtesy of Aneesa Shami Zizzo. © Aneesa Shami Zizzo. Photo by Cecily Brown.

Aneesa Shami Zizzo: RECLAMATION considers the process of constructing and reclaiming one’s identity by attending to shared memory. Repurposing discarded materials, such as thrifted and gifted yarn, fabric samples, and old magazines, Shami Zizzo creates weavings, appliqued tapestries, and paper collages that become embedded with cultural traditions and personal narrative. Her work echoes her experiences as a second-generation Arab American and expresses notions of the cyclical nature of life and self-reflection

Judy Fiskin: Some small memories

February 13–May 9, 2024 

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Judy Fiskin, Long Beach Pike (go-karts), 1980. gelatin silver print on paper. 7 1/2 x 5 1/8 inches. Collection of Carolyn Campagna Kleefeld Contemporary Art Museum. Purchased with funds from the National Endowment for the Arts.

Originally produced as part of Long Beach: A Photography Survey, a project co-organized by our Museum and the Center for Southern California Studies in Visual Arts in 1980, Judy Fiskin's photographs capture the evolving landscape of Long Beach and Signal Hill. Her images document rapid city development and highlight the architectural erasure that came with growth. Shot in stark black and white and printed in miniature scale, the works evoke the fleeting nature of time and memory.

Rita Letendre: Light/Dark/Movement

February 13–May 9, 2024 

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Rita Letendre Burning Speed, 1967 Serigraph Edition: 7/15 13 3/4 x 17 5/8 inches Collection of Carolyn Campagna Kleefeld Contemporary Art Museum Gift of The Estate of Rita Letendre, 2022.7.2 © The Estate of Rita Letendre
Rita Letendre, (detail) Burning Speed, 1967. Serigraph. Edition: 7/15. 13 3/4 x 17 5/8 inches. Collection of Carolyn Campagna Kleefeld Contemporary Art Museum
Gift of The Estate of Rita Letendre, 2022.7.2. © The Estate of Rita Letendre

Rita Letendre's prints curated from the Museum’s permanent collection explore the tension between light and dark, creating a dynamic sense of movement. Created in 1967, featured works reflect her exploration of the physical and psychological effects of color and form through crisp geometric abstraction.

Ahree Lee: Fabrication

February 13–May 9, 2024 

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ahree lee installation

Ahree Lee's installation, Fabrication, considers the intersection of technology, labor, and gender through three components: TEXTILE 1.0, Binary System, and Tomorrow, Today. Lee explores coded signifiers within 20th century modernist technological frameworks and ponders consequential developments in our cultural history. Installations reference kitchen tools, mid-century design, textile crafts, and early computer programming. Through these multilayered allusions to sociotechnical development, Fabrication asks us to imagine what an alternative future could look like if technology had evolved differently.

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Arthur Tress, The Final Reward, 1991. Cibachrome print on paper. 24 x 20 inches. Collection of Carolyn Campagna Kleefeld Contemporary Art Museum. Gift of the Artist
Arthur Tress, The Final Reward, 1991. Cibachrome print on paper. 24 x 20 inches. Collection of Carolyn Campagna Kleefeld Contemporary Art Museum. Gift of the Artist.
Arthur Tress: Photographs from the Collection

September 14, 2023–May 9, 2024 

Vibrantly colored images and archival materials originally from Arthur Tress’s 1994 CSULB exhibition, Requiem for a Paperweight are on view in the Prints and Drawings and Archives Room. Narrating existential crises of an office worker navigating capitalist society, Tress described this series of work as a “meditation on the destiny...of an individual contemplating his own definitive departure from existence.” Archival materials related to Arthur Tress: Photographs from the Collection, are on view through May 9.

Arthur Tress (b. 1940 New York City) is an American photographer known for his personal mode of “magic realism” combining improvised elements of actual life with stage fantasy that became his hallmark style of directorial fabrication. Early bodies of work in the 1960s and 1970s sought to raise environmental awareness about the economic and human costs of pollution. through photographing the neglected fringes of the New York City urban waterfront with a straight documentary approach. Later bodies of work dealing with the hidden dramas of adult relationships and the reenactments of male homosexual desire evolved from this primarily theatrical approach. The Museum presents composite Cibachrome prints which were gifts from the artist in 1995. These vibrant color works which explore narrative still life within a children’s toy theater, a portable nineteenth-century aquarium, and other composite images which contain complex social themes, yet feel almost surreal in nature.

Carolyn Campagna Kleefeld: Cosmic Connections

Through 2024
Carolyn Campagna Kleefeld Gallery

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uncorrupted mystery
Carolyn Campagna Kleefeld, Uncorrupted Mystery, 1990. mixed media on canvas. 40 x 72 inches. Collection of Carolyn Campagna Kleefeld Contemporary Art Museum. Gift of the artist.

Carolyn Campagna Kleefeld: Cosmic Connections is the third exhibition of the artist’s work drawn from the Museum’s collection. Drawn from multiple series of work, this exhibition includes several of the artist’s large abstract paintings and related drawings made in the late 1980s and early 1990s. As the artist increasingly identified as a poet and visual artist, she began to create abstract, gestural works referencing the landscape and the cosmos. Two bodies of work, Cosmic Connections and Landscape Abstractions, reflect Kleefeld’s deepening understanding of her position within what she calls “the flow.” Recognizing herself as a creative being within a larger natural universe, Kleefeld’s work from this period expresses her continuing exploration of spiritual movements and consciousness-expansive practices. Including the most representative works from this period in her oeuvre, Cosmic Connections will remain on view through 2024.