Will
fans see the likes of ‘Friends’
again?
By
Aaron Barnhart
The Battalion
COLLEGE
STATION, TEXAS (U-Wire) — “Friends”
has had more jump-the-shark moments in
its 10-year run than any TV show ever.
But they say what doesn’t kill you
makes you stronger, and “Friends”
is proof of that.
After
roaring back to life time and again, it
gets to leave the airwaves this Thursday
on its own terms. Ross, Rachel, Monica,
Chandler, Phoebe and Joey may or may not
be “friends to the end,” but
they certainly learned how to work together
as negotiation partners.
Not
only did each of them earn $1 million
for each of the last 18 episodes of this
season, but they also were able to cancel
their own show while it was still going
strong and move on to new things. (Matt
LeBlanc will star in “Joey,”
a spin-off comedy for NBC next season.)
Marta
Kauffman, one of the co-creators and executive
producers of “Friends,” said
recently that Thursday’s finale
“will not be an aberration.”
There may or may not be one last wedding,
but clearly the people responsible for
“Friends” learned their lesson
watching “Seinfeld’s final
season.
Meanwhile,
“Friends” just continued to
surpass expectations. Originally branded
as a Gen-X comedy, it inspired a multitude
of knockoffs. Even NBC tried other ensemble
shows with hip young people hanging around
drinking coffee.
It’s
interesting to compare “Friends”
with “Frasier,” the other
NBC comedy signing off this spring (May
13). Five years ago, if you were to have
bet which show would be treated to a lavish
farewell, you’d probably have picked
“Frasier.” Spun off from “Cheers”
in 1993, it had an immediate impact on
urban America, and it was showered with
Emmy awards early on, including best comedy
series five years running, from 1994 to
1998.
Or
compare “Friends” and “Everybody
Loves Raymond,” the show that will
get the “Friends” treatment
next season if its principals make good
on their threat to quit “Raymond”
in 2005. It’s a classic comedy that
depends heavily on comic pauses, much
as the Norman Lear shows of the 1970s
did. Laughs can be drawn out for 10 or
20 seconds if need be.
“It
is such an extraordinarily sophisticated
show, and yet they make it look effortless,”
says Robert Thompson, the TV expert at
Syracuse University. “I would argue
that ‘Friends’ is good if
you’re half-asleep. You could even
get something out of it if you’re
half dead.”
No
one knows that better than NBC entertainment
honcho Jeff Zucker, who broke the bank
to bring “Friends” back for
a 10th season only to watch helplessly
as one of his brightest new comedies,
“Coupling” went down in flames
after a month on the air.
Many
people have commented that it feels like
the passing of an era, because networks
are no longer churning out hit comedies.
Instead, they’re investing in reality
shows, which don’t require writers,
are much cheaper to produce and deliver
young, advertiser-friendly viewers in
droves.