VOL. LIII, NO. 81
California State University, Long Beach Feburary 26, 2003
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HBO documentary discusses slavery


By Monica Levette Clark
On-line Forty-Niner

Sarah Gudger, Frances Black, Henry Coleman, Jennie Proctor, Rosa Spark, Mary Estes Peters and Elizabeth Sparks were all former slaves.  They were also among 2,000 black men and women whose lives as former slaves were brought to life in a moving, historical documentary.
 
“Unchained Memories: Readings of the Slave Narratives,” an HBO documentary that premiered Feb. 10, was screened at a small gathering in the University Student Union Tuesday night.
 
Once reluctant to speak about life slavery times, these men and women, in their golden years, agreed to have their personal experiences recorded and documented between 1936 and 1938 by journalists of the Federal Writer’s Project, in an effort to preserve their accounts of this shameful part of America’s history.
 
In a broken, southern English vernacular celebrities such as Oprah Winfrey, Samuel L. Jackson and Don Cheadle verbalized the memoirs of these and other former slaves, bringing personality to the untold stories, and giving students viewing the documentary a harsh dose of a reality that is unfathomable today.
 
On most plantations, the enslaved men and women worked from sunrise to sundown, Monday through Saturday, and sometimes Sunday. Yet, everyone but themselves profited from their labor, prompting the belief of some that “America was built on the backs of blacks.”
 
Rosa Stark, who once lived on a plantation, explained that slaves were put into three categories by their owners depending on where they worked on the plantation.
 
As explained in the documentary “House niggers” were of the first class, referring to those who worked inside. “Field-hand niggers” were of the third and lowest class, and referred to those who labored outside, picking cotton or tobacco leaves.
 
White men considered sexual advances toward the black women they owned, to be their prerogative, raping the ones that resisted those advances.
 
Mary Renolds was a product of miscegenation, as was Mary Estes Peters, who was the product of a gang rape by white men passing through the plantation which her mother lived on.
 
Whipping slaves was another aspect of this harsh reality.
 
“They beat you cross-wise so your flesh would cut up in squares,” said Charles Grainley in his memoirs.
 
Whippings were sometime done in front of crowds of people, creating a public spectacle to terrorize and belittle a slave.
 
The domestic life of a slave was bleak. Slave quarters were small log cabins with dirt floors and unbearable bunks. Food rations included molasses, corn meal and sometimes salted pork, given out once a week.
 
Slave marriages had no legal standing and could be broken up at the owners’ discretion. Many of the memoirs included accounts of married men and women that saw each other once or twice a week. Many marriages were even arranged by the owners.
 
The 74-minute documentary included graphic scenes of bound slaves in chains and iron collars, and reels of spirituals also known as slave songs.  The documentary was a reminder to the students of the devastating and lingering effects of slavery on the black community’s conscience, and proof that slavery and all of its evil acts existed in America.



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