VOL. LIII, NO. 71
California State University, Long Beach Feburary 11, 2003
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. News  
 

Titanic exhibit journeys through time


By Cynthia Tom
Special to the On-line Forty-Niner

It starts with a boarding pass, and then the journey begins.
 
grand staircase“Titanic: The Artifact Exhibit,” which opened Sunday at the California Science Center, is as much of a voyage for visitors as the journey that Titanic promised its passengers almost 90 years ago.
 
“It’s incredible to see how this story speaks to people,” said Mark Lach, vice president of exhibit design for Clear Channel Exhibitions, which produced the exhibit. “This is a real ship and real lives. Seeing that for themselves is a compelling experience for visitors.”
 
The experience starts the minute visitors line up for entry, when they’re given boarding passes to “sail” aboard R.M.S. Titanic. Each boarding pass contains individual passenger information such as a name, age, class of passage booked, final destination and reason for travelling.
 
“As visitors go through the exhibit with their boarding card, they have a true bond to the name on it,” said Lach.
 
The chronological journey continues into a room with a single artifact, a man’s bowler hat, and a single quote to accompany it.
 
“These three-dimensional objects, more than words or images, represent the vessel and the 2,228 souls who journeyed with her into history.”
 
Peppered throughout the exhibit are hundreds of artifacts that have been recovered from the crash site and painstakingly preserved. Personal items, such as perfume vials, and symbols of Titanic’s grandeur, such as fine china, tell the story of the fateful journey as authentic recreations of key areas of the ship set the stage.
 
Passengers are invited to stroll through a first-class hallway to the Veranda Café, which explores the dining experience onboard from menus to cookware. Elsewhere, the well-known Molly Brown and Captain Edward Smith greet passengers at the meticulously recreated grand staircase.
 
Particularly engaging are the staterooms, which are replicas complete with furnishings made by original manufacturers. In these staterooms, visitors can “meet” fellow passengers who tell their true tales and interact with guests. Their poignant, and often tragic accounts make it clear that Titanic’s story has very little to do with the ship and everything to do with the people who sailed aboard it.
 
A common theme throughout the exhibit is the use of life-size photos as well as quotes and biographical information from passengers and crew.
 
The humanity in the story is particularly conveyed in the striking gallery, where passengers can touch an “iceberg” and read quotes from the passengers who experienced it.
 
“I will not be parted from my husband. As we have lived, so we will die. Together,” said Mrs. Ida Straus, a first class passenger whose husband owned Macy’s department stores.
 
The memorial gallery tells the story of Johan Svenson, a third class passenger who sensed danger despite speaking no English. As the ship began to sink, Svenson climbed the Titanic’s rigging and leapt into a nearby lifeboat, falling 20 feet into a mass of people just minutes before the ship sank. Svenson later changed his name and settled in Long Beach as a ship welder.
 
Also in the memorial gallery are large panels that list all passengers by class and whether or not they survived. This is, for many, the most moving part of the exhibit; the place where passengers pull out their boarding cards and see whether or not they survive.
 
“It’s amazing how this story from nearly a century ago is still intriguing and impacting so many,” said Matthew Lok, one visitor who stopped to see whether or not his boarding card had the name of a survivor. “This exhibit is a great way to keep that spirit of intrigue alive and to bring a story of this scope to a personal level.”
 
Lok, whose boarding pass identified him as a doctor who was travelling home from his wedding in France, did, indeed, survive.
 
“We all know the end, so the suspense is gone, but the story is really the human story,” Lach said. “There was a real sense of duty and heroism on board. Many people gave up their spaces in the lifeboats, and many of the crew members had to be ordered to leave the ship.”
 
The exhibit concludes with a look at the recovery and restoration process, as well as the technology used to restore Titanic artifacts from the crash site, 2.5 miles below the ocean’s surface. Included in this portion of the exhibit is the “Big Piece,” a 15-ton section of Titanic’s hull that is the largest artifact recovered from the crash site.
 
“There’s no other place these items can be seen,” Lach said. “It’s a theatrical, experiential exhibit that hopefully connects visitors with the dignity, honor and respect of Titanic that’s deserved.”
 
“Titanic: The Artifact Exhibit” is open through Sept. 1.

 


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